Although the past cannot be changed, the future is in your power. But what if power is the reason the future cannot be changed? The Pearl, by John Steinbeck, is a timeless story that is filled with metaphors for how avarice takes over humans. Although there is no easy way to get rid of it, Kino goes through many challenges to free himself from the troubles that come with possessing the power the pearl held. Kino went from a loving human to a dehumanized figure because he saw great wealth in the pearl, attacked in order to maintain the power it held and lost the ability to have emotions.
Juana is severely injured due to her husband’s anger against her. In this moment he doesn't care that she is his own wife. He sees that she is an
She watches her mother sacrifice her virtue in order to keep them together, loose her sanity when another child is taken from her and eventually surrender her faith and health. And in the midst of all the chaos Juana learned, “to do what you have to do,” for the sake of your family In her search family proves to be an important theme. Once, when Juana risks her livelihood to search for her father, leaving her home with little money, and no knowledge of where to find him if he was even alive. Another way the importance of family is emphasized is in the sacrifices of each character for the sake of what they found most valuable, their family.
One day Romero observed that the employer's younger son was giving order to Juanita and Juanita just stood there shocked and humiliated. Since she was a servant
“ ... Juana stared at him with wide unfrightened eyes like a sheep before the butcher. She knew there was murder in him…” This shows that the pearl is taking over kino and that the pearl is bad. He killed a man due to the fact that the
As a child was she was by her father with Justa Samperio her mother. Justa was an alcoholic woman who mistreated and physical abuse Barraza. “One day her mother lost in his addiction and not having money, changed to Juana for three beers, allowing an older man molesting Juana and raping her. José Lugo was the man who tormented Juana over four years.” (Arcia, 2011).
The author questions and ponders specific views to have the reader sit back and reflect on the topic she is writing. “Silly, you men-so very adept,” right away Sor Juana gives us a clear view of who is the intended audience of this piece of writing. The continuation of the repetition of the word “you,” throughout the poem
Juana pleads for Kino to get rid of the pearl, he talks her into relief and assurance that he will sell the pearl. Kino arrives at a pearl dealer’s store, only to be told that the pearl is only worth a small
Sor Juana contradicts herself in responding to St. Paul, as she mentions Christina Alexandra, “who was as learned as she was brave” but then discusses how women are not educated in her time (Sor Juana, 22-25). Bombal contradicts herself with whether her writings can be classed with male writers or not. In the prologue, she presents the story as a detective tale, which was a male writing style at the time, but she repeatedly says she is not writing a novel, which is also a typically male style. Both women are presented with these contradictions in their lives as their society demands that of them: Sor Juana’s knowledge is continuously challenged, and Bombal’s place as a writer is continuously challenged.
The stranger attacks Kino in an attempt to find the pearl and steal it. Kino’s actions are described as follows, “His right hand went into his shirt and felt his knife… he stood up and walked to the doorway” (55) Kino is attacked and Steinbeck tells the reader how Juana reacts. “Kino lay on the ground, struggling to ride… Juana dropped her stone, and she put her arms around Kino and helped him to his feet… blood oozed down…”
“Every man suddenly became related to Kino’s pearl, and Kino’s pearl went into the dreams, the speculations, the schemes, the plans, the futures, the wishes, the needs, the lusts, the hungers of everyone, and the only person that stood in the way and that was Kino, so that he became curiously every man’s enemy.” (page 23). This quote states that everyone envies Kino and wants the pearl’s wealth for himself or herself. Later in the book, one of these people will try to take the pearl. This will cause Kino to try to protect the pearl at all costs.
The reason that Kino and Juana went searching for something of value was because Coyotito needed to be healed by the doctor. Once they found the “wonderful” pearl there was no longer a use for it. Juana’s seaweed cure had worked and now there was no need for the pearl. Kino only wanted to use it for things that weren’t necessary such as a wedding with Juana, with whom he was already married, and a rifle which he didn’t
In comparison to what happened to Kino in the novel is that once he found the pearl he had become the enemy of everyone. For example like the doctor at first he didn’t want to attend Kino because they were poor and had nothing to offer. But once the news got out that he had the pearl of the world he became interested. Both Kino’s and Callie’s fortune have brought people
The result of Juan leaving was major, but it was not what was to be expected. Usually a person falls apart when their spouse leaves them, but Maria becomes extremely cold. When her child dies from complications of birth, Maria,”becomes stolid, refusing even to cry when her child is born and dies”(DeMouy). She still battles on and continues her daily life. When the women and girls offer their sympathies and prayers to Maria, she simplys replies, “Keep your prayers to yourself, Lupe, or offer them for others who need them.
When “the music of the pearl rose like a chorus of trumpets in his ears. ”(p. this shows that the pearl is a very big part of Kino’s life at this point. When Kino says, “‘My son will go to school,’”(p.33) this shows that he remembers that he got the pearl for the good of Coyotito. These two quotes show that both Coyotito and the pearl are very big parts of Kino’s life right