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Drama In English Drama Essay

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Literature produced anywhere and at any time, does not exist in a vacuum. It becomes expressed in the context of people through the medium of a language. Besides, mental climate which gives rise to such an aesthetic expression evolves from an organic conditioned by the political realities, economic forces, social aspirations, and spiritual quests. The state of growth and sophistication of the society, as well as its degeneration and decay, become reflected in the milieu, and capsuled in the literature. It has always provided us glimpse of human life and its fullness in the thoughts and emotions, visions, ideals and follies. Literature is that imaginative recreation of human experience into an organized pattern for the purpose of representing, …show more content…

Again, though each was individualistic with special marked characteristics, they all had equally recognizable common features. A drama in action is a common feature. A drama in action is a combination of dance and music along with the spoken word. The Indian theatrical production is marked with the quality of the inspiration that flows as vocabulary and this vocabulary is conditioned directly by the outer manifestations. In Indian drama that dialogues get improvised as the action moves along because drama is but the reflection of life, working out the relationship between individuals, and as also between individuals and the …show more content…

There seems to be a new search for the Indian identity. A natural desire has evolved to pull out some of the old treasures that were perhaps casually set aside under the advent of new arrivals from foreign lands, a healthy assimilation of the desi and the foreign. The passage of time allowed the Indian Theatre of flourish in a host of regional languages. To note down, the Bengali Theatre started its journey through social dramas of Girish Chandra Ghosh, historical dramas of D.L. Roy and artistic dramas of Rabindranath Tagore, Sri Aurobendo Ghosh and H.N. Chattopadhyay making the beginning of the parallel Theatre. Closely following the trends of Bengali Theatre, Theatres of Kannada, Gujrati, Oriya and Hindi were also

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