Roald DAHL, « The Landlady ». Exercices and questions. Understanding the text : questions 1) Looking from the outside, Billy has the impression that the B&B (Bed and Breakfast) looks more comfortable than the place recommended. The furniture and the decoration, altogether make him feel of a pleasant, decent place. However, these impressions make him feel also doubtful about spending the night there, probably more expensive than The Bell and Dragon, his initial destination. He was weighing all his options on where to stay. Also, the idea of staying in a pub attracts him more, because it is more convivial: he can meet people, drink and play. He thought about all the pros and cons of staying in a pub or a boarding house and also at the B&B. 2) He finally goes to the Bed and Breakfast, almost …show more content…
He trusts the landlady aside her weirdness, he thinks “she not only was harmless – there was no question about that – but she was also quite obviously a kind and generous soul.” (Lines 131-132). The reader on the other hand becomes more aware of what is going to happen as the story goes on. It made me think how somebody can rely that easily on a weird stranger, although that she looks nice. The fact that she is quite old emphasis the feeling of trust. And it makes one wonder if the same thing would also happen, should we be doubtful towards anyone, can somebody be just that nice ? On the other hand, the naivety of Billy makes the reader wants to intervene and take him out of this house. A more in-depth analysis of the text 1) All along the story there were several clues to foresee the end. The way that the window catches Billy's eye, to start, reveals that it is not going to be a regular story. The smell of the landlady, the stuffed animals, the other two familiar guests that Billy seemed to know, and at the very end the strange taste of the tea is what brings it all together. Symbolic and proleptic clues are
Later that evening once the trauma and injuries were taken care of Billy Bob Jr. took Ella to his house to protect her from this mystery man. And that was what led to the haunting end of him. Months later wedding bells were heard and it was a joyous occasion in a small town such as his. Him and Ella were being wedded and it was all he could wish for and more.
“The carpet near Bertis’s foot resembles a run-over squirrel, but Karen’s seen worse.” (Coupland 138) The imagery in this novel keeps the reader engaged by prompting their own imagination to visual the setting. Without the author’s skillful choice of words the imagery in this novel would have greatly
Every person has their own definition of home. In the story “The Round Walls of Home,” Dianne Ackerman is saying her home is the earth. She uses the word “round” because the earth does not have walls like normal homes, but the walls are the outside of the earth, making it round in shape. When most people describe their home they would mention the color of the walls, what sorts of belongings, and how many rooms. But, Ackerman describes her home as a, “big, beautiful, blue, wet ball.”
This friendship leads Billy to see racism first hand for the first time in his life. Although Billy and Foster become best friends, they are forced to hide their friendship from the other people in the neighborhood, even Timmy. Billy even becomes
Murder becomes a touchy subject to the college students; the author mixes together a suspenseful atmosphere throughout the community college the protagonist attends as the short story progresses. It almost feels like one is on the edge of their seat when reading it. William Faulkner’s short story, “A Rose for Emily,” displays suspense and tones of slight insanity, but it cannot compare to the undertones that lay beneath Stephen King’s work. The narrator’s foreshadowing of uncovering the truth through his own detailed point of view creates a well written short story dubbed “Strawberry Spring.” Skimming through the literary work, foreshadowing is an obvious detail that appears in the work several times.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the female narrator is greatly troubled by the suppression of her imagination by her husband and her ultimate isolation due to this subordination. These feelings are reflected through the author’s use of setting as the narrator’s dreary and malicious descriptions of the house and the wallpaper mirrors her emotional position. Throughout the reading, the reader is exposed to the narrator’s in-depth loss of touch with reality as she sinks further and further into her own reality. As she becomes more isolated, her descriptions of the house become more abstract as she begins to focus on the wallpaper and starts to see herself as being hidden behind it.
This creates suspense because the landlady asks Billy to sign his name, although she never said her name. Also, the statement by the landlady, “But my dear boy, he never left.” This remark creates suspense because the landlady is saying that
2015 Marilynne Robinson’s Housekeeping sets out to define home and the role of women in it through the practices of housekeeping. Through a series of polarizations (fixity – transience, society – nature, dividing – merging, outdoor – indoor, patriarchy – matriarchy) taken up by the characters Robinson manages to show how different notions of housekeeping correspond to different definitions of home and different female subjectivities. Housekeeping in its traditional sense is related to patriarchal notions, namely that of women’s confinement in the private sphere and that of the house’s condition as a sign of women’s character. In her essay, Paula Geyh views the house as the physical dimension of societal patriarchal organization (107); potential
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
Esperanza’s house on Mango Street is not the house she dreamed on when she lived on Loomis Street, not the kind of house her parent’s talked about, not the house she wanted. Her house on Mango Street is a small, red house with even smaller stairs leading to the door. The brick are falling out of place and to get inside, one must shove the door, swollen like Esperanza’s feet in later vignettes, open. Once inside, where you are never very far from someone else, there are small hallway stairs that lead to the only one shared bedroom and bathroom. This house is just, “For the time being,”[5] Esperanza claims, for this is nothing like the house she longs for.
(p38) The way Steinbeck describes the bunkhouse indicates their lonely lives. Also by only having two shelves for their personal belongings shows their lonely insecure lives. Crooks has a better facility than any of the other ranch workers since he has a desk. Crooks does not appreciate this because he is alone and isolated from the rest, like Curley’s wife and in some way Candy.
Then unexplainable events happen to Billy Weaver when he is trying to decide where to live, “...his eye was caught and held in the peculiar manner by the small notice that
Shirley focuses a large part of the introduction of the house on describing its odd design and initial impressions. Dr. Montague describes the house as being on a “slight slant… that may be why the doors slam shut” and notes how “every angle is slightly wrong” (Jackson 77). This causes an uneasy feeling for the reader as they question the effect this will have on the characters throughout the novel. Also, Eleanor’s initial impressions of the house cause her to hesitate and question whether she has made the correct decision.
“A Rose for Emily” is a unique short story that keeps the reader guessing even though its first sentence already reveals the majority of the content. William Faulkner’s “A Rose for Emily” is the epitome of a work that follows an unconventional plot structure and a non-linear timeline, but this method of organization is intentional, as it creates suspense throughout the story. William Faulkner’s “A Rose for Emily” follows an unusual plot structure, which creates an eccentric application of suspense to a short story. Throughout the story, there are no clear indications of standard plot structure in each section, such as intro, climax, and denouement. Instead, there are sections, which are not in chronological order, that describe a particular conflict or event, which in turn creates suspense, as each conflict builds upon each other to make the reader question the overall context and organization of the story.
Advertisement of a Doubletree Hotel by Hilton Berkeley Marina People are easily influenced by advertisements, especially if the advertiser is persuasive. Doubletree Hotel in California is one among the many ads which presumably will influence many people because of its attractiveness. The advertiser presents to the public the number of rooms, including the different facilities that will keep customers relaxed and comfortable. The audience targeted are those who love physical exercises, business people, families and individuals wishing to relax and have fun, tourist, and new visitors coming into the city. Generally speaking, the bedroom with all the furniture, the painting, and the carpet are attractive and