The Minotaur in the center of the labyrinth represents Theseus’ demons or questions needing to be answered. Once he had wrestled with his demons, he could then retrace his steps and come forward with a new understanding of life. In Theodor Reik’s book Ritual: Psycho-Analytic Studies, he looks at the aboriginal peoples of Australia. In their culture, the youths are put through a test prior to their initiation into adult society. A monster, represented by a gluttonous creature that demands young people to satisfy its cravings, symbolically kills the youths.21 This is similar in that the tributes from Athens were also subject to a monstrous creature that had an appetite for children. So, in essence the Minotaur represents all people’s demons they …show more content…
The labyrinth represents the journey every person is forced to make. In our lives we are required to make decisions, sometimes they lead to forks in the road making us choose whether we want to go left or right. We have to pick our path on blind faith hoping in the end we choose the right one. On our paths we are also presented with obstacles needing to be overcome; in the end, they teach us important life lessons. These paths we take in life are similar to traveling through a labyrinth, because we don’t really know where they will lead us and we might not always choose the right one. “During adolescence our infantile identifications reflected in self-representations are subjected to scrutiny and change, while new identifications and valuations come into being”.29 Eventually, these new identifications will lead us to clarity and newfound conclusions about ourselves, allowing us to grow and change as …show more content…
What is interesting is that Minos was conceived of a human/bull union. His mother is Europa, the daughter of the king of Tyre.30 One day Europa was in a field with her maidens picking flowers. All the while Zeus was watching her from afar, admiring her beauty. He came up with the idea to turn himself into a bull and seduce her. He appeared to her as a beautiful white bull in the middle of the field; he was calm and gentle. As Europa approached the bull, he seized her and carried her across the sea to the island of Crete. He took her into the cave on Mount Ida where his grandmother had hidden him away from his father Cronus. They mated and she gave birth to three sons, one of them being Minos.31 Zeus left and Europa married the king of Crete; so it was only natural that Minos be in line for the throne. In this way we can look at Minos as a monstrous creature as well. He was conceived of a bull and human union; he sacrifices children to the Minotaur as food. Any person that kills fourteen children year after year, without thinking twice about it is a monster. It was accustomed for Minos to go the cave on Mount Ida every nine years to meet with his father Zeus. They would discuss the way the government should be run, as well as what laws should be put into place.32 This could also be another reason that so many ritual objects were
Mad with desire, she went to the genius Daedalus and had him construct a mechanical cow with which she could consort with the bull, and as a result she bore a child with the bull, which was the Minotaur. Wisely, Minos decided to contain the Minotaur within a labyrinth beneath his palace, which was Knossos. After a war with the Athenians, Minos was angry with the death of his son, and demanded that fourteen Athenians each year be sacrificed to the Minotaur, which had grown into a mighty beast. Angry at this proposition, Theseus, prince of Athens, swore to go into the labyrinth and slay the Minotaur.
After theseus saved the 14 youths by defeating the minotaur in the maze of doom, The chaos had not yet ended. King Minos was still hiding another beast, one more powerful than the las. This beast was bigger in size, strength, and had one ability that made this beast very powerful, immortality. It could not be taken down even with his horns. And then King Minos declared that the sacrificing of 14 youths every nine years shall still occur.
Prometheus is one of he most enduring figures in greek mythology, he is the one and only titan who sided with Zeus against Zeus 's father Cronus, Cronus over threw his father Ouranos by defeating him and became the new ruler of the titans, and he ends up eating all of his children and and his wife Rhea could only save one and that one was Zeus, which he defeated and forced him to throw up all his siblings out and him and his siblings defeat the titans for control of the universe. Prometheus defies the gods by helping humans, and he is most notable for bringing fire from Olympus, and the skill of metal work. Zeus devises a cruel torture for him. Prometheus gets picked at every day from his liver by an eagle, while being chained to a rock, and
Instead, she sprang full grown and clad in armour from Zeus' forehead (Gill). Then Zeus had pesky little son named Hermes. Hermes was the Greek god of commerce, son of Zeus and Maia. Quick acting and cunning, he was able to move swiftly between the world of man and the world of gods, acting as a messenger of the gods and the link between mortals and the Olympians (Gill). I believe it's safe to say Zeus was pretty
Sacrifice is a completely foreign concept in this day and age, but in the eras of the Greeks and Romans, sacrifice, and the ritual that went along with it, was a common event that happened countless times throughout the years and in the epic, The Iliad , the author, Homer glorifies and displays this process. The rituals and sacrifices performed throughout The Iliad explicitly reveal Homer’s ideals of religion, morality, and the culture of the ancient peoples. The rituals of animal sacrifice are completely imperative because the humans are at the disposal and will of the gods and without an expression of respect, death and torture are inevitable. Homer uses extreme detail when explaining different scenes of sacrifice to affirm the importance the rituals possess not just in the poem, but in the characters’ lives. Interestingly, the animals
Breathing deeply, I retched at the sickening smell of rotten flesh and pus. Looking around, I caught a brief glimpse of the creature that was stalking me. Noticing my stare upon it, the creature melted into the shadows as if it was never there. This wretched labyrinth was starting to get to me.
Characterized as capricious, selfish, and often comical, the Greek gods and goddesses hardly served as moral precedents, as can be seen through Zeus’ various exploits and Ares’ violent and cruel tendencies (Whitmarsh 31-32). To this end, the Greek gods and goddesses served as symbolic manifestations of all aspects of humanity, embodying the urges, ingenuity, hardships, and faults of all people (31). Consequently, the Greek people tended to criticize divine elements in Homer’s and Hesiod’s works, undermining, questioning, and even parodying the adventures of the heroes (36). A significant instance of this can be found within the writings of Palaephatus, a skeptical Athenian. Regarding the mythological creatures known as centaurs, Palaephatus writes, “... it is impossible.
For centuries, mortals have scoffed at the actions of the gods, often comparing them to little children arguing over toys. As Honer states, “We men are wretched things.” (Homer) However, what humans fail to realize, is exactly how similar the actions of the immortals are to that of man. The concept that allows readers and audiences to relate to the gods so fully is the fact that they are so similar to humans.
He was seen as a king and was the most powerful immortal yet he can not change other peoples fate. ("The Gods of Olympus". Arts and Humanities Through the Eras 294-307) Zeus would sit in Mount Olympus and look down at all of the humans. Everyone except his enemies had great respect for Zeus. Many people knew not to go against Zeus because anyone who did would suffer great consequences.
Daedalus had been commissioned by King Minos to build an impossible maze to imprison the mighty Minotaur. However, Daedalus and Icarus were sentenced to the impossible-to-crack maze, after Daedalus had fallen out of favor with the King. Icarus knew the maze like the back of his hand - he had helped his father build it, afterall. The labyrinth was a series of intricate dark corridors, endlessly meandering, which kept the Minotaur at its center. The beast still lay there, a pile of dust.
The maze is a symbol of the confusion and uncertainty that the characters experience as a result of their trauma. The characters feel trapped and unable to escape the maze of their own thoughts and feelings. They are lost and disoriented, unable to find their way out of the maze. The second archetype used to represent trauma
When he attempted to hide Io, Zeus simply covered the Earth with a cloud. Hera immediately noticed something was wrong, and when she came down to investigate, her husband turned his lover into a heifer. Both of these myths hint that the Lord of the Sky is actually desperate. As in the myth of Europa, Zeus was willing to demean himself for the chance to sleep with a mortal woman. In order to get Europa, Zeus was convinced to turn into a bull and kidnap unsuspecting Europa.
The phrase “ignorance is bliss” has many different ways of being interpreted. The idea that what we do not know cannot hurt us, and that it is better to be in a situation whereby we are ignorant to the truth, rather than a situation where we know a hurtful truth, is one that can be debated at length. One of the best examples of the idea of “ignorance is bliss”, and the impact that the truth can have on people, is the Allegory of the Cave, a concept created by the Greek philosopher Plato in the fourth century BCE. The allegory shows how our perspective can change radically when given new information, and how that new information, when shared with others who are not aware of it, can give them a radically incorrect idea of the truth, when not taken in the proper context. Here, we will first explain the concept of this Allegory of the Cave, before interpreting its meaning and how it related to the greater ideals, values, and convictions that Plato and his philosophical works stood for during and after his lifetime.
Searching for the truth is very challenging, as the world today entrenched in lies. Plato’s “Allegory of the Cave” briefly tells a story about cavemen being chained on most parts of their body, restring all movement including their head, since childhood. Then, he discussed the consequences inflicted onto the cavemen, specifically their perspective towards the truth after being chained for a long period of time in the dark cave, which resembles many events occurring in a person’s daily life. Based on the discussed effects, the author argues that human beings should always seek the real meaning of truth.
The state of most human beings is depicted in this myth of the cave and the tale of a thrilling exit from the cave is the source of true understanding. Plato has portrayed the concept of reality and illusion through the allegory of the cave. One of Socrates' and also of Plato's, chief ideas was that of forms, which explains that the world is made up of reflections of more perfect and ideal forms. In the Cave