The Importance Of The Globe Theatre
The Globe Theatre was a playhouse built by William Shakespeare’s company, better known as Lord Chamberlain’s Men, in Southwark on the south bank of the Thames River in London. It was quite large and could hold many people at one time. However, since Shakespeare’s company was not allowed to use the special roofed facility, also known as the Blackfriars Theatre, the Globe Theatre was built as a result. That was the only reason for the construction of the Globe Theatre. Many of Shakespeare’s plays were performed there and the theatre quickly got very famous. The building of The Globe Theatre was no small task. It was a very expensive building and required much time and hard work. Shakespeare paid a sum of money that was equivalent to twelve and a half percent of the cost for the entire building. His investment gave him along with many other leading actors a share in the company’s profits and their playhouse. He also made a consortium with many actors, who became co-owners of the building, to help pay for the expenses of the theatre. And since there was a shortage of money, the consortium gave up the idea of having an indoor theatre. To save themselves money, they actually took timbers illegally from the old playhouse to build the skeleton for The Globe Theatre. They also decided while building it to keep the same basic auditorium shape from The Theatre, which was an old theatre that Lord Chamberlain’s Men performed in. The size of The
Federal Theatre Project Essay
851 Words | 4 PagesThe Federal Theatre Project was a New Deal plan, administered by the Works Progress Administration (WPA), during the Great Depression. The FTP came about during the height of the Great Depression, 1935, only four years before the Depression came to an end. The Great Depression has been referred to as the greatest economic disaster in the United States and lasted from 1929-1939 (history.com). During this time, nearly 13 million Americans were unemployed (history.com). The FTP was administered by the WPA in hopes to send many unemployed theatre professionals back to work.
Popular Theatres In The 1920's
122 Words | 1 PagesRevue musical theatres are multi-act theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Revue theatres are most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Due to high ticket prices, the revue was typically patronized by audience members who earned even more and felt even less restricted by middle-class. Like much of that era's popular entertainments, revues often featured material based on sophisticated, irreverent dissections of topical matter, public personae and fads, though the primary attraction
Compare And Contrast The Pacific Theatre And American Theatre
929 Words | 4 PagesThe European and Pacific Theatre There were many battles in World War II, all of them being important and having different outcomes. Two main theaters we are focusing on are going to be the European Theatre where the Invasion of Normandy took place, along with the Pacific Theatre where the Attack on Pearl Harbor occurred. Both events had major impacts on the outcome of World War II, along with all the other battles we encountered. If ether of these battles turned out differently, America may not have become the amazing beautiful place it is today. The battle of Pearl Harbor occurred early morning in Honolulu, Hawaii on December 7, 1941.
History Of The Federal Theatre Project
1263 Words | 6 PagesThe Federal Theatre Project came to an end because the government stopped funding the project because they believed it promoted communism. The Federal Theatre project created job opportunities, served as an apparatus, used theatre to educate people, theatre became
Vaudeville Theater's Influence On Popular Culture
780 Words | 4 PagesThe emergence of a popular mass culture depended upon the introduction of many new forms of entertainment such as film, radio, and theater. One of the most notable forms of theater that emerged was vaudeville, which gained popularity in the late 1800’s, reaching its height in the 1910’s through the 1930’s. Vaudeville theaters’ affordability and accessibility allowed Americans of different ethnic and social backgrounds a chance to socialize in a way that was previously not allowed. Vaudeville had a major impact on popular culture and many films took much of their content from vaudeville acts. An example of a film that was influenced by vaudeville is the play turned film, Wonder Bar.
How Did Alain Locke Influence The Harlem Renaissance
450 Words | 2 PagesIt opened in 1912, with two stories, and the capability to seat 1,500 people. During the Harlem Renaissance, it was used often. This is because among the many arts that were growing in Harlem during the 1920s, theater and music were greatly affected. In terms of theater, the Lafayette Theater was employed by many African American actors, some of them belonging to the Lafayette players. Also, some big performers made it there, like Bessie Smith, Ethel Walters, Moms Mabley, and Duke Ellington.
Gender Roles In Greek Theatre
1505 Words | 7 PagesEnglish theater was criticized in its early days, Christianity decrees ensured that theater was practically unheard of for hundreds of years. That all changed when the church itself resurrected theater for its own use in the middle ages. It started Miracle Plays that portrayed stories of the bible. This, however, started theater groups that started portraying their own plays for profit and entertainment. All of these early English plays were solely made, portrayed, played and viewed by males of the era.
Deadly Theatre In Peter Brook's The Empty Space
1117 Words | 5 Pages“The Empty Space”, a book written by the director Peter Brook outlines his four theories of theatre each that evokes a different meaning, Deadly, Holy, Rough and Immediate. In his opinion, Deadly Theatre is the most common type of theatre, which fails to modernize, instruct or even entertain. This style concentrates on the act of imitation by mimicking successes from the past and relying on old schemes instead of exploring the deeper meaning from the text (Brook, Peter). However, Shylock, a character from the Merchant of Venice a play written by Shakespeare, has had various interpretations from actors through out time, causing tendentious reactions from its audience. This thought fueled my inquisitiveness to investigate the importance on how
Evolution Of American Theatre
1236 Words | 5 PagesFrom Colonial Williamsburg Theatre to Broadway, theatre is ever-changing. The differences in each era of theatre are vast; the costumes, staging, acting techniques, and audiences all vary drastically from each other. The major eras and genres of American theatre include the colonial era, the Post-Revolution era, the Civil War era, Broadway, and Post-Modern—all with unique and varying aspects to them. Although the first permanent English settlement occurred at Jamestown, Virginia in 1607, according to Richard Hornby’s article The Crisis in the American History, the entire 17th century passed with no mention of theatrical productions or performances in the Colonies (Hornby).
Elizabethan Influence On The English Renaissance
1185 Words | 5 PagesThe involvement of parliament members could justify why Queen Elizabeth decided to start strengthening the Anglican Church. English Renaissance theatre is derived from different medieval theatre traditions such as mystery plays that were performed in Europe as part of their religious festivals. These mystery plays are mostly retellings of legends based on biblical theme, which were originally performed in churches. This brought around the birth of secular based plays since they were built around religious festivals. (Renaissance English Drama, 2010) Elizabethan playwrights borrowed most of their ideas for their plays from the Roman playwrights.
Shakespeare's Impact On Theatre
1095 Words | 5 Pages“William Shakespeare’s Impact on Theater” says that “Theater, in particular, has experienced many changes due to his influence,” and without any major influence like Shakespeare to guide the changes of theater, it would be extremely different (Octane 1). Shakespeare introduced many new elements to theater because of how his writing was unique in his time period. Despite this, his writing appealed to many different audiences. For instance, Octane says that “The way in which Shakespeare’s plots move forward has helped define modern play-writing. Similarly, Shakespeare’s complex characterizations have brought forth a new type of storytelling in which characters’ choices drive plots forward” and “His plays were often imbued with universal truths of human existence, rather than acting as mirrors of the privileged life.
Essay On Roman Theatre
1620 Words | 7 PagesToday there are three theatres still standing in Rome and some are in better conditions than others. When people think of Roman theatres they often tend to forget how grand they really are. Instead, many tourists believe that they are just as simple as their Greek counterparts, which is simply untrue. The ancient Romans did not hold back when it came to creating their world renowned
How Did Shakespeare Influence Elizabethan Theatre
1827 Words | 8 PagesIn this essay I will discuss the entire life of William Shakespeare, what it was influenced by in terms of spirituality, ideal and social force behind his work (arts). Further, the challenges he faced both personally and professionally in pursuing social relevance in his plays and the historical significance portrayed in his whole work. Also, I will discuss the development and times of the Elizabethan theatre with the Elizabethan ideal of the core and how Shakespeare was influential in that period. Lastly I will reflect on the elements of Macbeth as a genre to illustrate my research findings.
Public Theatres In The Elizabethan Era
754 Words | 4 PagesAt first, private playhouses could only be located in the city of London. Only six existed at the time and the wealthy mostly attended. The very first private theatres were called Paul’s playhouse, and the first and second Blackfriar (Narey). The private theatres were a considerable amount smaller than the public theatre, and they were also roofed. Private theatres have about one fourth to one half the seating capacity that a public did.
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