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The Memory Play: A Streetcar Named Desire

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he plot is framed by Blanche’s arrival in the first scene and her departure in the eleventh scene. The play has only one plot with no sub-plot. A Streetcar Named Desire presents us with two stories: the growing conflict between Stanley and Blanche, and the gradual crumbling of Blanche’s sanity. The play is presented chronologically, from Blanche’s arrival at Elysian Fields in May to her departure for the mental asylum in September. Blanche is the only character who appears in every scene and this enable the audience to witness all her actions and emotions, and become privy to her secrets. The chronological structure also makes the audience aware of Blanche’s spiral into a destruction which is tragic and inevitable. The plot of the play is advanced …show more content…

The memory play contains three parts: in the first part, a character undergoes a deeply traumatic experience, the second part is an arrest of time, and in the final part, the character is forced to relive the experience until its meaning become clear. In A Streetcar Named Desire, the memory play format is an affective structure to present Blanche’s guilt. The traumatic experience of the first part is Allan’s suicide after his secret is revealed to Blanche as being a homosexual. Time is arrested whenever Blanche hallucinates, hearing the Varsouviana in her mind which brings sad memories of Allan’s death, and the third part exposes her failure to expiate her past and overcome her guilt over the suicide of her young husband and for her prostitution at Flamingo hotel as she descends into madness (O'Shea …show more content…

The residents of Elysian Fields speak the language of the working-class which is direct. In contrast, Blanche emphasizes her superiority by using euphemisms. She is proud of her heritage and she speaks French to show her refinement and to impress Mitch. Stanley’s speech reflects his rough and uneducated background. In A Streetcar Named Desire, the very marked distinctions between Blanche and Stanley are highlighted by Stanley's coarse, non-grammatical, often slangy speech which is against Blanche's high-flown rhetoric as she was an English teacher so the instant tension between Blanche and Stanley is created through their opposing language

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A Streetcar Named Desire Conflict Essay

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In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

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Blanche Dubois Character Analysis Essay

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Character Analysis of Blanche DuBois One of the main characters in a play by Tennessee Williams A Streetcar Named Desire is Blanche DuBois. Blanche is a victim of her upbringing and the changing times she lives in. She was born to aristocratic family and raised to be taken care of. This romantic, art, music and poetry loving soul is unprepared for the world she lives in

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The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way. Death is one of the most symbolic terms in this play.

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It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself

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Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.

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1166 Words | 5 Pages

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Foreshadowing In A Streetcar Named Desire

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A Street Car Named Desire is a play written by Tennessee Williams, which slowly uncovers Blanche’s prior life. Her troubled past causes her a lot of trouble when she tries to start over. She used to work as a teacher in Mississippi, however, she was forced to leave after she was caught having an affair with one of the students. This was typical behavior for Blanche since she had previously taken many lovers. Since she had such a hard time in Mississippi, she decides to move to New Orleans to live with her sister, Stella, and her husband, Stanley, in hopes of escaping her past.

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In the play, Blanche loses her family 's estate, and goes to stay with her sister Stella.  Stella lives with her husband Stanley.  From the start of the play, the audience begins to notice Blanche and Stanley’s contrasted personalities. Williams uses symbolism to allow his characters to represent something stronger than themselves. Past and present are intertwined in A Streetcar Named Desire through Blanche and Stanley; Blanche represents the past: the Old South, aristocracy, and former sensitivity, while Stanley represents the present: the New South, the industrial class, and modern straightforwardness.

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Gender differences take a big place in every story and can lead to some conflicts. According to Cliffsnotes,“Gender stereotypes are simplistic generalizations about the gender attributes “(Cliffsnotes 1). In other words, it exists some stereotypes that categorized people. In A streetcar named Desire written by Tennessee Williams, there is some conflictual situations based on gender differences between Mitch, Stanley, Stella and Blanche. Based on this idea, each character represents a specific type of gender stereotypes.

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1266 Words | 6 Pages

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1534 Words | 7 Pages

This is presented by Blanches descent into madness due to her inability to act properly on her sexual urges. Lastly, Williams demonstrates how Blanche is not at fault for not knowing how to act on her desires. She was brought up in a world that told her that expressing her sexuality or even having sexual desires was wrong, she never learned how to deal with desire. This is why A Streetcar Named Desire should not be dismissed as a cautionary tale that warns individuals not to embrace desires. On the contrary, this is a story that blames society for not allowing people to openly express their sexuality and act of their most primal of

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