In all cultures, children are taught to respect their parents. Chinese culture is no different. However, in the Joy Luck Club by Amy Tan, An-Mei Hsu grows up in her Aunt’s house and is raised by her Aunt and her grandma, Popo. Under her guardians, An-Mei is taught to not even speak of her mother, so, when her mother shows up at the house when An-Mei is 9, An-Mei is unaware of how to treat her mother. She was taught that her mother was a disgrace to the family. But when her mother is standing right in front of her, how is she supposed to treat her like that? An-Mei eventually leaves her toxic childhood home with her mother after Popo dies and begins to learn that the disgraceful thing her mother had supposedly done, was not the truth at all. …show more content…
And I wanted to shout to the clock and make its meaningless noise be silent, but I did not” (270). In Wu Tsing’s house, there was a cuckoo clock that went off every hour and after Ghost’s death, An-Mei was fragile and easily annoyed. Reconnecting to what Ghost told her about the turtle, An-Mei does not cry at first about her mother's death and attempts to stay strong like her mother wanted her to. After Ghost’s death, An-Mei wanted to carry on her mother’s strength throughout her life and make it an influence in Rose’s life. In the days after Ghost’s death, An-Mei remained at Wu Tsing’s house because she wanted to get revenge, “And then I recalled to her story about the little turtle, his warning not to cry. And I wanted to shout to her that it was no use.” (270). “I can see the truth, too. I am strong too. . .Because we both knew this: that on the third day after someone dies, the soul comes back to settle scores. . . And on that day I had learned to shout.” (271-272). On the third day, Wu Tsing is dressed in his nicest mourning outfits so as to not be revenged by Ghost’s soul and An-Mei. However, on this day, the Hsu family got their revenge for Ghost being taken advantage of by Second Wife and Wu Tsing. An-Mei becomes strong on this day and uses her voice. …show more content…
When An-Mei grows up and has her own family, she lives by the strength her mother lived with. An-Mei uses her quiet strength passed down from her mother as she faces accepting the death of her youngest son Bing. Many years after Bing’s disappearance at sea, Rose checks her mother’s bible and on the page of names of people who have died, she finds her little brother’s name. However, the ink is not permanent. Rose instead finds Bing’s name written, “ lightly, in erasable pencil” (140). By not writing in permanent ink, An-Mei shows that she still has hope that her son is still alive but is also ready to accept his death if evidence is found, this shows An-Mei living with her mother’s strength. While An-Mei lives her life with her mother’s strength, she raises Rose on the same strength but it isn’t until Rose was an adult that she fully brings out this strength that was passed down to her through Chinese generations. Rose decides, through her mother’s words, “She said that if I listened to her, later I would know what she knew: where true words came from, always from up high, above everything else” (205) . . . “‘I’ve already found a place,’ . . . ‘Here.’ . . . “He folded his arms across his chest, squinted his eyes, examining my face as if he knew it would crack at any moment. That expression of his used to terrify me. . .Now I felt nothing, no fear, no anger” (218). At this
Throughout her childhood life her mother, Suyuan, was continuously pushing her to be her best. Jing-Mei purposely tried to fail at everything to prover to her mother that she could never become a great and famous person. Then after a piano recital that went horridly wrong, her and her mother had an argument and their relationship was never the same. Many years later Suyuan tried to give Jing-mei the piano that she had as a child. She refused the offer, but than a year later her mother died and Jing-Mei was cleaning out her mother’s house and decided to play the piano and she was surprised that she still knew how.
She tells her daughter, Rose, that throwing the ring into the water in which Bing drowned, “would make the Coiling Dragon forgetful of Bing.” (136) An-mei sacrifices the ring without hesitation, doing whatever it takes to get her son back. This act holds incredible significance due to the fact that the ring was given to her by her mother who died when she was still very young. The sacrifice that An-mei made for her son shows that she looks past the worldly value of the gemstone ring and realizes that her son’s life means more to her than a piece of
Although An-mei later learns to speak up and assert herself, she fears that she has handed down a certain timidness to her daughter Rose. An-Mei never knew her mother very well, and she didn’t want to be the same mother to her daughter. Growing up An-mei lived with her grandmother Popo. An-mei says at the start of her story, “When I was a young girl in China, my grandmother told me my mother was a ghost.
However, over the course of the story, she comes to realize that this is not who she is, as explained with Jing-mei meeting the rebellious side of her after viciously and aggressively lashing out at herself in the mirror due to her frustration and disappointment in herself, so she rebels against her by resisting her mother’s expectations and her ambitions. After slaughtering her mother’s spirit by saying she wishes
She then uses these “new thoughts” and ideas to state that she “won’t let her [mother] change” her into the person she seeks her daughter to be. When Jing-Mei experiences a realization that she is her own person and not simply another part of her mother, she can embrace the comfort of knowing that she will not change for anyone, and is simply extraordinary for having her own thoughts and feelings. This reflects how Amy Tan can understand her thoughts and feelings about the hardships in her relationship with her mother as a way to connect more closely to her characters and make them more realistic in her writing (“How Amy Tan’s family stories made her a
At first Jing-Mei grew in her dreams and desirers to be perfect for her family; “In all of my imaginings
An Mei’s mother from that point on devoted her life to guiding her daughter in the best direction possible. She used stories and past experiences to teach her about life's struggles and how to deal with them. Near the end of the chapter, two days before the Lunar New Year, An Mei is woken up by Yan Chang telling her that her mother took too much opium and "When the poison broke in her body, she whispered to me that she would rather kill her own weak spirit so she could give me a stronger one." This sentence clearly shows her mother's sacrifice for the good of her daughter. Her mother had committed suicide to give her children a better
As Jing-mei’s mother is telling her that she has to go play piano, the reader can imagine how she gets more and more angry as her daughter disregards what she is saying. Finally, the narrator emphasizes to the reader how the relationship between Jing-mei and her mother deteriorates more and more as time
This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely
Tan portrays how children often disobey their parents by using details and figurative language. Disobedience often causes arguments between parents and children, and can cause harsh words between the two. “-and her face went blank, her mouth closed, her arms went slack, and she backed out of the room, stunned as if she were blowing away like a small brown leaf, thin, brittle, lifeless” (Tan 231). Tan uses details to reveal how these words impacted Jing-mei’s mother so much, and how
To summarize the quote that describes the lesson that An-mei’s mother learned and is still relevant to An-mei, it is useless to cry, for tears only feed someone else's joy. This goes to show that even though An-mei’s mother wasn't around a whole lot, she definitely had an effect on An-mei’s personality and
At her first glance at them, she knew exactly who they were because of their resemblance to their mother. However, as she approached them, she realized that there were no evident similarities in features between them and her mother, but that the similarities she noticed at first ran deep in their blood: they were family. And at this brief moment of realization, the most perceptible change in Jing-Mei took place. She said, “Now I also see what part of me is Chinese. It is so obvious.
After Jing Mei’s cultural experiences, and her mother’s contrasted beliefs of Jing Mei’s musical power, Jing Mei feels more culturally and musically independent, as well as
Throughout the story, Jing-mei’s feeling toward her mother change in critical ways. As a young child, Jing-mei wants constant attention from her mother, going so far as agreeing to become a child prodigy. In the story, Jing-mei commented, “In fact, in the beginning, I was just as excited as my mother, maybe even more so” (Tan 221). This was before her mother becomes highly adamant about wanting her child to become a prodigy. As time went on, she wanted Jing-mei to become the epitome of a child star.
However, this determination sometimes appears to be obsessive to the point of running her daughter’s life for her. Regardless, she is only trying to help, as she encourages Jing Mei by asserting “‘You can be best anything.’” (1). Because of this, it suggests that although she is very harsh on her daughter at times, it is only to make sure that Jing Mei can use her full potential and not end up losing everything like her