The Jack Pine
The jack pine is a beautiful piece of artwork painted by the famous Canadian artist Tom Thomson. Throughout all of his artwork in history this is the most known art piece and personally I think it is the most interesting one, from the brush strokes to the brilliant choice of colors. The jack pine is a masterpiece that all Canadians should know.
The painting is of a jack pine tree that is distinctly known to live in eastern North America. Have you ever seen how unique and beautiful it is? I’ve only seen the 30-72 foot tree in photos and paintings. In the background of the painting are mountains. Everyday you can see the mountains so that part of the picture really reminds me of Canada. Tom Thomson was known to be a part of the
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The medium was oil paint on a canvas, which had a good a effect on the tree. In grade 6 my class was shown a picture of the jack pine for landscape painting inspiration, once I saw it the image got stuck in my head. The colors collaborated where very interesting and the tree looked so realistic. Canadians should really know this famous piece because its transforming. Its’ so unique, I never heard about oil painting on a canvas until I researched further on about this piece. The sunset in a background looks exactly like most of the sunsets here in Calgary. This piece has a lot of simple parts of it that are a lot like Canada.
If you search up Tom Thompson’s paintings most of the pictures that come up are the jack pine painting. There are some pictures of it that have transformed it and made it different colors and shapes. The group of seven painted mostly outdoors which I personally like but some of the pictures are too bland and don’t remind me of the place they painted. The Jack Pine is known for the technique that was used to make it.
Tom Thomson was an artist that had true talent. The jack pine is the painting that showed most of his talent and reminds me of Canada. I believe that The Jack Pine painting should be the most known art piece made in
The artwork depicts a group of guys camping in the foreground and Bierstadt's painting supplies can be seen in the right corner, It portrays the magnificence and majesty of the setting. The artwork is based on sketches Bierstadt created while visiting the western United States on his second visit as a member of a government expedition to plan a route to the Pacific. The painting illustrates stone mountains dominating the background and fading into the skies above, with streams of water running down them. As the mountains rise, their drabby grey and brown tones emphasize the height and force of the water's descent. Green grasses abound at the foot of the mountains, demonstrating the life Yosemite Falls brought to the region.
Title: Tanana River Artist: David Mollett Medium: Fast Dry Alkyd Oil on Canvas Dimensions: n/a Date: Description David Mollett creates a work of art directly influenced by nature in his painting the Tanana River. The Alaska Range can be seen in the background, jagged, majestic and aged, covered with termination dust. The warmer ground below the range shows the result of cooler air flowing off the mountains, forming ground fog at the base of the mountains. The painting continues to draw you away from the mountains tops, into the boreal forest, across the winding river with sandbars filed with driftwood and bleached logs. The viewer is guided toward the large piece of driftwood in the foreground.
Houser was not professionally trained as seen in the unnaturalistic details throughout the painting. However, his goal was not to make his paintings look natural, the purpose was to not lose the historic background of the Native American people. Meanwhile in George Morrison’s landscape painting Mount Maude (1942), the painting is very naturalistic with exquisite attention to detail. Morrison focused more on what his surroundings looked like than the historical meaning of the picture.
The dust across the mid ground of the painting contrasts against the blue and green hues of the top third of the painting. The detail of the drover on his horse in the foreground of the painting shows how Roberts can have intricate details whilst maintaining a soft and smooth stroke line. This interprets the theme of ‘The Bush’ by comparing it to Australia’s inner core landscape. The green from the trees is perched above and away from the earthy tones below. The perfectly blue sky shows a hope in the distance indicating the help the drover needs in this story.
The drawing depicts a setting which takes place at night. The rays of light emitted by the sun barely scrapes the sky. A river flows down, slightly to the right of the painting. A few bushes and shrubs grow around the arid desert, while large strands of grass flow with the wind around the river.
Georgia O’Keefe’s Deer’s Skull with Pedernal is a 36-inch x 30-inch oil painting on canvas. Atfirst glance, the viewer immediately sees that the painting is composed of a deer’s skull hanging from a small tree with mountains in the background. The background is mostly made of of tones of blue, including the mountains. It seems that they are meant to blend in with the sky behind them, and the blue tones get bolder as the move to the top of the painting. Closer to the viewer is the tree in the painting.
After his devastating death, he left behind around 30 canvases and over 300 sketches that are now expensive artifacts kept in beautiful frames all around Ontario. His last drawing that marked the end of his artistic career was called the Jack Pine, one of the most iconic paintings of Canada’s vast landscape. On his last annual trip to the Algonquin Park he began to draw the image of the tree next to a lake on a beautiful spring evening in 1916. The background portrays Grand Lake with hill near Carcajou Bay.
The three pieces that I choose to critique are called Keith, Betty and Loch Lomond. The first painting, “Keith” is a painting done by the man named Chuck Close. This painting captures the detail of a man with an intense look upon his face.
Joseph Wright of Derby’s painting displays as an artistic response to war primarily because it is a representation of all the soldiers who have died fighting for their country. It illustrates how so many of the soldiers had families of their own and how they were left to grieve with small children. The painting is centered over a family who is distraught next to the dead soldier. The soldier is wearing a red coat, which signifies that this is a depiction of a British soldier in the American Revolution. The fallen soldier face is not shown in this painting because it is meant to embody all the soldiers that have died during the war and the ones that will one-day fall victim to it.
The painting depicts what seems to be a panoramic view from afar but looking closely each aperture and objects make up the impressions of faces. From the left side there seems to be an aperture looking over a big cliff with branches of trees. This cliff and branches make up the face of an old person. The rock exposures within the cliff form the illusions of wrinkles, wrinkly lips and a long and untreated mustache. The branches give the effect of baldness, contributing to the overall appearance of an old man’s face.
It is a painting by William Henry Powell. It was about the Committee of Congress at Valley Forge. The painting shows how sick and poor
This particular piece is probably the most familiar of my works, if only for the fact that nearly six million were produced for enclosure in a Dylan album” From Graphic Design, by Milton Glaser, http://www.101bananas.com/art/dylan.html. According to the artist Milton Glaser, other significant graphic elements to this piece from Marcel Duchamp’s portrait is the quality, shape and also colour. Marcel used torn paper as his medium on velvet covered paperboard while Milton’s was offset lithograph. “he
The painting was created with the purpose of recording history, as it is not done in deep detail or extreme accuracy. The painting depicts the English arriving upon a shoreline spotted with aboriginals. The aboriginals appear to seem outnumber the English and portrayed with a sense of urgency - their positioning erratic. The body language of the aboriginal figures portray a sense of curiosity, they are not formal or entirely defensive but instead reaching out to the British with others clumped together watching cautiously. The British are painted in a more formal manner, wearing blue jackets and hats.
Through the use of literary devices such as personification, point of view, and imagery Stanley Moss, author of the poem “Lost Brother”, illustrates the resemblance of a tree and its challenges like extreme weather and dieback to real human life situations like life or death. Moss uses personification to create a connection between the reader and the author. “I knew that tree was my lost brother when I heard he was cut down.” A tree can be compared to human life because both came from mother nature.
In the art piece, the more notable figures in the foreground are the figures that look similar to boats. There are a total of six boat figures in the foreground. Three are closer to the left side of the painting, and are more detailed. The other three boat