The Monster In Frankenstein In John Milton's Paradise Lost

I remembered Adam’s supplication to his Creator [...] He had abandoned me, and in the bitterness of my heart I cursed him” (119). The Creature is immensely influenced by “Paradise Lost” using many references to relate itself to its scenario.It finds itself more similar to Satan since both have diffilcuties coping with rejection from their Creators. However, the Creature shares more similarities to Adam since

He is livid, and “the nearer [he] approached to [Victor’s] habitation, the more deeply did [he] feel the spirit of revenge enkindled in [his] heart” (96). He is willing at this point to commit any act that would hurt his estranged creator. Mary Shelley insisted that “the monster is naturally good, ... but

Satan had his companions, fellow-devils, to admire and encourage him, but I am solitary and abhorred." (Shelley, 93) As the monster further explores himself through the lens of others, he fulfills what he fears. The disdain from society left the monster alone. His desire for societal acceptance prompts inadequacy that gives way to his true monster and murders Frankenstein's family and friends. As can be seen, Mary Shelley's Frankenstein is a tragic novel that explores the creation of man and his self-knowledge that spirals into an abyss of discovery and death.

In Mary Shelley 's Frankenstein, the creator abandons his creation undoubtedly uncertain about his invention life in the future. Frankenstein is unable to provide love and comfort toward the monster, which make him feel revengeful toward his master Fiend blames Frankenstein for all misery he faces as his creator deserts him. In Frankenstein Marry Shelley conveys that the feeling of abandonment compels him to seek revenge against his creator. To start with, Frankenstein justifies that the monster is sensitive, but suffering enforces the him to be violent. The statement is true when you learn the monster request to his creator When creature see a beautiful woman sleeping on straw.

In Mary Shelley's novel, Frankenstein, cruelty is what sets the plot in motion. The rejection of the monster by Victor Frankenstein represents the wickedness that is consolidated with human society. The inclusion of cruelty in Frankenstein functions to capture the creature as abandoned by his creator, withdrawn from mundane society, and a victim of the evil nature of humankind, even when he has admirable intentions. Although the novel was written in the 1800s, there is a strong connection between what we understand of how society treats “ugly” people now and how they were treated back then. In the novel, once Victor Frankenstein completed his creation and it was filled with life, he screamed and fled from him.

Frankenstein, a work by Mary Shelley, is a story about how man creates life so he can carve a new era of society, but ultimately faces the repercussions from attempting to defy the laws of nature. In Frankenstein, Mary Shelley uses the themes revenge, nature, and isolation from society to create meaning for her readers. For example, Revenge is a powerful force that will consume the minds of those it inhabits. The monster begins its life with a warm, open heart. However, after it is abandoned and mistreated first by Victor and then by the De Lacey family, the monster turns to revenge, it became blinded, and “...feelings of revenge and hatred filled [its] bosom… [and it] bent [its] mind towards injury and death” (Shelley 99).

Proctor, however, is an example of Miller 's definition of a tragic hero as " the presence of a character who is ready to lay down his life, if need be, to secure one thing, his sense of personal dignity" (Miller, tragedy 4). Proctor embodies this definition because his anger leads him to be free. He has the courage to reveal his anger at Salem and the courage to reveal his affair with Abigail when he tells judge Danforth that he is raising "a whore" over heaven ( II iv 110). His wrath at this evil Salem makes him believe that God has abandoned this place "I say, I say , that God is dead" ( III i 119), so the only thing to direct him is his will to do the right thing, that he can not embrace a lie to save himself. Thus, his

Catherine’s marriage to Edgar Linton is a turning point. Normally, it must be a marriage of happy ending, however, it represents the repression of Heathcliff and makes him an embedded of revenge. He becomes an outcome of everything he has encountered. People which are not abondend by social conventions are always shown as monsters ,as for instance, In Marry Shelley’s Frankenstein, the inability of the monster to unite with his creator makes him a threaten to humanity. Moreover, the protagonists, Heathcliff and Catherine, are happy when they do not follow the conventions of the society ,however, they were oppressed when they follow them.

In the short story “The Mark of the Beast” by Rudyard Kipling, Strickland is the monster. Strickland does many horrifying things, some that the author felt “is not to be printed,” to the Silver Man (Kipling 7). He breaks moral codes in order to get his friend back. He treats the Silver Man with cruelty and is merciless when attempting to get the Silver Man to turn Fleete back. Finally, he inspires enough fear in the Silver Man that he does take the curse off of Fleete and allows him to turn back into a human being.

Ozymandias is about a ruler that lost his power and kingdom because of his tyrannic rule.While Viva La Diva, Ozymandias, and The Scarlet Pimpernel are similar in many ways, every rule is temporary because of revenge and one’s want for revenge leads to careless actions, is prominent due to the use of metaphors in the authors’ text. Every drop of power gained is 2 drops of revenge stored. Every rule is temporary because of revenge.. The chant, “Long Live The King!” is ironic in the fact of this. The authors of The Scarlet Pimpernel and Viva La Vida reveal that a ruling is temporary by using metaphors, the literary act of comparing different words without using like or as.