In the novel ‘The Namesake’ Lahiri has shown how every character struggles with their identity and how this is due to the pull of different cultures, traditions and dreams. However, Gogol in particular feels the pull of these demands more than any other character within the novel and Lahiri evidently shows this by his perpetual struggle between his two cultures - Indian and American.
Gogol struggles incessantly throughout the novel to find his identity while attempting to mould to his family’s expectations and the expectations of the American society around him.
One of the first instances in which Lahiri explores Gogol’s quest for identity is when he is only six months old at the rice ceremony. “Gogol frowns, and his lower lip trembles”. This quotation shows how even at such a young age, Gogol was already refusing to participate in such traditional Indian rituals, furthermore showing how Gogol’s identity crisis has been embedded within him from such a young age. “Only then, forced at six months to
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By vividly depicting Gogol’s name in such a way, Lahiri reveals how symbolic the name is by conveying the tangible power an intangible object has over Gogol. It implies that Gogol feels trapped by his name and that this word, which he detests so strongly, appears in every aspect of his life as shown by the quotes “He even hates signing his name at the bottom of his drawings in art class” and “He hates signing his name on the brown paper sleeve of the national geographic subscription”. These examples show the extent to which his name is incorporated in many other aspects of his life and are a way in which Lahiri portrays the name as continuously
This novel reveals that culture and language has a lot to do with forming one's identity. The type of culture and language a person has been surrounded with affects their sense of identity,
Looking with the benefit of hindsight, things changed much neither during Gogol’s time not after him. Descriptions of Captain Gorobets’ individual guests are even more marvelous and edifying: On his sorrel stallion arrived Cossack Mikita, who kept
Shaped by the journey of life, each and every human develops an everlasting identity from their perception of the world. Everyone’s identity sticks, but humans contain the capacity to change their identity throughout life; an attribute Esperanza shows greatly. Oppressed by male figures and because of her wealth, and race, Esperanza develops her sense of identity from negative aspects of her life, causing her to feel shame and develop an aspiration to form a new identity. For so long she develops her worth from what others think and say about her, but contains the power to see beyond and what her really life holds for her.
Thus, this essay will examine how identity is portrayed in each novel. Firstly, the representation of the Other in The Icarus Girl is evident as Jessamy struggles to associate with one identity because of her mixed cultural ethnicity. It must be acknowledged that the fear of her identity from arises from the impact of post-colonialism, as the text illustrates how Jessamy is “haunted by the colonial experience and its aftermaths” (Mafe 23). The possibility of associating with her Nigerian heritage makes her uncomfortable because she is unfamiliar with everything that her heritage represents: “It was Nigeria.
As Gogol begins to grow up in America his attitude towards his name starts to change. The novel begins with Gogol feeling very uncomfortable with being called Nikhil on his first day of school. “It is very common for a child to be confused at first. Please
Gogol, the son of Ashima and Ashoke, was born in America and spends the first half of his life trying to run away from his Bengali roots. Although Gogol does not feel as lost and detached as his parents in America, he has a difficult time trying to balance the Bengali culture he was born into as well as the American culture he sees and experiences all around him as he is growing up. Throughout the novel, The Namesake, Gogol struggles to develop his identity due to the clashing of Bengali and American culture in his life. Gogol’s first obstacle in his search for self-identity occurs only a couple days after his birth, when his parents must decide on a name in order to be released from the hospital. Ashima and Ashoke eventually decide on Gogol, after the writer who saved Ashoke’s life during a train crash.
Have you ever been scared? A type of fear that is life threatening? This is the type of fear many soldiers felt in the Vietnam war. Including the squad members that were in Tim O'Brien's novel ¨ The Things They Carried.¨ The theme of Tim O'Brien's book is that soldiers are stuck with the fear of not only dying but of being seen as weak by Family,friends and fellow squad members. The members of the team often noticed that the war wasn't always physical but a mental war in a lot of different ways.
“The perfect name will come” Chapter 9, page 244. This leads up to what Gogol will say about a perfect name. The book has a common theme of names, hence the book being called “The Namesake”. On different occurrences of names being brought up, Gogol/Nikhil has different approaches to each.
The Pakistan Partition, in 1947, generated a great divide within cultures and families. In “When Mr. Pirzada Came to Dine,” Jhumpa Lahiri transcribes a short story about a man isolated from his family by depicting the aspects of symbolism, intrinsic first person point of view, and the theme of loneliness created by simple word choice structure. Jhumpa Lahiri incorporates her style, in this short story, with symbolism to synthesize two feelings of the main character, Lilia. In How to Read Literature Like a Professor, Thomas Foster states, “Oh, sure, there are some symbols that work straightforwardly: a white flag means, I give up, don’t shoot” (98). With this piece of information, it is best to say that Lahiri is using the candy as a symbol
In addition, immigrants may face the loss of identity. The book started from the day Gogol was in Ashima’s womb to the day he wonders about his identity at the age of 32.
To drive back and forth between two identities The absolutely true diary of a part time Indian has two main settings, the Pacific Northwest towns of Wellpinit and Reardan. The contrast of the two different settings, a poor Indian reservation on the one hand and a wealthy white community on the other, has a lot to say for the main character in the book, Arnold Spirit Jr. There can be a lot behind to main settings in a book, and that is what I am going to analyze in this essay.
Throughout literature the constant theme of identity has been explored, with Northrop Frye even suggesting “the story of the loss and regaining of identity is, I think, the framework for all literature.” For characters, true identity isn’t always apparent, it needs to be searched for. Sometimes the inner struggle for identity stems from ones need for belonging. Whether one finds their sense of identity within friends, family, or in a physical “home”. It’s not always a place that defines identity.
As a gay black writer in racist mid-twentieth century America, James Baldwin felt a great need to escape. And he did, he moved to France where he spent most of his life. Baldwin often took inspiration from his own life experiences for his stories, and as a result, many of his stories are semi-autobiographical, and it is possible to see Baldwin in the place of the title character. Baldwin’s characters escape from their struggles by listening or playing music, taking part in a romantic relationship, traveling, drinking excess amounts of alcohol, or acting in a theater or in movies. Baldwin’s short stories have an episodic feel to them -- short intervals with loosely connected events.
To be alone on an island, painting the sky the desired shade of blue, but to be secluded, fending away civilization as it it were a parasite, is not one’s ideal state of mind. Yet, by a particular female character named Moushumi In the book The Namesake, they are confused. Moushumi is the ex-wife of Gogol and identified in detail by Jhumpa Lahiri. Moushumi’s identity is composed of her experiences, her values, and her background.
Born in America, immersed in mainstream American culture, but raised by parents who retain strong Indian traditions; in result, he struggles with his identity. As he grows up he questions who he truly is, and where he truly belongs. His past struggles all have an effect on his romantic relationships throughout the novel. Gogol’s three key relationships are animated by themes of belonging and alienation. Gogol’s first serious relationship is with Ruth,