Female Identity In The Magic Toyshop

One of these perspectives is analyzing communication through gender. In the book, You Just Don’t Understand, Deborah Tannen (1990) popularized the term “genderlect” to describe the way in which men and women communicate with each other. She suggested that men and women have different styles of conversing, forming two distinct dialects. In a review of Tannen’s book, DeFrancisco (1992) attributed the differing communication styles of men and women to the respective cultures in which they grow up. Because of such gender differences, misunderstanding between men and women creates a gap in the communication process.

Based on the beliefs regarding men and women in society, gender roles and gender stereotypes have been created in order to label men and women into distinct categories, giving great disparity between the two in regards to what behaviors and characteristics are expected of them. There were both issues of gender roles and gender stereotypes throughout the film, ‘Collateral Beauty’. Women were stereotyped as dependent, sensitive to others’ feelings and supportive, whereas men were stereotyped as dominant, logical and aggressive. An example of this stereotype towards women is seen among Claire, a friend and business partner of Howard, Amy, a struggling actress who helped with the plan to make Howard seem mentally unbalanced while portraying the role as ‘Love’ and also Madeleine, a lady who lost her daughter and lead a grief supportive group. Dependence can be seen throughout the film when Claire agreed to engage in the plan to overthrow Howard of his job and sell the company.

Both plays explore the power held in relationships, the power of desire and the power of individuals. Both plays highlight the inequality between man and woman and the power struggle between the two. The men in both plays manipulate their power in a very open way by asserting their masculinity whereas the women demonstrate their power in a more discrete way using their ideological strength. Despite being written around 2300 years after Lysistrata, A Doll’s House was still written at a time when women suffered injustice. Male dominance was normal in a patriarchal society, where women were seen as subservient to men and the roles in society were limited to household tasks and nurturing and

The thesis of this article argues the demands for both males and females uncover gender expectations and roles, mainly in Othello. These ideas are present when Pechter states how the, "play is preoccupied with questions of gender difference, the expectations of men and women for themselves and about each other" (2). Pechter points out how in Othello the beliefs and assumptions are not easily encoded. One example that Pechter uses describes how, "too much womanly presence interferes with the appropriate effects (laughter instead of tears, pathos instead of fear); it demands restriction , if not elimination." (114).

The gender binary is the reduction of gender into strictly a male or female identity. However, gender is a spectrum and is not limited to two options. The binary is an “effect of a […] taxonomic gender process that perpetually re-sorts (and reinterprets) all complex gender operations […] back into comprehensible dual alignment of bodies” (Roof 3). Individuals who cannot conform to the two categories are oppressed and ostracized. Similarly, a sexual dimorphic system is the regulation of two body types, masculine and feminine, based on genital anatomy and secondary sexual characteristics; it therefore becomes a technology for heterosexual reproduction because biological bodies “must” align with the sexual binary to be acknowledged (Preciado

When Lengel, the “kingpin” of the A&P takes notice of the girls’ actions, he quickly steps up to protect his masculinity. In removing the girls from the A&P, he is attempting to put them back in their established place. As one critic noted, the male characters feel that “Either women were to stay in one place and allow themselves to be walked on as ‘houseslaves’ or mothers or they were to provide their sexual services when men so desired” (Douglass). The male characters expect

There’s a power balance between the three men and the two women in The Reeve's Tale that is influenced by patriarchal values. The author limits actions performed by female characters to carry stereotypical assumptions of gender expectations. If you examine closely, the miller's wife is unnamed purposefully because she is considered untrustworthy and invaluable to Symkyn. Also, any credibility that is given to a female, has to have a man present to accept those responsibilities. This formulates that women cannot exist without having some type of man to establish their credibility.

This novel subtly shows the difference between the values ascribed to male and female traits in which man’s needs take precedence over women’s needs. Deshpande subverts stereotypical conventional ideals of motherhood, femininity, and masculinity. She shows both male and female sexes transcending their gender attributed traits. Female characters in this novel- Kalyani, Sumi, Aru exhibit masculine traits which are conventionally associated with males, on the other hand male characters- Shripati and Gopal, who escape their duty and responsibility towards their families, unveil feminine traits. Vinay Kirpal also is of the opinion that “Deshpande’s protagonists generally seek to come out of their tradional beliefs” (Geethamala, 196).

Focusing on how the piece was filmed brings up the issue of the male gaze. Within the article “Oppressive Texts, Resisting Readers and the Gendered Spectator: The New Aesthetics” by Mary Devearaux she argues under the premise that “the male gaze is not always male, but it is always male-dominated” (Devearaux, 339). Meaning that film and other media forms will always be male connoted. “Men do not always do the looking, but they control who does” (Devearaux, 339). This is very powerful statement in this argument and says a lot about how females feel they are being viewed, as well as how much power they possess.

Men will use words to discredit a women’s intelligence and make her sound that her own thought was not her own but came from someone else. Men will use something along the lines of “oh you are just saying that because, your (strong male figure) told you to think like that.” This silences anything else that woman may have had to say about the topic because now, she has to prove that that thought was not only her own but, she actually used her brain to form it. Stanley uses the example from Catherine MacKinnon article about how pornography silences women. Women who want to say and actually mean no are seen as saying yes to men.

Rhetorical Analysis of “Why Everyone is So Threatened by A Woman Who Has Sex ‘Like a Man’” Author Zara Barrie, wrote an editorial called “Why Everyone is So Threatened by A Woman Who Has Sex ‘Like a Man’” with intentions to persuade and inform readers about the controversial concept that women shouldn’t have sex ‘like men have sex.’ She proposes that men can have sexual interactions with whomever, whenever but, when women do they are judged. Her opinion is that women should be able to have the same kind of openness with their sex lives without the judgments and shaming. Published August 4th, 2015 on Elite Daily, the article is to address these differences between men and women, also encourage women to not feel ashamed for their sexual intentions.