Between 1975 and 1979, an estimate of 2 million Cambodians were sent to the Killing Fields after the Khmer Rouge regime took over power. Within these fields, many people were either killed, starved, or worked to death so the regime may maintain an ethnic superiority and partake in an extreme version of Maoism. The Missing Picture and Enemies of the People are documentaries that take different approaches to tell the stories of Cambodians who were not only affected, but took part in the genocide. Both documentaries ultimately display documentary filmmaking, styles and issues that occur while making a film. The Missing Picture is Rithy Panh’s latest work in which he uses voiceover narration and clay figurines as a substitution for the non-existing media footage to depict the personal experiences him and his family faced during the Cambodian genocide. He also uses other typical documentary devices such as archival …show more content…
The two directors played a major gamble filming this documentary. They had to take into consideration that the men they were recording are providing self incriminating evidences against themselves based on their confessions of part taking in the genocide. This is evident in the scene of when Sambath and Khoun, one of the main perpetrators he interviews and follows, visit another perpetrator that was a part of Khoun’s group within in the fields. At first, the man remains silence and denies ever killing people until Khoun starts recalling what the two did in their group. Sambath also tries to ease the guy up into confessing too by reminding him he is not there to arrest the man nor is the government is after him, here is only there to seek the truth and find out why he did what he did. He could have stopped rolling and called it quits, but he continued filming. One may question whether or not something like that should have been filmed and deems it unethical, but Sambath knew he
This evidence shows the theme that people will do anything to survive during the Khmer rouge. This woman was so hungry due to the Khmer Rouge making everyone's food ration smaller causing them to lack malnutrition. Due to the fighting with the Vietnamese, she ate her husband and fed it to her kids as well because they
Causes of the Cambodian Genocide The Cambodian genocide took place from 1975 to 1979; it is estimated that some two million Cambodians were systematically murdered by the Khmer Rouge and its followers (Power 90). In Alexander Hinton’s article, “A Head for an Eye” he recounts in details the experience of Gen, a survivor of the Cambodian Genocide. After the Lon Nol government was overthrown by the Khmer Rouge, the Communists began their witch-hunt in an attempt to identify and kill anyone who was associated with the former regime, as well as the educated, the Vietnamese, the Muslim Cham, the Buddhist monks, and other “bourgeois elements” (Power 101). During the investigation, it was revealed that Gen’s father was a teacher–this fact alone was
In First they Killed My Father by Loung Ung, Loung Ung writes about what her family experienced living under the Khmer Rouge during the Cambodian genocide. The pattern expected of people that experience atrocities like the ones Loung Ung and her family did is that, if they are to survive, they’ll want to take revenge upon the people who are responsible for it or at least see justice for the people that lost their lives during the genocide. While she does not carry out the revenge herself, in one of the most brutal chapters of the book, Loung Ung, does exactly what’s expected when she goes to watch the execution of a Khmer rouge soldier, despite her sister telling her that she didn’t want to attend at that she shouldn’t attend either. Loung
These photos tell the gruesome truth of the Armenian genocide, they demonstrate the suffering the Armenians went through, the starvation clear by the malnourished bodies and also show the significant number of the dead, as proof of the genocide. The photos also show the innocence of children during the genocide, as they watch on horrible scenes of the dead or other dying children. This furthermore proves of the attempt at genocide, as there is no discriminating or reluctance; men, women and children were all
Loung Ung’s First They Killed My Father is a vivid, detailed memoir of a young girl’s experiences in Cambodia throughout the Khmer Rouge era. It records in expressive detail the horrors suffered by the Ung and her family while living under the oppressive rule of the insane Khmer Rouge. Meanwhile, First They Killed Her Sister by Soneath Hor, Sody Lay and Grantham Quinn is a lengthy criticism in direct opposition to the aforementioned memoir. Although the authors of First They Killed Her Sister made some excellent points throughout their assessment of First They Killed my Father such as showing how Ung having misrepresented some aspects of Khmer culture and history, they completely and utterly failed in their attempt to discredit her based on the claims that she perpetuated racial tension and distorted what really happened in 1970s Cambodia, which breaks down the few good points they did have. The critics correctly assert and prove that Ung misrepresented certain aspects of Khmer culture and history, showing that at times, Ung’s description of what had happened was distorted or partially fabricated.
While bias is usually unavoidable and imagination is necessary to a historian, Schama makes use of his own beliefs too often and holds these beliefs above fact. His story about the murder disregarded important evidence that could lead to a completely different conclusion. He completely fabricated entire conversations that led directly to the murder in question. Though Schama did admit that his interpretation was “imaginative truth”, his credit as a historian can easily be called into question. His methods sway towards fiction and several historians, some within the documentary, cite this as an issue.
One example from the novel comes from Hong when she and Amah are reunited with the rest of the Ung family. Hong tells them about her own Khmer Rouge experience. Chou narrates Hong’s story and says, “ Hong tells them about how she saw a young boy beaten to death with sticks because the soldiers said he was lazy. Hongs words come out in spits and anger when she reports that the boy was slow with his work because he was sick and starving… After that Hong became the best worker in her unit even though she was many years younger than the others. ”(pg55)
The Khmer Rouge was a revolutionary group who wanted to reconstruct Cambodian society. On April 17, 1975 the Khmer Rouge attacked the capitol Phnom Penh. As soon as the Khmer Rouge got to the capitol they started to force the people to leave all their possessions and march to the rural part of Cambodia. “Hospital patients
Ray Bradbury wrote a variety of short science fiction stories and added them together to make an overall collection titled The Illustrated Man. The Illustrated Man has stories that all take place in the futuristic, Dystopian America. The overall theme of this novel is accepting one’s fate. Narrowing down the overall theme, the stories of “The Last Night of the World”, “Marionettes, Inc.,” and “Kaleidoscope”, all share the common overall theme of looking back on life and seeing all the things one has done with their life, and the things one never got to do. While one is living, they don’t tend to look back on their life until they know it’s coming to an end.
These kind of choices make for a good documentary but shift the ethics of what it means to tell a story directly or with
In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.
Activist documentaries may fail to captivate its audience or accurately depict a serious subject. Then again, sometimes they fail to do both. Aspiring activist documentary The Cove attempted to address widespread dolphin killings in the fishing village of Taiji, but was instead met with outrage. The documentary’s one sidedness failed to accurately portray the issue, and its audience was infuriated due to the film’s lack of care for the town’s fishing culture and history (Abele). Many
The Elimination: A Survivor of the Khmer Rouge Confronts His Past and the Commandant of the Killing Fields. Rithy Panh is an internationally and critically acclaimed Cambodian documentary film director and screenwriter. Rithy Panh was a young boy when Khmer Rouge revolutionaries arrived in Phnom Penh on April 17, 1975. Starting that day, he and his family were designated “new people”—the revolution’s code for those who needed “re-education”—and forcibly evacuated out of the city. That day began a terrifying experience that gradually took away most of his family, forcing Rithy to survive a series of brutal, and often arbitrarily cruel, ordeals.
The cinematic experience of the action-drama films Lemon Tree and Paradise Now showcase the struggles and hardships familiar to Palestinians living in the 21st century. While each film portrays a particular storyline, the two ultimately reveal similarities in severe long-standing despotism, and harassment. This is due in part to the implementation Israeli presence, who’re slowly shown to become the dominating figurehead throughout Palestine – later known as Israel. The oppressive culture displayed throughout Lemon Tree and Paradise Now leads the Palestinians counterparts in both films to be sequestered towards their societal disadvantages; Lemon Tree depicts the injustices of Palestinian minorities, while Paradise Now illustrates the internalized
While photographing, they witnessed terrible actions such as murders, stabbings, necklacing, and many other horrendous acts (5).