The Lamentation vs The Deposition
Art is a practice that is constantly evolving around the world. Art practices during the Renaissance in Italy and in Northern Europe depict similar themes, but artists express their understanding of narratives differently. Giotto di Bondone, an artist during the Renaissance in Italy, and Rogier van der Weyden, an artist during the Renaissance in Northern Europe, depict the crucifixion of Christ in two similar, yet distinct manners. Giotto created The Lamentation in 1305 and van der Weyden created The Deposition in 1435. The strategies each artist uses in their work highlight the important factors that influenced artists in each region.
During the Renaissance in Italy, art practices were focused on proportion, perspective and artists paid significant detail to the human anatomy. In addition, art practices during the Italian Renaissance were heavily influenced by wealth. On the other hand, art practices during the Renaissance in Northern Europe focused on society and everyday life. The Protestant Reformation greatly impacted the direction behind art practices during the Renaissance in Northern Europe. Giotto and van der Weyden produce paintings of a similar theme, but their final products are very distinct. The shift in practices greatly affected how each artist portrayed the crucifixion of Christ.
The Lamentation (1305) created by Giotto di Bondone illustrates the sorrow of the followers of Christ. This work of art was created in Italy and is
The painting shows off a torture chamber during the Roman Inquisition, which was responsible for prosecuting individuals accused of committing offenses relating to heresy. After taking care of education, the Roman Catholic Church needed to focus on how to spread the word of
Religion. Most, if not all art from that time had to do with God. There was either a hidden meaning about God, or the focus was just there. But during the Renaissance, all that changed. People began to view art in different ways.
Artists started to take pride in their artwork and began exploring new humanist themes in their art rather than focusing on the traditional biblical subject matter that was popular during the middle ages. Italian scholars and artists saw themselves as reawakening to the ideals and achievements of classical Roman culture. Renaissance art gave philosophers a different perspective on reality and this affected their writings from then on. Artists used the idea of symmetry and linear perspective which also led to people developing interests in math and science. Scientists and Mathematicians became inspired by the work of art being created just like how artists became inspired by philosophies and new theories coming into the time period.
Art reached new heights during the Renaissance. Many new techniques and styles emerged such as perspective, chiaroscuro, and sfumato. Before the Renaissance, artists focused primarily on religious scenes and Gothic art. During the Renaissance, artists began to focus more on realism and human qualities. Renaissance artists also began to lean towards Roman and Greek styles/ideas for inspiration.
The Protestant Reformation had a massive sway on the visual arts in Northern European art. One of the main changes was that holy imagery was no longer the most significant feature in art. Iconoclasm took over as Protestant reformers encouraged the removal of pious images. The patrons of the north became more captivated in secular concepts and ideas, and they also wanted their messages about ethics to be shown in fewer godly behaviors. The Reformation led artists to seek patrons outside of the church; and several different types of themes were requested during this time.
Highly decorative scenes of the damned in agony, the saved ascending to heaven and a simple, yet historic note that reads “Gislebertus hoc fecit” which translates to “Gislebertus made this” (Stokstad and Cothern, 2013), makes the Last Judgment Tympanum at Autun, an important piece of artwork during the Romanesque period. While the connection to Roman sculpture is clearly visible, harkening the intricate, multi scene figures in examples like the Sarcophagus of Junius Bassus (Stokstad and Cothern, 2013), deeper scrutiny shows a connection to previous cultures and innately expounded upon one another. Resurrection of Roman art, in conjunction with the spread of Christianity, led to religious pilgrimages, where religious relics and elaborate artwork
Aylin Reta 88729977 ARTH 1306 Christ with the Symbols of the Passion Christ with the Symbols of the Passion is a work by Italian painter Lavinia Fontana, its medium is oil on panel and it was executed on 1576. In this piece we see, what seems to be, Christ after he was brought down from the cross. He is sitting at the center of the piece with multiple angels besides him. The color palette seems dark and obscure as well as the overall mood of the piece. He is surrounded by symbols that are significant to the process of His crucifixion such as the cross, the crown of thorns, a whip, and is also surrounded by three angels.
By the existence of both The Crucifixion mosaic and the Gero Crucifix statue, it is inferred that both artists, and pieces, were produced despite or in rejection of this prohibition, and that
The Crucifixion; The Last Judgment by Jan van Eyck, was painted around 1435-1440. Jan van Eyck was one of the most celebrated painter of the 15th century in Europe. Jan van Eyck was a Netherlandish painter. Van Eyck was a significant artist during the Northern Renaissance of the fifteenth century. This diptych like most diptych is not large, each panel stands 22 ¼ by 7 ⅔ inches.
For example, the use of perspective, which was a hallmark of classical Roman art, was employed by Christian artists to create a sense of depth and realism in their works (Cormack, 2000). This can be seen in the use of perspective in early Christian mosaics, such as the mosaic of Christ in the Mausoleum of Galla Placidia in Ravenna, Italy. While classical Roman art had a significant influence on Christian art and architecture, there were also several ways in which Christian art was unique. One of the most significant ways in which Christian art was unique was its focus on religious themes and narratives. Christian artists sought to convey the teachings and stories of the Bible through their art, creating works that were both beautiful and meaningful (Cormack, 2000).
Art was and still is a big thing in Italy. During the Italian Renaissance (14th to 16th century), art was considered to be an important role in society and paintings from the Italian Renaissance still exists today. Some artworks are Mona Lisa by Leonardo Da Vinci and The Peasants Wedding by Pieter Bruegel the Elder. These 2 artworks shows that they are from the Italian Renaissance through art characteristics such as S shapes/curves, Chiaroscuro, and how it is Realistic. With these art characteristics, it shows how they are inspired by humanism, individualism, and secularism (HIS).
The use of the fresco technique when painting, usually produces a matte-like finish once it has dried, a trait that can be noted when analyzing Bondone’s painting, The Meeting of Joachim and Anna. On the other hand, Simone Martini’s painting, The Annunciation, shows the opposite finish of Bondone’s painting, because The Annunciation is considered to be very elegant, and includes a gold background, which enhances its brilliance. This is mainly because The Annunciation was painted in tempera and gold leaf on wooden panels, the opposite of a fresco painting. The use of tempera and gold leaf added immense sophistication and brilliance to Martini’s painting, something that Bondone’s painting was lacking. While Bondone’s painting has a matte finish which can be associated with the Florentine style of art, and Martini’s painting has more of an elegant finish,
The Classical tradition has had great influence on Renaissance artists; their contributions provided a foundation in which to improve upon and the Renaissance artists did not hold back in doing so. The Renaissance brought a new appreciation and new artworks to understand their world; naturalism completely spread through Europe and commanded the artistic scene. The art of Greece and Rome affected Renaissance because of its ability to create works of art centered on the human body in a natural environment. The Romans veristic style certainly flowed over into the 1700s; Renaissance artists wanted to improve upon the sculpture works of the ancient Greeks and Romans.
Dante Alighieri, who was born in 1265 CE and later died in 1321 CE, was a famous poet in Florence, Italy, most commonly known for his book, Dante’s Inferno. Dante’s Inferno was a product of Dante’s time period because in Florence during this time period, the idea of death and afterlife was very prominent in religion, and Dante’s text, The Inferno, focuses on the idea that the sins committed during one’s life determines the fate of one’s after-life. Because the idea that one’s sins determined their fate and life after death was such a common element in literature and art in Florence during this time period, many other pieces of work emphasized the same ideals, specifically one work in particular, The Scrovegni Chapel. From the years 1303 through 1310 CE, a man named Giotto Di Bondone, an italian painter, used the same principal ideals about sin and life after death that Dante used, in one of his most famous and influential pieces of work, The Scrovegni Chapel.
Leonardo Da Vinci 's The Last supper is a popular work of art that is Da Vinci 's rendition of the last supper as told in the bible. This paper will include an in depth visual analysis of the painting as it appeared on the original canvas. The paper will also address the cultural and religious significance of this work of art in that time period. I chose to do the analysis on The Last Supper because it is an artwork that i have seen many times in my life, but oddly enough do not know a lot about. In this paper i plan to not only inform you , but inform myself on the many aspects of The Last Supper by Leonardo Da Vinci.