In Richard Connell 's The Most Dangerous Game, its main character Sanger Rainsford is an example of a protagonist whose character has evolved throughout the story. Sanger Rainsford is a dynamic character as a result of being the protagonist of Connell’s story. Reading the material, a reader can determine that Rainsford is a major character because the author made substantial effort to his traits and characterization. Rainsford is given the spotlight in the piece and with the author’s efforts, readers are drawn to him. As the story progresses, Rainsford role as a protagonist gives him the opportunity to be a dynamic character – an identity that gives him berth to become the focus of the story, change and overcome his conflicts.
Asma shows that his article was written for an educated or specialized audience by his continual use of complex vocabulary, as well as the place of which the article was first published. Asma did an excellent job convincing his audience using emotion, logic, and ethics. Besides his use of logic, there is a large amount of pathos in his writing, which makes the reader perceive that he is writing to a skeptical audience. For example, describing how in modern films, such as Frankenstein, “we dramatize the rage of the monstrous creature…then scold ourselves…[for being an] intolerant society”(61). “The liberal lesson of monsters
Without him, Ralph can’t battle against savagery and the book’s theme of civilization vs. savagery would not be the same. As tension rose between the two, Golding clearly features Jack as dangerous when he writes, “The words came from Jack viciously, as though they were a curse. He looked at Ralph, his thin body tensed, his spear held as if he threatened him” (Golding 119). Jack’s threatening motion causes Ralph to sense Jack’s danger and his transformation to savagery. After Jack’s intentional killing of Piggy, he responds violently, “‘...That’s what you’ll get!
Beowulf is all about the navigation of that tight line of cultural tension between the two options. In Germanic culture, controlled rage during times of war is considered useful to the protection and development of the realm. There exist many tales of fantastic warriors, who can reach a level of bloodlust that they become nigh invincible in a fight. One of these famous warriors is Bodvar Bjarki, who appears in the Saga of King Hrolf Kraki. Such was the reputation of berserkers and their legendary anger, that when Bodvar first came to King Hring to take revenge on the Queen
In addition, Jack’s mask presents evil, terror and violence to the novel, demonstrated through the red, white and black plait Jack uses to conceal his face. Golding utilizes these pattern to establish these attributes which are inevitably part of human nature. The masks give the children a sense of power which enabled them to participate in the brutal and hunts. These hunts demonstrate the hunters desire for killing. In fact, it is evident that the boys kill animals for pleasure rather than for its actual purpose of serving food for the tribe.
The novel the ‘Lord of the Flies’, by William Golding has a main theme that touches on the human condition – ‘the struggle between civilisation and savagery’. Golding advances in his writing techniques, showing symbolism and characterisation throughout. Golding chose to create a ‘Beast’ that would soon cause an emotional ‘rip’ between the boys. This beast is a symbol for the evil and the malice that resides within the children. Characterisation is shown with Ralph displaying different concepts like leadership and order, Piggy, intelligence and reason, Simon kindness and Jack, savagery.
Their use of force and incessant jeering about murdering the beast is important in exhibiting how the boys have, for the time being, forgotten their fear and have focussed solely on fulfilling the urge to kill that has risen up inside of them. The chant is very critical in understanding how the boys have changed since they have
One of the most critical ideas surrounding tragedies is fate and destiny. The idea that an individual’s life is predetermined is associated with many great works of Shakespeare, and transcending through stories, if human beings have free will. If all humans carry free will, does that mean that all humans are responsible for their crimes and inhumanities. Undoubtedly, both topics are explored through the play, but Macbeth corrupts himself with his own destructive actions. The Tragedy of Macbeth stems from the fearless, hero of Scotland who then turned into a ruthless king who will kill anyone he sees as a threat.
But Simon intended to inform the boys of the imaginary beast as only being the instinctual savagery that exists within every human being. Throughout the novel, the boys’ believe in the beast grows stronger simultaneously with them growing more savage. The boys never get to know of Simons realizations. Earlier in the novel, the hunters spear a pigs head as sacrifice to the beast. Simon ends up having an imaginary dialogue with the pig head.
Lord of the Flies has many parallels with our real world both historically and currently in 2018 with leaders such as Adolf Hitler and Kim Jon Un, who have proven that mankind itself is the principal threat to our civilisation because of man’s inner evil and greed for power. I will today convince you how the main threats to civilisation and social order both in the play and our real world is definitely humanity itself. “Which is better - law and rescue or hunting and breaking things up? To have rules and agree or to hunt and kill like a pack of savages?” These powerful questions are asked by Piggy in Act 3 of the play to the group of boys on top of the mountain just before he is murdered by Roger. These questions go to the core of the main theme in the play – the conflict between civilisation and savagery.