The Nightmare is one of many paintings done by Swiss artist John Henry Fuseli. This painting was completed in 1781, but Fuseli painted three other variations of his original in the following years. Despite there being a total of four different variations of the painting, each variation uses colors, emotions, and a deeper message to display the same supernatural nightmare.
Through the use of color, The Nightmare is able to depict a horrifying scene without showing an excess of violence. The Nightmare illustrates a sleeping woman who is being visited by dark creatures. While most of the painting is dark and full of shadows, the woman herself is dressed in a bright white dress which immediately draws the viewer’s eye. The color white symbolizes purity, which can relate to the woman’s virginity. She is sprawled across a bed in a way that replicates death. Her head and shoulders hang off the bed and her arms graze the floor. In this way she is unable to fight against the creature who is sitting upon her chest. The red sheet she is lying on top of is reminiscent of blood, lending to the theory that the woman may be dead instead of sleeping. The white dress and red sheet are the most vivid colors in this painting, with the rest of the painting being made up of dark colors. Darkness is generally accepted as also meaning evil. The creature sitting atop the woman’s chest is shrouded in shadows and clearly has ill intentions towards the woman. The creature itself is an incubus. An
Now the gray crib and dreary room may perhaps symbolize her sadness, loneliness and isolation she has experienced due to oppression. Not to mention, the color gray also symbolizes modesty
This shows how the blackness of her hair symbolizes her evilness. Another example of darkness symbolizing evil is in the quote, “If the hero and heroine go off to live happily ever after, then what
Nightmare on Elm Street Freggy Kruer Will Scare Movie Goers Once More A 1984-classic horror movie Nightmare on Elm Street will have a new remake under New Line Cinema that will definitely make you scream all your lungs out. The 2010 reboot of this movie will be scrapped and will have a fresher take on the film. According to the Tracking Board, there’s still no producer for the film but David Leslie Johnson screenwriter of Orphan and Wrath of the Titans will be the one to write the script.
The sun beams from the sky are lighting up a small area of the painting and the rest is dark and gloomy. The gloominess of the painting represents dark and depressing times while the brightness of the sky creeps through thick dark clouds. This represents heaven because heaven is so large and bright and amazing that even though life is hard and seems like the world is ending, there is always something greater out there. Personally, I love this painting. I really like how Dore paints that trees and valley dark because it really highlights the beams from the sun.
Dreams are often viewed as peaceful escapes, but sometimes dreams make someone's worst nightmares come true. In a excerpt from Rebecca by Daphne du Maurier, The narrator describes a dream where she walks up on a abandon house that has been consumed by nature. The author uses spooky diction to describe the many setting of the story. She used words like nightmarish, tenacious, and haunting to describe the gate the trail and the house. This setting created a very dreary mood.
This precisely explains the darkness of the room because it is mentioned that there was no light of any kind. Another source of imagery that conveys a haunting mood is the sentence in the first paragraph
Guilty! Most defense attorney believe in the principle that says,’ better 10 guilty go free than even one possibly innocent person being convicted’. In the novel Monster by Walter Dean Myers, Steve Harmon is a 16 year old boy from Harlem, New York that was accused of being a look out for a robbery. This robbery resulted in the killing of the of the owner, Mr.Nesbitt, and became a felony murder. Steve is put on trial that could result in 25 years to life in prison if he was guilty.
The creature is essentially human because he has feelings and emotion just like any other human. When this creature first speaks out about his early life he claims to be "benevolent" and that his "soul glowed with love and humanity" (83). The creature states that when he became alive he showed love and kindness just like any human being. The creature shows various human traits.
Sam Quinones’ Dreamland is a commentary about the opioid problem in America. Quinones draws attention to how in the twentieth century opioids were seen as addictive: “[D]octers treating the terminally ill faced attitudes that seemed medieval when it came to opiates” (184). In the 1970s, Purdue Pharma stated that opioids such as morphine were not addictive substances. After this study was released, many doctors began to view opioids as a viable option for pain relief. Throughout the rest of the book, Quinones explains the shift from doctors never prescribing opiates to prescription opiates being used to treat any sort of pain: chronic back pain, arthritis, severe headaches, etc.
Don’t stop the ship from leaving the harbor just because you’re afraid of the adventures ahead. If you don’t take a risk you won’t achieve anything. “One doesn’t forego sleeping because of the possibility of nightmares” is an African proverb that demonstrates Kek’s emotional journey; take a risk even when there may be something you are afraid of ahead. Throughout part three of Home of the Brave, by Katherine Applegate, Kek takes a huge step forward in learning to sleep. He began making snowballs that held the key to belonging, he connected with the Gol, a lifesaving figure in his life, and become content with his immensely imminent loss.
The symbolism of the mask stranger connects to the theme of never escaping death. The imagery of the black room connects to the mood because of how they both create a suspenseful mood. The figurative language of both personification and simile which connects to tone for the ominous atmosphere. With all these connections with literary devices, theme, mood, and tone which the main focus is to emphasize about death being inevitable No matter how hard you try to escape it death will always be
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
Personification allows the readers to see the world from the house’s persepctive, helping them relate to the house on a personal level. Unlike Hirsch, who directs most of his focus towards the emotional state of the house, Hopper uses indirect forms of communication(e.g. shading, color, shapes and atmosphere) to help readers draw inferences about the house. For instance, the shadow casting the house sets a depressing mood for the painting. The darkness overshadowing the brightness implies that the house attracts no one despite its desire for visitors. Hopper’s emphasis on the shadow sets the mood for the picture, allowing us to visualize the depressing aura of the house.
I Dreamed a Dream is a soliloquy piece, sung by Fantine during act one of Les Misérables (1980). Fantine has just been fired from her factory job after it is discovered that she has an illegitimate child and takes to selling herself on the streets to pay for medicine for her daughter. It is here that ‘I Dreamed a Dream,’ is sung as a way of progressing the story and providing a realisation by the character of her unfortunate situation in life with the song being composed as a way of expressing the feelings of Fantine as she wonders where her life went so wrong as to descend to her present predicament. Throughout the song an anguished, during and impoverished Fantine reminisces on happier days and descends back to the harsh reality that is her hopeless life. I Dreamed a Dream is set in common time (4/4) with a steady set tempo throughout the piece, de despite significant changes in dynamic, texture, modulation and emotion.