Can Watching A Film Help You Appreciate The Night Watch? - Jean Genet: a French novelist, playwright, poet, essayist and political activist. One of the most influential and innovative artists of all time, Rembrandt (1606 – 1669), a 17th century Dutch painter and etcher, was one of the prime movers of the Dutch Golden Age of Art, and was arguably unrivalled in his portraits, biblical themed illustrations as well as the usage of lights and shadows. His artistry was popular since his early years but he was also much sought after as a teacher and took in about 50 students over his lifetime, some of whom went on to achieve considerable repute. Though he is renowned for many of his works, including superlative ones like 'The Storm on the Sea of Galilee', 'Danaë' and 'The Return of the …show more content…
One of the screen earliest depictions of the painting is in the 1936 biopic “Rembrandt”, while Jean-Luc Godard made use of it in his film “Passion” (1982), where the painting is enacted by actors in one of the scenes. In the movie Godard asks the viewers to focus on the faces of the actors and not the composition, similar to what they would have done with a painting of Rembrandt. It was a visual delight, winning the Technical Grand Prize for cinematography at Cannes. “Night Watch” (1995) is a made for television film by David Jackson that stars Pierce Brosnan and Alexandra Paul, who play UN agents sent to investigate the theft of the artwork which leads them to a series of art forgeries. As a digression: Rembrandt's paintings were extensively forged, including by his own students as practise and otherwise, leading to art historian and curator, Wilhelm von Bode, to state, “Rembrandt painted 700 pictures. Of these, 3,000 are still in
Les 400 Coups by François Truffaut displays personal cinema by sharing his own thoughts through the eyes of Antoine. As stated in the lecture video, cinema was a way for Truffaut to escape from his unhappy home life. His unfortunate home life is shown through the perspective of Antoine to display how Truffaut may have felt when he was a child. François Truffaut makes the audience feel sympathy and a sense of understanding for Antoine's predicament through the use of realistic and noteworthy sets.
In the Glass Castle by Jeanette Walls, and the movie King of California both Jeanette, and Miranda make the best out of rough situations. One example when Jeanette sees the good in her dad is when she asks him to stop drinking for her birthday. "Do you think that you could maybe stop drinking"(296)? She sees the good in her dad when he decided to "keep to himself..."(297) in order to hopefully try to help him so that way he does stop drinking. Another instance when Jeanette sees the good in her dad is the stars.
Gaudet takes his camera skills and uses that to his advantage to prove his claim. He goes deep into the lives of William Knight, Joan Gaudet, and
The documentary displays how a Texas established creator named Tim Jenison tried to unravel one of the extreme secrecies in art. The documentary explains that how Tim Vermeer accomplished so much by painting a scene so good that it looked like an actual photo 150 years before they invented photography. Tim Jenison arranged a simple research to test the idea that he had in mind. He does not know how to paint but in a few hours he
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
Throughout history, art has been very important. The biggest time for art, though, was the Renaissance. Many artists got their start in this era. Some popular artists include Donatello, Michelangelo, Raphael, and Leonardo Da Vinci. I believe that all of these people were amazing artists, but Leonardo was the most significant artist of his time.
In the mid-nineteenth century, a girl named Ni-bo-wi-se-gwe (Oona) was born in pitch darkness in the middle of the day when the sun and moon crossed paths. The book Night Flying Woman by Ignatia Broker is the biography of Broker’s great-great-grandmother, Oona. It describes Oona’s life through what Broker has learned from her grandparents when they passed down the stories. In the book, one of the main themes is passing traditions on. I chose this theme because, in the book, passing traditions on is a major part of the characters’ culture.
Elie Wiesel’s work, Night, published in 1958, demonstrates the struggles Jewish society and other minorities faced in order to live a life of liberty. I, myself, felt bound and trapped, but not by iron doors, but by words. Even though being open and social can help communication growth, rudeness and unnecessary judgement can hinder one’s ability to be social and make them feel like expressing themselves is not possible. August 21, 2010, as my mother pulled up to the side of Georgetown Middle School, I remember thinking “I hope Mrs. Hope gives me hope.” My blood was pounding from the adrenaline, and my stomach was in knots knowing that in a few moments, I would be taking my first steps into an unusual environment for the next three years.
The Film, “One night the moon” by Rachel Perkins and the documentary, “Barbekueria” by Don Featherstone are very similar in the way they portray racism during the early developments of Australia. Through different Camera techniques and imagery both Featherstone and Perkins are able to project the ideals of the White Australian Policy onto a Film/Documentary. The uses of different Camera angles (by both producers) are seen in the film to represent the insignificance of one race compared to the other. “One night the moon” uses different colour patterns and camera techniques to represent innocence and superiority among the
Every now and then the art world is struck by a wave of change that leaves a strong impression, which can last for a long time. Visual arts saw the rise of impressionism and cubism, surrealism and realism took literature to an opposite direction, and film has evolved over the years through cultural and artistic development such as expressionism, auteurism and film noir (House, p.61). The 1940s and post World War II gave rise to a new style of American film, these films appeared pessimistic and dark in mood, theme, and subject. The world created within these films were portrayed as corrupt, hopeless, lacked human sympathy, and “a world where women with a past and men with no future spent eternal nights in one-room walk-ups surrounded by the
“Night” is a poem by Hilda Doolittle better known as H.D. Born in Pennsylvania on September 10, 1998. The work of H.D was “characterized by the intense strength of her image economy of language and use of classical mythology”. Mythology is the myths of a group of people depending on each culture. While classical is a long established event or idea or also traditional, HD used traditional myths to create each poem. She was also the leader of the imagist movement which was very important at that time.
In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and
During the Baroque era, famous artists rose to fame due to the beautiful masterpieces the created. One such artist was Rembrandt. Rembrandt was a Dutch artist who, due to the varying of his education, was able to master almost all of the popular subjects of his time. He surpassed all of his contemporaries due to the visual and psychological complexity his works achieved. His most famous painting, Christ Healing the Sick, depicts the complexity that Rembrandt imbued into his paintings.
Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.
The renaissance was a time of art and rebirth. Many great artists appeared during this time bringing their own individual skills and talent. These artists were Michelangelo, Leonardo, Donatello, and Raphael. However out of the four, Leonardo was the most significant. Not only was he a great artist, but an inventor, engineer, and scientist.