Due to his indecisiveness and lack of a cemented identity, The Namesake’s Gogol takes on Moushumi 's more clearly defined way of life, ultimately resulting in Gogol being left lonely and hopeless following the divorce. Building itself heavily on the concepts of giving Gogol a sense of identity and a shared need for security, their marriage lacks a mutual input of care and connection. Time after time in his romantic life, from Ruth to Maxine, Gogol has stolen everything about their culture to grant him a sense of meaning. Jhumpa Lahiri shows the very one sided nature of the marriage by providing proof that Moushumi and Gogol focus on filling one another’s emptiness, rather than creating a true connection. Unlike both of their previous relationships, …show more content…
Though she knows it 's not his fault, she can 't help but associate him, at times, with a sense of resignation, with the very life she has resisted, has struggled so mightily to leave behind.” (Lahiri 250). Starting to become honest with the readers as to the basis of their marriage and her resulting emotions, Moushumi expresses her feeling of being held back from her old lifestyle and choices. Together they attempt to live the life similar to the one their Bengali parents always imagined for them, despite both of them long resenting such a culture. Accordingly, a sense of disappointment by Gogol derives from them conforming to the Indian family culture which he had always rejected. After some time, Gogol comes to a realization that he lacks a strong connection to Moushumi and while she fills the void that is his lack of identity, he is not able to appease her desires of adventures. Lahiri displays Gogol’s new-found consciousness when sharing, “he looked at Moushumi and wondered what was wrong. They didn 't argue, they still had sex, and her he …show more content…
The first would be his inability comfortably leave the Northeastern US, seeing as his trips to France and other regions lead to him being quite awkward. Aside from his regional preferences, his mental dwelling the events which have occured exhibits Gogol’s humiliation and remorse. Approximately a year after his Gogol’s divorce once all the sudden shock had worn off “a sense of failure and shame persists, deep and abiding […] as if a building he 'd been responsible for designing has collapsed for all to see.” (Lahiri 283). Through this comparison to Gogol’s career as an architect through a falling building, it becomes quite visible that his mental state hits a low without a decision maker, like Moushumi, to guide the way. The rapid development of Gogol’s isolation results directly from his identity being dependent on others, making it truly undetermined. Without a partner that contains the trait he lacks the most, willpower, Gogol cannot maintain a healthy or joyful life. Continuously, it is demonstrated how he relies on others to form an identity for him, rather than doing so on himself, which leads to his utter downfall when breaking up with a
Looking with the benefit of hindsight, things changed much neither during Gogol’s time not after him. Descriptions of Captain Gorobets’ individual guests are even more marvelous and edifying: On his sorrel stallion arrived Cossack Mikita, who kept
It is evident that marriage is full of ups and downs, but the way couples manage these fluctuations in their relationship determines the strength of their connection. Both partners in a committed relationship must feel the same way and work equally as hard to push through potential obstacles. Being devoted to the relationship can ensure that the marriage will be able to survive the hardships and maintain a healthy, successful marriage. The emotional hardships and positives that a married couple endures on a daily basis are presented throughout the entirety of the poem, “Marriage”, by Gregory Corso. Corso’s poem explores the pressures and factors that influence marriage and sheds light on Updike’s short story about a couple facing divorce.
Always encountering success, Gilgamesh was once a tyrant to his people. Reflecting on his rule, he recalls that, “He demanded from an old birthright/the privilege of sleeping with their brides” (15). His triumphs fostered arrogance. To him, everyone else paled in comparison. When he experiences defeat, however, Gilgamesh grows as a leader, seeing the similarities between him and his subjects, their common humanity.
Not only does this make him drift from his family, but drift from his Indian Culture. “At times, as the laughter at Gerald and Lydia’s table swells, and another bottle of wine is opened, and Gogol raises his glass to be filled yet again, he is conscious of the fact that his immersion in Maxine’s family is a betrayal of his own” (141). Gogol has been following the “American” ways with Maxine’s family and he has become aware of the disconnection between him and his culture. It seems as if he is starting to feel quite guilty because of this and he feels as if he is being
He feels as if he can only fully embrace one culture, so he pushes his Bengali culture as far back as he can and welcomes the American dream. Nikhil represents his American acceptance, whereas Gogol represents his past, which he cannot shake no matter how hard he tries. In the end, he finally embraces and mixes both American and Bengali culture. Despite the cultural and assimilation struggles Gogol faced, he eventually found a way to discover his identity as a Bengali living in
“Do I remind you of that night?” “Not at all,” his father says eventually, one hand going in his ribs, a habitual gesture that has baffled Gogol until now. “You remind me of everything that followed.” Chapter 5, page 124.
On the other hand, his parents choose to be with each other and then they started to love each other. Marriage to them was like an obligation. It was their duty and that was why they had to remain as couple forever till the end of time. However, Gogol is different. After he marries Moushumi, they are happy for only one year, then Moushumi
People live all their lives trying to chase dreams. Most people do and those are the risk takers they ones who aren 't afraid to try even if the future is uncertain. The ones who don 't try often look imagine how their life could have been if they had taken that risk. In the book Ethan Frome by Edith Wharton we see the main protagonist Ethan lack the courage to chase his dream and in the end pays the price for it. In the book he is dealing with inter conflicts between two women.
The once “fairytale” like expectations on relationships and love came tumbling down as reality set in. This shifting of tones towards love could symbolize many different things; it could symbolize the the transformation of innocent, naive Yolanda into skeptical, emotionally unavailable Yolanda, or the possible life that lies ahead of her and her constant longing for intimacy, or it could even be foreshadowing the possible growing apart that her once close knit family will experience. The utilization of
In “Longing to Belong”, Saira Shah gives you a look into the life of a 17 year old girl longing to understand her parents heritage and trying to fit into a culture that is so much different from what she knows. Having a father who originates from Afghanistan and a mother who originates from India. Saira wants to learn the culture of her father’s afghan routes. The author feels the only way in to learning is by being betrothed into an arranged marriage. The author states that her uncle in seeing “two unmarried” daughters in the company of a chaperone visiting his home, concludes that they were sent to be married.
Paul Dooley and Winnie Holzman’s Post-its (Notes on a Marriage) is an accurate representation of how fast life actually goes by once one becomes an adult. The play begins with two maturing adults, Actor and Actress, in the beginning stages of a dating relationship, and they quickly develop into a dysfunctional family of three. The scenes then progress to a renewed relationship between Actor and Actress, and as time goes on, one proceeds to witness Actor, Actress, and Eugenia grow and mature. While one reads the play, one sees that Actor and Actress’s relationship takes time and communication for them to grow together.
To be alone on an island, painting the sky the desired shade of blue, but to be secluded, fending away civilization as it it were a parasite, is not one’s ideal state of mind. Yet, by a particular female character named Moushumi In the book The Namesake, they are confused. Moushumi is the ex-wife of Gogol and identified in detail by Jhumpa Lahiri. Moushumi’s identity is composed of her experiences, her values, and her background.
The dialogue in Hemingway’s “Hills Like White Elephants” reveals a man’s and a woman’s incongruent conflict on abortion, and the author’s fundamentally feminist position is visible in the portrayal of the woman’s independent choice of whether or not to keep the baby she is carrying. The plot is very simple in the story which is less than 1500 words long. A woman and a man spend less than an hour on a hot summers day at a Spanish train station in the valley of Ebro as they are waiting for a train heading for Madrid. Their dialogue takes up most of the space and only few major actions take place.
However, as the reader continues, Mrs. Mallard actions take a turn, which would surprise a reader. She only grieves for a little while before she goes to her room—alone. There, Chopin hints at the truth behind Mrs. Mallards marriage. While most new widows, in that
In the novel The Namesake by Jhumpa Lahiri there are many relationships portrayed throughout the story. Ashoke and Ashima’s relationship doesn’t show their affection for each other. Gogol had three serious relationships with Ruth, Maxine and Moushumi one of which he ended up marrying. His relationship with Maxine was strong because he was very close with her and her family. Gogol’s relationship with Moushumi was based on secrets and their way of not being more open with each other.