In the first chapters of The House of Mirth Wharton establishes various conditions that Lily desires. She is in search of wealth, social prosperity, and marriage. But Lily’s craving for independence is an added aspect that cannot go overlooked. The craving is established early on, in chapter three of the text. Lily is seen longing to, “drop out of the race and make an independent life for herself” but yet knows it would not be a fit lifestyle for her because “she hated dinginess as much as her mother had hated it, and to her last breath she meant to fight
In what ways would you transform when presented with a life or death situation? In the prevailing and fast-paced short story, “Where Are You Going, Where Have You Been” by Joan Carol Oates we find out how much a person can change when crucial and demanding situations arise. In this short story the self-indulged protagonist, Connie will have to face her worse nightmares that she believed would be her ultimate fantasy. Connie is a fifteen-year-old girl who, like most young women, are ruled by their hormones and budding sexualities. She is a flighty teen who does not get along with her family and wishes to be an adult.
When Edna and Adele with their families went to Grand Isle, sometimes, Edna will put herself into their children completely or forget them. Moreover, when her children tumbled, she will not pick them up just let them get up on their own. In contrast to Adele, Edna is not contributing herself to her family as well as Adele. Edna tries to fit in as the role to be a good mother, but, she cannot definitely, to be a mother-woman cannot fulfill her eagerness to be a special, independent and egocentric person. In Chapter XVI, Edna said to Adele, she would give her money and her life to children, but never herself.
“See Sophie,” her father said, “if there was really something in here don’t you think that you’re mother or I would have noticed it by now? The only thing that will be in here tonight is an eight year old girl who is afraid of her own shadow.” Sophie did not enjoy the condescending way that her father was talking to her. For she knew that something was amiss, she just couldn’t tell
However what Nea does not understand in all her youth and idealism , is that sourdi does not want to be saved: She willfully accepts her fate and her marriage to Mr.Chhay because she finds financial stability and a secure future. Since the beginning of the story Nea believes that she is saving or protecting Sourdi from the expectations of her mother and Mr. Chhay. The mother and the uncle have fix a marriage with an older man named Mr.Chhay. Sourdi is a young girl that has a boyfriend name Duke, But her mom really dosen’t cares what Sourdi thinks or wants. So Sourdi meets Mr.chhay and she feels uncomfortable in the
The choices made at the end of each story were made due to characters pride getting the best of them and can be predicted to harm them in the future. After walking away from Miss Moore, Sylvia thinks about the day and claims “ain’t nobody gonna beat me at nuthin” (Bambara 6). Throughout the story, Sylvia has pessimistic thoughts that may affect her future. By not admitting she learned something, it can be inferred that her pride will not allow her to acknowledge the lesson. Due to this, Sylvia may suffer a fall in her life, such as the quotation, “pride comes before Destruction” suggests.
The short story “Two Kinds” by Amy Tan explains a mother and daughter relationship that has many differences within a conflict in the story. The narrator demonstrates that the mother and the daughter do not agree with the same aspect on life. Since the mother wants her daughter to be perfect, the daughter refuses to make her mother’s wishes come true. Her mother wanted the narrator to become the perfect traditional daughter, but the narrator’s differences triggered with her mother. An indication from the story is, “Unlike my mother, I did not believe I could be anything I wanted to be, I could only be me” (137).
… They do not know I have gone away to come back… For the ones who cannot" The House on Mango Street 109- 110).E. does not want to be only defined by mango Street but wants to be known as a writer that came from M.S.. She is confident about her future and what she wants to be and will not let anything restrict her from her dreams. The sisters help her realize the importance of her roots. This makes her want to come back and help those who are not able to leave. At the end of the novel E. accepts M.S.
In Cinderella, Lady Tremaine was harsh towards her own stepdaughter. Not only was Lady Tremaine in a pugnacious relationship with Cinderella, so were the evil stepsisters. The stepsisters constantly wanted to perform better than Cinderella at everything. When Lady Tremaine disregards Cinderella’s desire to attend the ball, she takes her stepsisters in place of her. This caused the failure of Lady Tremaine and the stepsisters to create a familial relationship with Cinderella.
In a sense, she is offered a new life versus a metaphorical death: a life in Ireland where she would return to the same old tasks of housekeeping and caring for the children. Additionally, she would be subjected to her abusive father and must probably endure his violent nature like her mother did. As a consequence of not leaving with Frank, she chose not to live happily. Eveline is unable to imagine a future with Frank in Buenos Aires, away from her family, her neighbourhood and the memories of her dead mother. Stuck in her own past, she has no future, is paralysed and cannot act against