In Mary Shelley’s novel, Frankenstein, the audience views the monster as the most sympathetic character as Shelley utilizes a basic understanding of human nature in order to emphasize the innocence of the monster and force the reader into siding with the underdog. Additionally, Shelley furthers her position on why the monster is the most sympathetic by alluding to and referencing John Milton’s Paradise Lost as well as the relationship between God and man. Through this, Shelley forces the reader to abandon the conventional narrative that the monster is evil simply because he inflicted death upon others by looking at the motives that drove their actions. Shelley’s novel follows the life of Victor Franikenstein, an aspiring scientist who is fascinated …show more content…
As the wretch approaches Victor, Victor begins verbally assaulting him calling him names such as “abhorred monster” and “wretched devil” claiming how he could, “with the extinction of your miserable existence, restore those victims whom you have so diabolically murdered!” (Shelley 72). However, though the monster could easily dominate Victor physically, he reasons with him. He understands that “he that overcomes by force hath overcome but half his foe” (Milton) and in this way, he knows threatening Victor will not get him what he wants. He knows he must reason with Victor in order for them to come to an agreement. From this place of understanding, the monster meets this reaction in an extremely calm way stating how he “expected this reaction” (Shelley 72). He begins to speak to Victor by relating his situation to Creation saying: “remember, that I am thy creature: I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed” (Shelley 72). In this statement, the creature is explaining to Victor why he has become a “monster”. He is saying how because he is Victor’s creation, Victor is God and he should be like Adam. He is also implying that because Victor is like God, he has a responsibility to provide and care for the monster. However, because Victor has failed to play his role as God, the monster has become satan who is just another fallen
Upon witnessing his creation's animation, Victor is quick to reject him as he flees from his dwelling, mistakenly allowing the Creature to escape into the world. After escaping, the Creature commits a series of crimes, leaving Victor consumed by his own guilt from the realization that he is responsible for bringing the unstoppable monster into existence. Victor’s erosion of subjectivity is evident as he “considered the being whom I cast among mankind…my own spirit let loose from the grave, and forced to destroy all that was dear to me” (Shelley 84). Aware that the Creature's existence has caused the devastation of all he held dear, Victor also emphasizes the negative effects of his arrogance in breaking natural principles. He understands that the Creature is uncontrollable and that he is a source of this chaos.
As soon as Victor’s creation came alive, Victor turned his back on the creature, leading to it lashing out at the world around it. When Victor sees his creation, he thinks to himself, “How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavored to form?” (Shelley 48). Without considering what the Creature was going through, Victor immediately starts judging it, calling it disgusting names such as “catastrophe” and “wretch”. Victor’s irresponsibility led to the Creature holding feelings of hatred against the human race.
At first, Victor is repulsed by his creation and cannot bear to look at him. On the other hand, the monster desperately seeks Victor's approval and seeks him out repeatedly. However, as the novel progresses, the power dynamic between the two characters shifts. The monster becomes more powerful and begins to exact revenge on Victor for his perceived abandonment. Eventually, Victor and the monster become locked in a deadly game of cat and mouse, each seeking to destroy the
Once the monster reaches the point of being able to function at a base level, he quickly loses his innocence and his eyes are open to the troubles of this world. The more he lives, the more he realizes the desolation of his situation, and it becomes evident clear his life was better when heit was simply surviving. The monster’s newly acquired knowledge of the evil of the world leads to his corruption by sin and he begins his great fall;, yet if Victor would have remained faithful to his creation, then both of their lives could have been drastically improved. The bible continues this idea presented by Victor and his monster, as Adam and Eve fail to be satisfied with the paradise given to them and are deceived by the Serpent’s words of, "For God knows that when you eat of it
The monster is a wretch because of things he cannot control. Victor is a wretch because of his choices and actions. Eventually both think that life is nothing but pain, but they endure for other motives. Both want revenge against the other.
Readers feel bad for him because they believe that his actions are justifiable after Victor abandons him, but instead of just going after Victor, the creature goes as far as to threaten the entire world to get what he wants. In an attempt to force Victor to listen to him speak, the monster declares, “Yet it is in your power to recompense me, and deliver them from and evil which it only remains for you to make so great that not only you and your family, but thousands of others, shall be swallowed up in whirlwinds of his rage” (Shelley 84). This vicious ultimatum frames the issue in a way that makes it seem like it is only Victor’s obligation to save his fellow humans, when really the monster has full control over how he responds to Victor’s unkindness. The monster is selfish; he cares more about his own happiness than the life of every other being on the planet. Not only does the monster kill a child, he decides to blame Justine for his crime.
Victor is stirred by his work, but not in a positive manner. He goes on to explain his feelings towards the creature by saying, “… my heart sickened and my feelings were altered to those of horror and hatred” (136). Victor is so bewildered and repulsed by the creature that he misses key signs of violence, from the creature, that may have saved Victor’s family had he not been so
The monster goes on to spell out its expectations through ordering Victor to create a companion for it. For instance it tells him that it is its right to have a female companion. It does this to reinforce the idea that Victor has a duty towards it given that he created all these problems in the first place (Britton,
”(Millhauser). This violent rejection is a repetition of Victor’s lack of acceptance for the monster and attention to his family. Victor knows that the monster will never be able to live within society and that his ability to create life is the only hope the monster has of achieving companionship. Victor's own aversion to companionship surfaces as he, “ fails to give him the human companionship, the Eve, the female creature, that he needs to achieve some sort of a normal life.” (Mellor).
Nonetheless,Victor is overwhelmed and instead of caring for the monster, he seeks an easy way out which ultimately leads to the betrayal and abandonment of the creature. Now, the monster is left without care and is filled with anger and sadness as Victor did not take responsibility to look after him. Therefore the monster goes out of rage and kills people that are closest to victor's life. Evidently, all the monster wanted was for Victor to take pride in his work and both care and accept him for the monster that he was. In addition, the monster tried to get near people with hopes of gaining trust and bonds.
This shows the humanity in the monster and his tendency to be amiable. He was also able to learn from his mistakes. For example, the creature realized that he needed to stop stealing the family’s supplies after he noticed how much they needed them. Victor, however, didn’t learn from his mistake of creating the monster, and created another. The monster also refers to the family in the cabin as “[his] friends” when they didn’t know of his existence (103).
Victor creates the Creature, but there are many situations throughout the novel where the Monster displays as the victim. He seeks love from different people, but everyone treats him bad. His anger towards his father drives him to kill Victor’s family. The Monster later feels devastated for the murders he commits. All the monster wants is love.
The monster continues by reassuring the creator of his independent intelligence and power over the creature by telling Frankenstein, “This you alone can do”. Here, the creature assumes a role of submissiveness and reliance on Frankenstein. Frankenstein’s monster gains the sympathy of the reader who, despite condemning the murder of innocent people, commiserate with the lonely creature who is in search of an acquaintance, which he will likely never find. The monster also displays power and aggressiveness over Frankenstein; “You are my creator; but I am your master; obey!” The monster wants to desolate Victor’s heart, not by killing him directly,
The monster sees himself as both Adam and Satan, because like Adam, he was created and set free. Yet he feels like Satan because of how society treats him. While Adam has a companion, the creature longs for one and begins to threaten Victor that if he does not create one, he will harm those around him. In comparison, Victor also feels like characters from Paradise Lost. Victor assumes that role of Satan.
An engaged reading of Frankenstein raises the question: What can our sympathy or lack of sympathy for the monster say about the ourselves? A survey of scholarship on Frankenstein provides insight on this question. In her essay “A Critical History on Frankenstein”, Joanna Smith provides a summary of the criticism of the novel since its publication. Percy Shelly and those of the early 19th century critiques of Frankenstein highlight who is to be responsible for the monster’s behavior and the moral impression on the audience.