An Endless Evolution: The Misunderstood History, Cange, and Impact of Rock and Roll
The beautiful thing about art is how it signifies an evolution. Every artistic piece takes an influence from earlier works, it has to. However, there is a fine line between an influence out of admiration and blatant copying. Throughout history, accomplishments made by people of color have been wrongly overshadowed or credited to their white counterparts. Music has been no exception. Rock and roll has had a huge impact on the music industry in the past century, but the true pioneers of the genre have been overlooked. While white artists have been credited with the beginnings of rock and roll, they were strongly influenced by African American musicians and culture
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Fans and musicians were now using rock and roll to fight for social equality, while the unrecognized roots of the genre were a part of the issue in question. Rock was born in an age of segregation. From education to music, the racial division of Jim Crow America was everywhere. For decades, the music industry had been separated into “black music” and “white music.” Black and white artists both made music targeted either adults or children; so teenagers would listen to both. This was eventually given the name “Race music,” a genre catered towards teenagers, music that was neither predominately black nor white. This was rock and roll, and it's important to understand that it was first a mixture. Rock and roll smelled like teen spirit, and the younger generations were living for it. Rock music grew, becoming a dominant subculture in adolescent America; however, the internalized segregation within the country forced it to grow away from its roots. Rock and roll began to desegregate the music industry as a mixed genre, but as it grew in popularity, only white musicians were truly in the spotlight. Many songs written by black musicians during the uprising of rock and roll were only popular after being recorded by white artists. An example of this is Otis Blackwell, who originally wrote Elvis Presley’s All Shook Up, Don’t Be Cruel, and Return to Sender, as well as the future Jerry Lee Lewis hit Great Balls of Fire. Even when they were credited to their work, black songwriters often made little to no profit from their work while musicians like Elvis Presley made millions. Society failed to accept potential racial equality in music, so the portion of rock and roll established by African American artists was whitewashed to fit the public
To start the switch in styles of Rock and Roll, the Alabama White Citizens Council came out with a pamphlet titled A Manual for Southerners . This literature acknowledged that it is the music industry that has the biggest influence on how kids present themselves from the way they dress to their mannerisms. The white, southerners who wrote this pamphlet were afraid their children would start interacting in interracial manners and wanted to protest this vulgarism by boycotting “Negro records”. (Larson page 53) This did not help in the upcoming battle towards civil rights for African Americans.
In this extremely controversial work, Glenn C. Altschuler takes aim on the government’s accusations, the prejudice from the police, and the affect that rock ’n’ roll made in America through the late forties and fifties. Glenn makes many accusations of his own through the way he shifts the momentum of the story from time to time. Through the years back then and now, music has caused many racial and gender controversies. In this book, Glenn explains all these problems and what rock did to start or get of them.
All Shook Up: How Rock N’ Roll Changed America, fits into the overall historical literature of the topic because the book has to deal with rock n’ roll being both politically and culturally inspired back when African Americans were still having to deal with being segregated. Altschuler talks about how the beginning of rock n’ roll was during the same time period as African Americans trying to obtain their Civil Rights. People did not want African Americans to be friends with white people because music seemed to bring teens and people of all races together. In most dance halls where African Americans played their music, white people became interested and at times would go. This was the biggest problem for the nation, African Americans becoming
Altschuler discusses media commentator Jeff Greenfield’s opinion about the influences of Rock and Roll on American youth. Greenfield states, “Nothing we see in the counterculture [of the 1960’s], not the clothes, the hair, the sexuality, the drugs, the rejection of the reason, the resort to symbols and magic – none of it is separable from the coming to power in the 1950s of rock and roll music.” He continues with “Brewed in the hidden corners of black American cities, its [Rock-n-Roll] rhythms infected white Americans, seducing them out of the kind of temperate bobby-sox passions out of which Andy Hardy films are spun. Rock and Roll was elemental, savage, dripping with sex; it was just as our parents feared.” (Altschuler, 8) Rock and Roll stood as a powerful alternative to the conformist ideals Americans had valued.
Legends of rock and roll such as Chuck Berry and Elvis Presleyhave taken the industry by storm altering it significantly.
The style of music was played by Johnny Cash, George Jones, and Hank Williams and influenced the growth of Rock n’ Roll through musicians such as Buddy Holly. On the other hand, Black Gospel music has been closely connected to Rock n’ Roll especially with regards to the instruments, sound arrangements, and the energy expressed in the music. Early Black artists draw a close resemblance between R n’ B and Gospel and they essentially suggest that it was simply gospel music finding its way to the night
MUS 1013 Critical Essay A Racial relations between African Americans and European Americans in the early 20th century had a substantial impact on the evolution of rock music in America. A prominent example of racial disparity in regard to music is James Weldon Johnson’s “Autobiography of an Ex-Colored Man”. This novel portrays the experience of a mixed-race man in the early 1900s, grappling with his race, and facing challenges in society, greatly divided at the time. Johnson’s novel spotlights the cross-cultural synthesis of musical elements as different communities attempted to assert their cultural identity.
African American Influence in rock and roll African Americans have played an integral role in the development and evolution of R&B music. The genre emerged in the 1940s and 1950s as a combination of blues, jazz, and gospel music, all of which were created and popularized by African American musicians. R&B music was a reflection of the social and cultural experiences of African Americans, and it provided a platform for them to express their emotions, experiences, and struggles. One of the most significant ways in which African Americans inspired R&B music was through their experience of slavery and segregation. The music of African Americans was often characterized by themes of pain, hardship, and struggle, which reflected their experiences
The History of Pioneer Black Musicians Music Influence on that of Michael Jackson Michael Jackson was a great singer in his time and one of Americas’ prolific singers to ever grace the music scene. From the time he graced the music scene, he would go on to become a great singer that inspired other great singers during his period and in the future generation. Music has got a unique element that is so unifying and touching depending on the type of music one could be listening. In the history of the United States, black musicians from way back in the early days of singers such as James Brown, Prince, and Smokey Robinson have had an influence on the music culture. There are many genres today that can be traced from black musicians who popularized
Other major artists that were the first to play “rock and roll” were Fats Domino, who put more country and blues into his music making it more laid back and relaxing compared (his song “Blueberry Hill”) and Little Richard, who did more of an aggressive blues/rock and roll (his song “TuttiFruitti” or “Good Golly, Miss Molly”). Little Richard did a lot of high pitched screeching in his songs as well as shouting or yelling his lyrics. That being said, it was easier for white people to accept Fats Domino compared to Little Richard, but Little Richard had a vast amount of white teenagers listening to his music, much like they did in earlier years. Joseph Turner Jr. who is more well known as Big Joe Turner, had more of a sexual tone in his music and could be taken one or two ways in meaning. People called this hokum blues or dirty blues.
During the peak period of segregation, poverty, and Victorian morals, Rock & roll managed to integrate two completely different styles of music and create something worthwhile. This in turn, paved the way for America’s own social integration. However, this integration didn’t happen without a fight. Early rock & roll created a racial divide so large, that it was almost impossible to dissipate.
The loud and raucous nature of the music, coupled with its association with youthful rebellion and dancing, was viewed as a threat to establishing social order. Concerns were raised about the impact of Rock & Roll on morality, its potential to incite unruly behavior, and its perceived connection to racial integration. This borrowing and blending of musical styles challenged the racial segregation and cultural divisions that were deeply entrenched in American society at the time. The association of the song with African American influences and the integration of different musical styles further fueled the conflicts and resistance from those who opposed racial mixing and cultural
Rock and Roll was a very popular cultural aspect of the 50s. It originated from African American culture then the whites interpreted it. One of the first singers to do this was the very king of rock and roll himself, Elvis Presley. Many adults hated this new music and wanted to ban it. A huge part of it was censored, for example on the Ed Sullivan show, Elvis had to wear a tuxedo and wasn’t allowed to dance because his moves were “sexually inappropriate”.
The migration of workers to urban areas, prosperity, and the anxiety of social change all contributed to the development of Rock and Roll and Civil Rights. Social anxieties of the Civil Rights Movement such as: institutionalized racial slavery, segregation, discrimination, and the struggle for equality were strongly exemplified throughout African American music, which would soon transform into Rock and Roll. Essentially, Rock music originated amongst the African American culture deriving from jazz, gospel, rhythm, and blues. Ultimately, these genres together corresponded to create Rock and Roll. Seeing that music has the ability to reflect and influence social movements and interactions, the music that becomes popular can gain national recognition (“Concurrent
Introduction: Music and music make by black people have always been something that the world was trying to separate. Even though many people do not know, most popular music genres played today were either stolen or made by black slaves. Yet, they still don’t give the credit to the rightful person. This essay talks about the problems in the black communities how music fixes problems and how over the centuries, black people and music have influenced many things in the world but the one main thing that still lives in all of us today is music. The Origin of Music Music comes from many places and has a vast of different genres.