Sun Ra Movement

The Roaring Twenties was a time for people to make their dreams come true and for people to try new things. This included three childhood best friends, Paul Mares, George Brunis, and Leon Roppolo, who created one of the most influential jazz bands of the early to mid 1920s (Yanow). It all started with them in a jazz venue located in the basement of Friar’s Inn in Chicago that what was popular for gangsters, businessmen, and just regular people who loved jazz. ( "Tin Roof Blues: The Story of the New Orleans Rhythm King 's"). Over time their group slowly grew into a larger orchestra.

Introduction First published in 1957, Sonny’s Blues written by James Baldwin is a prose of two brothers. Sonny, the younger one, is a rebellious jazz musician who turns out to be a drug abuser, while the narrator, the elder brother, is a conservative mathematics teacher in Harlem. He, the narrator, refuses to understand Sonny whose life is distorted by imprisonment. In this way, Baldwin developed the major topic of music, the cornerstone of African American culture, alongside with the themes of brotherhood and salvation. How music develops the plot of the story Music is a leitmotif in Sonny’s Blues, which reflects and creates a new structure of music and drama (Bribitzer-Stull, 2015).

Unsurprisingly, several jazz musicians follow the ideals of Afrofuturism. According to Davids article in 2007, Sun Ra is one of the best examples within the jazz genre. His music shares a lot of the post-human ideals. The ideas

Charles Parker Jr. born on August 15, 1920 grew up in Kansas City, Kansas, he was known for his nickname “Bird” or ‘’Yard bird’’. He was one of the most influential people of the Bebop era, because of his iconic way of playing the saxophone. When he was a young boy he quit school to pursue his dreams in the music industry, in his early career he rejoined Jay McShann’s band where he made his first recording in the year 1940. In the year 1945 he made his debut with his own band playing alongside Dizzy Gillespie, both started to develop a new innovative style of playing music which was known as

Ella was one of the early “scat” performers. She carved out a niche for herself among the growing jazz innovators, making recordings with such jazz greats as Duke Ellington, Billie Holiday, and Louis Armstrong. Her greatest contribution to jazz can found in her artistic renderings of songs of her time. Ella once said “the moment I hit the stage, it’s a different feeling.

An other reason for this was his incredible improvisational skill, which allowed him to provide an audience with endless fascination. Before Armstrong left his fingerprints all over jazz, it was more so an organization of musicians who would perform their own part in a perfected script of set musical notes, so when he did finally come along it was a great shock to everyone’s past idea of jazz music Though he was generally noted for his contribution to jazz, Armstrong also played a significant role in the evolution of pop music entertainment in America. -Scott yanowEarly on in his career, he showcased an almost equally unique ability to his trumpet playing, his singing. Right off the bat Louis undeniably raspy voice set him apart from all other singers.

I have chosen “ Uptown Funk” by Bruno Mars and “ Rock Around The Clock” by Bill Haley as this assessment ‘s topic. Basic information of two songs will be mentioned first, then similarities, differences and connections will be discussed afterwards. First of all, Bruno Mars is a songwriter and popular singer who came from Hawaii, and he released “Uptown Funk” on 2014 , it won the Grammy award for Record of the Year. It is a pop, funk boogie with Minneapolis song. “ Uptown Funk” is talking about how a guy looking good , wearing jewelry and branded shoes , talking about how hot the singer is and how rich he is also it shows the exciting social life of the singer.

Beyonce is a very popular Artist who has really made herself stand out by her talented voice. She has gone through a lot of transformations in the music that she presents to the public. With Her album, “Lemonade,” was a huge hit which was critisizing and comparing her experience as a black women since she was a teen to the emotional stages she went through in her life as how she kind of brings fourth the feelings of emptiness and rejection she has felt. In her albums you can tell that she has always made music for a reason and cause, but not just for entertainment. When she was a teenager she joined her first group which was called the “Distiney’s Child which went throgh a lot of ups and down until it actually came in notice by a lot

Harlem's Cotton Club boasted the talents of Duke Ellington. Singers such as Bessie Smith and Billie Holiday popularized blues and jazz vocals. Jelly Roll Morton and Louis Armstrong drew huge audiences as white Americans as well as African Americans caught jazz

Music Essay Aaliya Shafi 7B Jazz Rock 21/1/2017 Jazz-rock may be known as the loudest, wildest bands from jazz camp. This is also known as Jazz-fusion as a musical genre, which was developed, in the late 19’60s and the early 19’70s. This was when artists merged different characteristics of Jazz harmony, and improvisation with styles such as: rock, funk, blues and Latin Jazz.

Then there was Duke Ellington and Thelonious Monk who met their career demise in the early nineteen forties. But Williams, in continuing to outdo herself, also outdid these heroes of her time in several crucial respects: she played better in her sixties than she ever did, reaching an artistic fulfillment in the nineteen-seventies that was due to the triple coincidence of external circumstances of the music world, those of her personal life, and those of her own creative evolution (The New Yorker). I admire Mary Lou Williams’s strength, persistence and talent, what did in her era was monumental. Being a woman. African-American, composing and arranging music; as well as leading a band was not a common thing back in her time.

A standout amongst the most prominent supporters of the racial refinement of jazz music was African-American jazz artist Duke Ellington. He intentionally coordinated spirituals and racial influences in his music and referenced to African-American history and society in a number of his tunes. While doing this, Ellington deliberately endorsed the idea that jazz music was African-American. Duke Ellington insisted that the music he played was distinctly African-American. He expressed his conviction of this fact by

“I'm always thinking about creating. My future starts when I wake up every morning. Every day I find something creative to do with my life.” Miles Davis’ passionate statement describes the distinctive innate ability to formulate music that transcended all musical genres, generations and nationalities. According to Bernal, Davis moved Jazz forward through his constant search for brand-new musical expressions.

Andrade, Heather Russell. “Revising Critical Judgments of ‘The Autobiography of an Ex-Colored Man.’”  African American Review, vol. 40, no. 2, 2006, pp. 257–270. Accessed 11 Nov 2016

shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period, Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering, love of music, laughter, and language itself (Ham). Along with literary works, the music of the Harlem Renaissance appealed to a wide audience and marked a proliferation of African-American cultural influence. No aspect of the Harlem Renaissance shaped America and the entire world as much as jazz.