The Joy Luck Club Hero's Journey Analysis

Growing up is a hard time, and for the three most important characters in the short stories, “Two Kinds,” “The Bass, the River, and Sheila Mant,” and “Fish Cheeks” it certainly is no different. It makes them feel unacknowledged when all they want is just independence and acceptance of the ones that they find to be important to them. Acceptance is something every person wants to gain from everyone, it just is not something focused on commonly.

The story “Two Kinds” is from the book The Joy Luck Club. The story mainly focuses on the relationships between mothers and daughters. Internal conflict means that it is a conflict a character has with his or her self. Throughout every storyline there is either an internal or external conflict. Two Kind by Amy Tan has a variation of both. Both Jing-mei and her mother faces each form of conflict and they are revealed throughout the story.

The story “Two Kinds” by Amy Tan explores the deep familial emotions between a mother and her daughter. Jing-Mei’s mother had left China to come to America after losing her family, and had been raising Jing-Mei in America with her second husband. Despite her mother’s grand hopes for Jing-Mei to become successful in America by becoming a child prodigy, Jing-Mei did not share the same opinions. This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication.

Culture: the beliefs, customs, art, etc. of a particular society. Being a part of a culture is amazing, diverse, and interesting until the conflict from being a part of more than one culture becomes involved. This type of conflict can even change the way you see your culture.

Leonardo Da Vinci once stated, “The greatest deception men suffer from is their own opinions.” For eras on end, stereotypes and misconceptions have stood as obstacles preventing individuals from sharing experiences, perspectives, and ideas with one another. Amy Tan further exhibits an individual’s tendency to form preconceived opinions in her novel The Joy Luck Club. The pairing of Chinese mothers and daughters throughout Tan’s novel proposes that deception has a drastic effect on a woman’s life and the manner in which she is perceived.

“The Hero’s Journey” is term for a narrative style that was identified by scholar Joseph Campbell. The narrative pattern would depict a character’s heroic journey, and categorize the character’s experiences into three large sections: departure, which contained the hero’s call to adventure, fulfillment, which consisted of the hero’s initiation, trials, and transformation, and finally the return. The novel The Joy Luck Club by Amy Tan investigates the relationship and actions of four Chinese women and their daughters. The character Lindo Jong’s youth in China exemplifies the three part heroic journey in how she leaves the familiar aspects in her life, faces trials in the home of her betrothed, .....

What is your American Dream? “The Joy Luck Club”, a novel by Amy Tan, talks about how four mother-daughter pairs have fulfilled their American Dreams. Suyuan and Jing-mei was one of the mother-daughter pair who wants to fulfill their dreams in America. Suyuan’s American Dream starts in her heart when she decides to escape from the chaotic China and find a better life by immigrating to America. However, she loses her two babies on the way to Chungking. American Dream means different things for different people. Suyuan has fulfilled her American Dream in a certain degree by trying to provide her daughters with successful, blissful and better lives.

The short story “A Pair of Tickets” which was written by Amy Tan, describes an impressive trip experience of Jingmei Woo. She is an American-Chinese and her mother has passed away several months ago. The turning point in her life is someone has found her twins sisters, who were abandoned by her mother in the war period. The story starts from their trip on the train, ends in the reunite with her sisters. In the story, the photograph runs through the text, and each time it presents differently in every setting. Amy Tan uses photos as a metaphor for connections or identification in the story.

As seen by the mothers’ and daughters’ behavior towards each other in The Joy Luck Club, it is difficult to preserve one’s culture when one is exposed to a new environment or country. With a difference of two distinct generations between them, the four main pairs often come across cultural collisions. Other than facing the age gap, these mothers and daughters also have to deal with a language and communication barrier. Already, at the beginning of the story, Jing-Mei Woo is able to understand how the mothers of the “Joy Luck Club” are displeased with their daughter’s rejection of their Chinese culture. She speaks to herself, admitting that “they are frightened. In me, they see their own daughters, just as ignorant, just as unmindful of all the truths and hopes they have brought to America.

At her first glance at them, she knew exactly who they were because of their resemblance to their mother. However, as she approached them, she realized that there were no evident similarities in features between them and her mother, but that the similarities she noticed at first ran deep in their blood: they were family. And at this brief moment of realization, the most perceptible change in Jing-Mei took place. She said, “Now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood. After all these years I can finally be let go” (Tan 159). For the first time in her life of being stuck between two cultures and believing that she does not belong to either, Jing-Mei feels like she belongs. As it was previously stated about the meanings of this family’s poetic names, these names that were given to them by their mother created a meaningful theme. In the words of Jing-Mei in the last line of the story, “Together we look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish” (Tan 159). Throughout her life, Suyuan, their mother, held onto the hope that she would see her daughters again. In this hope, she named Jing-Mei in connection to her sisters, keeping the “long-cherished wish” that someday her daughters would reconcile and complete their family circle. The occasion that

"Two Kinds" by Amy Tan is a complex representation of an unsteady mother-daughter relationship. The focal point of the story is oftentimes troublesome yet inescapable and uncovers clashing values. The relationship between Jing-mei and her mother stretches throughout the story. Conflict rises as opposite standpoints in connection with identification surface. Living in America as a Chinese immigrant, Jing-mei 's mother plants her dreams of American success on the shoulders of her daughter. On the other hand, being born into this country, Jing-mei is against wanting to live up to the expectations her mother sets on her. Two kinds reveal two different sides of the cultural spectrum, and their opposing view towards their values. Jing-mei 's mother felt like an outcast existing in a dominate population. Grasping the same idea, she held onto her hard time back in her home. Jing-mei is her last hope to prove that her homeland can be just as talented as Americans. To follow through with this objective, her mother bends over backwards in search of the "right" kind of prodigy for her daughter. Although Jing-mei determinedly upsets her mother 's desires to make her a prodigy, it was as if it were decades afterwards in life that she picks up the understanding into her mother 's basic motives. This exposition will endeavor that "Two Kinds" is a compelling story to bring to light on the issues of identity.

Mother knows best. And yet so many daughters in Amy Tan’s The Joy Luck Club feel slighted by what the matriarchal figures in their lives have in mind for them, or rather, what they believe their mothers have in mind for them. A perfect storm of expectation, true and false, about love, about success, about being Chinese. The souring of mother-daughter relationships in The Joy Luck Club stem from unrealistic or ill conceived expectations that both parties hold for the other.

“Communication is the key to a successful relationship, attentiveness, and consistency. Without it, there is no relationship,” (Bleau). The Joy Luck Club is a novel written by Amy Tan. Set in the twentieth century, this novel depicts the life of four Chinese immigrant women escaping their past and their American-grown daughters. The novel reveals the mothers’ hardship-filled past and motivations alongside with the daughters’ inner conflicts and struggles. Throughout the entire novel, the mothers and daughters face inner struggles, family conflict, and societal collision. The divergence of cultures produces tension and miscommunication, which effectively causes the collision of American morals, beliefs, and priorities with Chinese culture which

“Two Kinds” a short story out of Amy Tan’s book “The Joy Luck Club” is a representation of the pressures immigrant children face from their parents. In the story, we follow a young girl named Jing-Mei as she embarks down the road to becoming a Prodigy. Her mother believed that “you could be anything you wanted to be in America” (Tan). For Jing-Mei that meant her mother believed she could become instantly famous. “Of course, you can be a prodigy, too”, her mother told her (Tan). For a nine-year-old who wants nothing more than to make her mother proud this was exciting. In the beginning, we can see her excitement and desire, “in the beginning I was just as excited as my mother, maybe even more so.” (Tan). However, as we follow the story we see her excitement quickly fade to sorrow and anger. The high expectations immigrant families place on their children is still a very relevant social issue and can be witnessed throughout the United States. In this short story, we witness how a parent’s good intentions can ultimately lead to the destruction of their child’s motivation.

“Two Kinds,” by Amy Tan, essentially revolves around the struggle of Jing Mei and her constant conflict with her mother. Throughout her life, she is forced into living a life that is not hers, but rather her mom’s vision of a perfect child; because her mother lost everything, which included her parents and kids, so her only hope was through Jing Mei. Jing Mei’s mom watches TV shows such as the Ed Sullivan Show, which gives her inspiration that her daughter should be like the people and actors. First her mom saw how on the television a three-year-old boy can name all the capitals of the states and foreign countries and would even pronounce it correctly. Her mom would quiz Jing Mei on capitals of certain places, only to discover that she would