The film created uncertainty and confusion for both the audience and the characters. The simple title creates mayhem for the couple Marc and Agnès. They both have trouble understanding either of their realities. Carrère does not give any hint to the audience as to which is the correct perspective. The reality of the characters of the film changes throughout the entire storyline.
The loss of space shows the tension leaving their relationship as they both have dealt with part of the problem which is work and now their home life is better. Overall this conveys to the audience the dramatic meaning of work/home life imbalance but is also shows it is something that can be fixed. The dramatic meaning of work/home life imbalance is evident throughout the play ‘Fly In Fly Out’. Each character is affected by either their own or someone else’s imbalance, this imbalance comes not only from themselves and the situation they put themselves in but also the fly in fly out works in the town.
Bystanderism - Darley and Latane (1968 ) = an individual not helping someone needing help or assistance when passive bystander are present Sources: Crane textbook pg. 264-267 Experiments: According to the theory of the presence of others or just the perception that other people are watching the show will reduce the likelihood that someone will intervene in an emergency because of the psychological processes such as: Diffusion of responsibility: Responsibility is spread when more observers were present and this reduces the psychological cost of not intervening. the influence of social information (pluralistic ignorance):
Though the characters in the play seem to believe and to be completely convinced that something greater, such as “fate,” is controlling them, they only choose to do so since they do not want to take responsibility for the actions they have done. Throughout the play, Shakespeare argues between fate and free will acting upon the characters. Early in the play, the chorus immediately introduces the readers to a pair of “star-crossed lovers,” who later take their lives as quoted in the Prologue. The role of fate in the play is described to the reader as a “greater power” that’s complied within the characters and that is out of their reach and already “written in the stars.”
As Stibbard uses minimal props, such as his piece of chalk, or an overhead projector, to help achieve the simplistic form of theatre which any actor can perform with. By using minimal set, costume and props it demonstrated that theatre can still exist. Theatre doesn’t need to be an elaborate setting, costume, props, or people. Stibbard stayed in the same outfit and on the same stage for the entirety of the performance. This minimal theatre technique made it simple for Stibbard to change from role to role and even though it was a solo man performance it was enjoyable.
Unlike the previous plays witnessed, The Tale of the Allergist’s Wife is a play that deliberately tries to alienate the audience throughout the play. It almost would seem as if the play is trying to reference a greater topic or idea, something that the audience is not inherently aware of. The play as a whole invokes an estranged feeling, one that indicates that there is always something missing from the play that would give the audience clarity on what is currently occurring. This contrasts with the mainstream aspects of the play, such as the allusions to modern society or the mentions of modern inventions and phenomenon grounded in the today’s realities. Despite these apparent contrasts, the audience in due time comprehends what was revealed, to be parted with a lingering question on what they truthfully lack or desire in their life.
In dramatic literature, the characters are often responsible for the outcome. In Romeo and Juliet, guilt is drawn from every part of the play and affects the entire outcome of the play. Several characters are responsible for Romeo and Juliet's death. Those characters are the Capulets, Friar Lawrence, and Tybalt are all to blame for their deaths.
The play begins with the Prologue which foreshadows the conflict between the two feuding families and tells the audience about the tragic deaths of Romeo and Juliet. This immediately establishes the theme of conflict within the play and many of the scenes portray both verbal, physical and inner conflict. Act III, Scene 1 is a fundamental turning point in the play, ultimately leading to the deaths of several main characters, most notably the two young lovers, Romeo and
Second, anything is possible so we have to be prepared for any situation. Third, he then says that we are actors in a play and we should play the fool in this play. We do not get to choose our roles, just like in life, however, we get to choose how we play it. Thereby meaning we are responsible for actions. If we do something, we are to be blamed or praised for