Masks usually symbolize secrecy or pretenses. However, in Lord of the Flies, it both reveals and conceals the nature of the characters, particularly Jack. The mask provides a favorable edge to Jack’s role as a hunter but at the same time, his hold on civilization is weakening.
The mask conceals Jack’s past identity as ‘Jack the Choir Boy’ and assumes the identity of ‘Jack the Hunter’. The author used the phrase “liberated from” (p.70) which may imply that the limitations, “shame and self-consciousness” (p.70), were still present in Jack before he put the mask on. With the constraints gone, Jack has more room to fulfill his duties as a hunter.
Jack makes a big point about being a hunter and “no one doubted that” (p.93). In the beginning of
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The author, William Golding, said, “Man produces evil as a bee produces honey” (The Hot Gates, 1966). In the book, an indication was the colors used for Jack’s mask. The colors white, red and black are usually attributed to violence, evil, and terror. Indeed, it was evident as shown by the effect the mask had on Jack, who became a “bloodthirsty snarling” (p.70). Jack, with the other hunters, was able to kill the pig through the mask which “compelled them” (p.70). Jack reveled in the kill. The author used positive sounding phrases to convey this; Jack was “charitable in his happiness” (p.77), as shown when he “hailed Ralph excitedly” (p.76) upon killing the pig. The “compulsion to… kill that was swallowing him up” (p.55) was finally acted upon. The mask gave Jack the benefit of anonymity. Since there wasn’t a face to blame or reprimand, it gave Jack the perfect excuse to act in his hedonistic interests as a hunter. Jack grabbed this opportunity earnestly as he even “planned his own face” (p.69). His mask was such an “awesome stranger” (p.70) that it “appalled them [the hunters]” (p.70). To incite such a strong reaction shows Jack’s commitment and increasing attachment to his identity as a
He fears confronting his emotions specifically with the beast and masks it by spewing his authoritative demeanor on the island. Jack embodies the hunter archetype, only focusing on his
At one point, Jack and his tribe even neglect the fire to satisfy their desire for hunting. The reader is able to realize that as Jack’s hair gets longer, he becomes increasingly power hungry. Soon, it becomes his chief characteristic, “Ralph picked out Jack easily, even at that distance, tall, red-haired, and inevitably leading the procession”(). Furthermore, Jack uses other people’s natural desires against them. For example, when the boys were playing around and pretending to hunt, Jack held Robert by his hair.
This quote signifies Jack’s participation not only in a group, but in a society. This civilized state begins to fade as Jack becomes more enveloped in the idea of hunting, and becomes solely focused on killing a pig. Jack describes hunting in an extremely obsessive way, stating “‘If you’re hunting
He utilizes the mask when he says that “I was brought up in America but educated at Oxford…” (Fitzgerald ##). He wants everyone including Nick Carraway, the narrator, to know that he is a valuable and worthy person. However, it backfires when Nick Carraway says “I knew why
This continues to show up later in the book and is a big part of Jack’s tribe. Painting his face forms a mask that hides himself from his
My Mask: Confusion and its Attributes The Lord of the Flies mask topic I chose was “confusion.” I modeled my mask after what I thought would accurately represent this subject. This theme stood out to me because as soon as I read the word, an image of a mask I could make for it popped into my head. I also immediately made a personal connection with the word because the image I thought of reflected what goes on inside my head when I am confused!
In their fear of Jack and their captivation with the visage, the boys view him as a “painted and garlanded...idol” (Golding 149). They boys view the violent hunter as a godlike figure, but he is not a god, for an idol is only an entity who has power over their worshipers through fear and awe, no power in their own right. The new chief rules by illusion of power, which the mask gives through the bloodbaths that are associated with it. This is how every military power rules,which the red-haired boy represents, and why they do not last.
This quote demonstrates how Jack's behavior becomes more animalistic and savage as the story progresses, which makes him a memorable and intriguing
Lord of the Flies, a literature piece by William Golding, takes place on an abandoned island where English boys are left to fend for themselves after a plane crash. The symbol of face paint is present throughout the novel, representing how people assume different personalities by hiding their insecurities. In the beginning of Lord of the Flies, the concealment of the face paint represents how Jack disguises his insecurities. He discovers the concept of face paint after trying to come up with ideas to improve his hunting abilities. Soon after putting it on, Jack “looked in astonishment, no longer at himself but at an awesome stranger”(Golding 63).
Without knowledge of these two black literary traditions, understanding the motives of Brother Jack, and more importantly Dr Bledsoe, are nearly impossible. Masking and signifying were methods of survival for blacks (and whites) trying to make it in the world. They were also ways to take advantage of others who were less informed of the world. Ralph Ellison writes the narrator as a person naive of the world at first, who gradually learns, through masking and signifying, that the world is a colder place than originally thought. The lessons the narrator learns from Dr Bledsoe and Brother Jack go a long way in establishing the identity of the man who chooses to live underground for the remainder of his life.
A savage, violent, and harmful imagery is created with the use of the words “viciously” and“hurled.” The text is also able to express that Ralph’s injuries were given intentionally by using the phrase “He hurled his spear into Ralph.” This expresses that Jack had full intentions of doing this evil action, out of viciousness and anger. and allows us to see the evil coming out of Jack when put in a situation that he is not comfortable in. The idea of Jack being so young
Part One: Social Construction of Gender (~2 pages) The Mask You Live In begins with a George Orwell quote "He wears a mask and his face grows to fit it". The use of this quote in the documentary is to explain how men and young boys create a façade in which they live their lives behind. They put on a show for the world, while living behind this falsely created persona of happiness and security.
In the book the Lord of the Flies the masks that Jack’s group uses helps them overcome their fear of killing the pig by hiding their true feelings. When Jack volunteers himself as the leader of hunting he doesn’t realize that he would have to overcome new challenges. Masculinity “masks” and the clay masks they wear in the Lord of the Flies are basically just “things trying to look like something else” (Golding 63). Jack explains to his group of hunters that the masks they were going to wear are so they can look like something they are not or to hide what is keeping them from killing a pig. This shows that they are trying to push away their true selves and by looking like something else they can make a character of who they choose to be based on the reason they put the “mask” on.
The poem I chose to analyze is We Wear the Mask, written by Paul Lawrence Dunbar in 1896. Its theme is about hiding our true feelings and emotions, and lying about who we are. When looking at Dunbar’s life history, and the political context at the time, we understand that he efficiently uses this theme in order to talk about how black people have to hide how they feel about their social status and the treatment they receive from white people. He conveys the theme to the audience thanks to a clever word choice. Indeed, he talks about “grin” and “smile”, using facial expressions as a description of the mask (Dunbar, lines 1 & 4).
This mask represents the multi-identity of Jack, one side being a fierce, hunter hiding behind the mask, and the other being a scared, young boy. The mask depicts Jack ready for a hunt on one half and a fearful, mentally