“The Miller’s Tale” and “The Reeve’s Tale,” two of the many stories in Geoffrey Chaucer’s The Canterbury Tales, portray many similarities on the views of love, marriage, and immorality. Both “The Miller’s Tale” and “The Reeve’s Tale” portray what love truly means to the Miller and the Reeve. Chaucer’s two tales also exemplify the unfaithfulness of the wives to their vows of marriage. Additionally, the stories share corresponding similarities in the many instances of dishonesty and immoral features of the male characters. Throughout The Canterbury Tales, Chaucer illustrates to the reader the true characteristics of the Miller and the Reeve by using the aspect of morality to show their related views on love and women. Love, to both the Miller and the Reeve, is frequently associated with beauty, lust, and sexual intercourse. Their vision of love is consistent in both stories; indicating that they care mostly about the women’s physical appearances. This can be easily seen in the stories by the way that the women are described and portrayed. Neither of Chaucer’s story tellers offer much insight into the women’s intelligence or mental characteristics. In “The Miller’s Tale,” the Miller writes, “Fair was this yonge wyf, and therwithal as any wesele hir body gent and small” (line 3233), and likewise in “The Reeve’s Tale” when the Reeve notes, “With buttokes brode and brestes rounde and hye” (line 3975). The understandings of love to both the Miller and the Reeve resemble each other
Isaac couldn’t believe what he was hearing. Some ragtag group of rebels trying to break away from America? This was unacceptable. “Now, they have their reasons, Isaac,” Said his mother. “Don’t think they’re just a bunch of dumb evil monsters.
Femininity and Animal Motifs in Chaucer’s The Miller’s Tale The Miller’s Tale from Geoffrey Chaucer’s The Canterbury Tales illustrates Alisoun, the sole female character of the tale, through comparisons of animals and natural life. There are implications throughout the tale that implicate that Chaucer was intending to represent the character’s sexual liberation as something that is innately possible in all women. In this essay, we will explore the ways in which the narrative structures Alisoun’s feminity, othering her from her male-counterparts in the tale.
In my opinion, I think that the Reeve may be over reacting a little. No one else was offended by the Miller’s tale. Maybe that should tell the Reeve something. Perhaps the Miller did not mean to offend him. The Reeve has managed his lord’s account since his lord was twenty years old.
Woodbridge, Suffolk: Boydell Press). The insight into marriage that Chaucer provided us with is not all negative though. Love is a celebrated recurring theme in The Canterbury Tales. He paints the picture that a immense part of marriage in the Medieval period was the emphasis on mutual love (Macfarlane, A. (1986). Marriage and Love in England
There are two tales that were studied during the reading of the Canterbury Tales. The first tale is called “The Knight’s Tale” and the second tale is called “The Pardoner’s Tale. The two tales from the Canterbury Tales did a significant job of ensuring that each tale had incorporated an essential set of morals that would be followed throughout each of the two tales. The two tales hold an equivalent amount of detail and both were successful in following the Host’s two rules. After careful consideration, “The Knight’s Tale is the winning tale according to the judgement of moral education and entertainment value.
The Knight and Miller tale have similar characters which play very similar roles but with totally different personalities. The Knight's Tale is told by a famous person, and it is an historical romance which barely escapes a extremely sad ending (involves death or suffering). The Miller's Tale has a plot, but not themes. The Miller’s Tale is seen as a lower class point of view and it turns the knight’s idea of courtly love into a shorter, disgusting farce.
In The Miller’s Tale, a chapter in The Canterbury Tales, by Geoffrey Chaucer, women are dependent on men, and described as weak, and submissive. As a result, Chaucer portrays women as mere objects that can be possessed. Chaucer describes women as delicate beings. In “The Miller’s Tale,” when the Miller describes Allison, he talks about her personality:
Above all, Chaucer shows how people in high positions are not always what they appear to be to the public. Knowing this, the reader can better understand the quality of life during the Medieval Age, when men and women from all levels of society came together for pilgrimages. Thus, Chaucer’s The Canterbury Tales is a classic because it focuses on all the aspects of society from rich to poor and good to
The Miller’s Tale Authors Note: The purpose for this project is to explore the Canterbury Tales we’ve read in class, specifically the Miller’s tale that was originally printed in Old English. It is the intention of this speaker to explain the main plot points and themes and to modernize it for today’s youth understanding. The Canterbury tales date back to 1387 and may be one of the world’s first and best examples of band camp story sharing. A pilgrimage to a town rather than a march to the area’s best half time show is the commonly shared journey but like band camp, there are several different characters present and accounted for.
The Canterbury Tales: The Miller In The Canterbury Tales, Chaucer creates a mixture of unlikely yet interesting characters that find themselves on a pilgrimage to Canterbury. Chaucer describes these characters in remarkable detail. This allows the reader to bring the characters to life, giving them a more vivid understanding of what kind of people they really were. The Miller is one of the most vivid characters that were encountered in the story.
In Geoffrey Chaucer’s Canterbury Tales, there is no more humorous or more vulgar story than The Miller's Tale. This bawdy tale is the Miller’s answer to the Knight’s classy story of a love triangle. The Miller, who is portrayed by Chaucer as a strong rugged fellow who speaks and jokes loudly, mostly about sex. This description leads me to think of him as a member of the lower class, who, having had a more grungy and dirty daily life, is more comfortable around vulgarity than class. This preference is what caused him to respond with a story that directly mocks the utopian Knight’s Tale.
In the novel “The Canterbury Tales,” author Geoffrey Chaucer uses a pilgrimage to the grave of a martyr as a frame for his tale. He introduces a multitude of different characters with unique quirks, all from separate walks of life. One of these characters, the Host of the Inn, sets up a storytelling contest in an attempt to keep the entire group entertained. The first two tales that have been examined thus far come from the Pardoner and the Knight. The two tales were vastly separate in terms of morals, motives and entertainment.
In Geoffrey Chaucer’s “The Miller’s Tale” he uses symbolism as a literary element to create an underlying Christian theme that portrays the characters in the story as biblical figures. Each character of the story represents a different figure from the bible such as, Nicholas and Alisoun representing Adam and Eve, John the carpenter representing a Great Divine and Absolon representing The Devil. Throughout the story, there are many different aspects that highlight the Christian theme and allow the readers to truly see this interpretation. Throughout the story readers may recognize the alignment between Nicholas and Alisoun and Adam and Eve.
In the Canterbury Tales the Miller’s and the Reeve’s tales are very similar yet completely different at the same time. Both tales show how each main character gets swindled by their own family members. The Miller’s tale is a very raunchy story about the Reeve; while the Reeve’s tale is raunchy aswell as serving a lesson to the readers. Both characters told their stories to poke fun at one another in very trollop manners.
My fellow travelers, now that we have reached the end of our tour of the countryside, and have heard the last of these tales, it is time that I reveal a victor. A good friend of mine, Geoffrey Chaucer, has been recording your stories, and has compiled them into what he calls The Canterbury Tales. Last night, while the rest of you lay asleep, I reviewed the stories which each of you told, and I have concluded which story I believe was most befitting of the title of, “fullest measure of good morality and greatest pleasure.” This, as a surprise to some, I declare, is the tale told by the Miller. As I, Harry Bailey, proposed before, you all will all owe him a dinner upon our eventual return to the Tabard Inn.