Film creators strive to create a reality as captivating to the audience, and the sound plays an important role in this. Sound shapes this made reality directly and subliminal (Holman, 2010, XI-XII), it ensures its continuity as a presence and an ambiance. Humans have a very accurate auditory sense – a legacy of skills in survival from prehistoric times – which detects and alarms at the smallest disparity. For this reason the quality and matching of the sound with diegetic environment are essential for authenticity of the created filmic reality. Therefore, is required an iconic relation between a sound and its source, symbolic sound, as a poetic reference to the source, holding a small share of the film’s soundtrack.
Because film is an art that unfolds in time unequal delivered to the audience through the cut, the sound iconicity is
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When we hear a noise or a sound, the same atavistic survival instinct help us to determine from which direction it comes, but also urges us to turn our head to see its source. Failing to identify the source creates anxiety. The film director by delaying the de acousmatisation can dose the audience 's emotions, but, sooner or later, any sound source must be revealed. Another aspect of the iconicity is the sound accuracy. If in daily life sounds are mixed up and sometimes simultaneously, filmmakers, even in cinévérité, choose and deliver them clearly and in a designed mix. Also, if listened without watching the image, these mixed sounds looks exaggerated and somehow unnaturally clear, hyperreal (Chion, 1994, 99; Holman, 2010, XII). Contrariwise, listened in the audiovisual complex of the film, sounds appear natural enhancing, and even can change the narration. This esthetic need for a clear sound is cultural not human nature, and an explanation lies in the strive of early sound film
This recreation of the ambient sound also helps place the viewer in the scene which, results in more emotions being
Children laughing showing the happiness that is supposed to occur in youth. Even the lack of sound in the movie theatre gives you the impression of contentedness as the crowd watches a film. All these sounds add emotional depth to the scene that cinematography
Sound is very important in this film because of lot of sound is edited to fit in certain spots including music. During the activist movement, we can clearly hear the hurt in these people voices. Riots, shouting and clapping were all heard in most of the shots along with a voice in the background explaining exactly what is going on. Music was edited into some of the scenes to help give more of a scary or haunted approach. There was also sounds that were in scenes which sounded like someone or something huge is about to take place.
The post-production soundtracks that the film set includes natural voice, local music and poetry. The film also contains footages that has different point of view from different perspective on two different lands. Such documentary is a really in depth piece of art that focus heavily on the creation of natural sounds, and relativity light on the visual senses. In the film, by separating the visual and auditory, viewers can enhance the concentration of the pictures and also escape synchronied sound environment. As a result of that, as a viewer of this film, I can truly feel such unique way of presentation of the film allow different perspective to be brought out, and give audiences a better understanding of what the “fact” is
Napoleon Dynamite, directed by Jared Hess, is an unique comedy following the life of a teen named Napoleon. Essentially, the film’s plot is following Napoleon, his family, and their odd adventures. The film shows Napoleon’s high school journey and his new friendships with Pedro and Deb. In the film, Napoleon and Deb work together to help Pedro run for the school president. Additionally, it follows Uncle Rico’s small businesses and Kip’s online love life.
The Use of Different Stylistic Techniques Tim Burton was a famous director that makes famous movies. Tim Burton was influenced by Dr.Seuss,fairytales, and Edgar Allen Poe. His films are very colorful and playful and can also be dark. Tim Burton has unique and different ways of using cinematic techniques to create feeling from sound, camera movement, and camera angles. Sound effects can be a big part of movies.
Herbie Hancock once said, “Music happens to be an art form that transcends language.” Music is never mastered, always a wild animal which some happen to be lucky enough to capture, if only for a few moments. John Williams is one such man. Known for his legendary movie scores as well as his stirring themes, there is no doubt that Williams has been gifted with an extraordinary ability to capture our hearts and minds with melodies and rhythms.
These portions of the movie provide the viewers a visual feast. For instance, starting with a tracking shot from the air, the movie opened from Paris’ sky into a train station, and these beautiful sceneries of Paris first attract viewers’ attention. At the same time, the background music full of mysterious color provided infinite imaginary space for the audience. Not only providing imagination, the tight music also foil out the film’s tense atmosphere. Moreover, Asa Butterfield, a young actor who has participated in several excellent movies, does his great job again in this movie.
Sound is being used to create or sense the mood for the audience. For example, when Kim’s father is outside, diegetic sound is used so the characters hear the baseball game playing in the background which makes the situation exciting for the audience. Edward finishes trimming a bush (the dinosaur) and everyone is amazed. This can appear to create a dramatic and happy effect for the audience. The sound then crescendos to make it seem as if Edward is being cheered on by the crowd.
Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud.”
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
“Lamb to the Slaughter” has two short movie versions, a colored version by John Davis and the black and white version by Alfred Hitchcock. I watched both of the movies and enjoyed the black and white version better. My first reason for choosing the black and white versions is because it looks more realistic. My example, for this reason, is that Mrs.Malony actually hits Mr.Malony on the head with the lamb leg and where he actually falls onto the ground and dies.
Silent movies were almost always accompanied by music, from a multipieced pit orchestra to a single piano or even a guitar. This is why silent film audiences seemed perfectly happy with silent movies. There was also technological difficulty of matching sound with visuals so that everyone in the audience could hear. The problems were synchronisation and amplification. A vitaphone was something that produced the first commercially viable sound system.
Classical Hollywood film style is structured narratively with a clearly defined conflict which is introduced early in the film, then a problem arises where the characters are forced to work through the problem, and at the end of the film the problem is resolved. Film makers rely on style- structure, narrative, & visual elements – to effectively tell their story. Classical Hollywood films are filmed in a control environment where the director is in control of what is happening in the film. The goal of classical Hollywood film style is to make it as realistic as possible, where the film is believable to the viewer. The films flow with ease, all resulting from crucial editing.
To help explain this analysis I am using the animated movie Wall-E made in 2008 by Ben Burtt as a case study . Ben Burtt is known as “The Father of Modern Sound” (Ciccarellli, 2009) because of his