It’s a perfect night for a concert, warm, calm, and overall elegant. On Friday, September 11 in the Nightingale Concert Hall, a fabulously performed concert called the Argenta Concert Series, The Fifth Anniversary Season, directed by Dmitri Atapine and Hyeyeon Park, took place. In this performance the following musicians performed; Stephanie Sant’Ambrogio on the violin, Dustin Budish on the viola, and James Winn on the piano. Not only that, there was also a guest appearance by Jonah Kim on the cello. Although not the best turnout, there was still a decent audience. The majority of the members in the audience appeared to be over the age of 65 but were still just as enthused. Like I expected, the audience was dead silent, lights where dimmed, and eyes and ears were focused. The Nightingale Concert Hall at the University of Nevada, Reno is a magnificent hall and provides every seat with a great view of center stage, but is still spacious at the same time. Since Mozart was one of the major …show more content…
Before this I had never attended a classical concert, so this was a new experience for me. This concert was worthwhile because not only was it affordable, it was also great for the price. Each song made me feel different, I could sense the emotion coming from these songs and the way the musicians played together added a feeling of satisfactory altogether. The venue had a large impact on the performance. The Nightingale Concert Hall provided great acoustics for the performances and fit well with the overall style of the concert. With this hall being a decent size, the music really amplified through the venue. I felt as if I was listening to a recorded version of the performances, that’s how good it was. The audience must have felt the same way I did about the performances because at the end of the concert the musicians received a standing
Concert Review 6 This year’s West Bay Community Band concert on December 17th was an excellent concert based on the theme of Christmas music. The performance took place at Mills High School in their own theater and had the new staging previously used in their Winter Concert. The Band, Saxtet, Euphonium Quintet, and the Flute Trio had some individuals with the Holiday spirit. The band seemed pretty relaxed and were at ease when playing their selections regarding A Christmas Festival.
On October 29, I attended the Professor Harry F. and Mary Ruth Jackson Lunch Hour Series. While I was at the Lunch Hour series, I had the pleasure of watching Elizabeth Carville Evans and Valerie Ludlum Wright perform. Elizabeth played the flute and Valerie played the piano. The two performed individually and together, which showed the audience the beauty of both instruments individually, and how well they accompanied each other.
It is not surprising for one to think that one might get bored at a two-hour long orchestra, but during the whole performance I was at the edge of my seat just wanting to get up and dance. The band was very audience focused and kept everyone engaged throughout with their jokes, songs, and act. The lyrics of the songs they sang were fun and impressive. They sang compositions from different countries and across different genres; two of my favorites
When the band took the stage and began performing, they could not stop talking about how honored they were to be playing at such a location and how happy they were to be in Nashville. The light and sound was incredible which made the whole experience much more
Stars by Eriks Esenvalds was performed a cappella by the tuned wine glass players expressing overtones of pitch. Way Over in Beulah Lan’ arranged by Stacey
I was able to see my favorite rappers perform and it was absolutely
Fresno City College is home to an intimate concert venue housed inside its oldest campus building. The Old Administration Building (OAB) was host to a low-key choir concert headlined by the University of Southern California’s Thornton Concert Choir. The last and an unscheduled stop on the choirs return from their performance at the Fall Conference of the National Collegiate Choral Organization. The choir was in top form and put on a fantastic performance that was expected and executed.
The orchestra maintained the musical score and provided ornamentation and emphasized the melodic contour of the singer’s vocal line. Without reading the subtitles, there is such emotion and energy in the male singer’s performance that it is easy to see, along with the physical positioning and facial expressions of the female performer, that there is an impassioned dialogue being given from him to
The piece can be difficult for audiences. Sitting quietly for any length of time is not something to which people are accustomed in Western culture in general, much less in a concert hall setting. That tensions will arise, with controversy and notoriety following, is only natural. Confronted with the silence, in a setting we cannot control, and where we do not expect this kind of event, we might have any of a number of responses: we might desire for it to be over, or desire for more interesting sounds to listen to, or we might feel frightened, insulted, pensive, cultured, baffled, doubtful, bored, agitated, tickled, sleepy, attentive, philosophical, or, because we “get it”, a bit smug.
On August 16, 2015, I attended my very first carillonneur recital at the Grand Valley State University’s Cook Carillon. I was not sure what to expect. What I saw was most definitely not what I expected. It was a new experience for me and I learned about a new kind of music that I was ignorant about.
Later on, we returned to the Tishman Auditorium for the next three concerts. Owner of a magnificent and original voice, Theo Bleckmann, created his own ethereal, breathable spaces thanks to the fabulous accompaniment by Ben Monder, for me, the most accomplished guitarist of our times. Mr. Monder’s sound waves together with his notable solos combine in
Over the past weekend, I saw the West Suburban Symphony Orchestra. This orchestra included, Violin 17, Viola 8, Cello 7, Contrabass 5, Harp 1, Flute and Piccolo 3, Oboe 2, English Horn 1, Clarinet 2, Bass Clarinet 1, Saxophone 1, Bassoon 2, Contrabassoon 1, French Horn 5, Trumpet 3, Trombone 2, Bass Trombone 1, Tuba 1, and Percussion 5. There was also some vocalists including Soprano 14, Alto 15, Tenor 11, and Bass 8. The two pieces that were being performed were, Symphony No. 1 - Winter Dreams - by Pyotr Illyich Tchaikovsky, and Alexander Nevsky by Sergei Prokofiev. The performance was at the auditorium in Hinsdale Central High School.
Joseph BLOG I am a piano teacher and teach my own children. Music is very much a part of our lives and this is a good way to expose them to the symphony at a young age. Ticket price is always a consideration.- Heather BLOG IN FACT, QUITE A FEW OF OUR BLOGGERS VALUE THE ANALOG AWARENESS AND INTERACTION CLASSICAL MUSIC PROVIDES. It is a time to just be together sharing something larger.
Introduction Roger’s and Hammerstein’s The Sound of Music is arguably one of the most well known films that many can admit to watching at least once in their lifetime. People all around the world have found this musical inspiring, as it documents growth and hope amidst the horrors of World War II. This incredibly well written film is based on the story of the Von Trapp family who escaped Austria when the Nazis invaded it during the war. Part of what made this movie so interesting on so many different accounts was the music that accompanied the vivid and exciting scenes. Without music, many could agree that our world would be a sad, quiet, dull and depressing place.
Each of the works we presented in the third concert had a different background and posed different challenges: Hans Pfitzner believed that Schönberg’s modernism was a foreign influence in German culture. His anti-modernist writings from 1917 and onward led to tensions between him and Schönberg’s circle. Pfitzner and Schönberg developed different ideas in reaction to the cultural phenomena of their time. The musical culture around the turn of the century was characterised by a false nostalgia and social hypocrisy, especially in Vienna. In his thesis on the performance practice of Schönberg’s circle, Alfred Cramer wrote: “Music became a vehicle for assimilation, having arisen not spontaneously but out of a desire for social prestige.