Therefore, he wants to kill Cassio as well, said, “Not Cassio kill'd” Then murder's out of tune, And sweet revenge grows harsh.”(823). The point of jealousy becomes the most powerful poison throughout the play as it motivates the characters’ actions.
His "treatment" for Dimmesdale’s illness only makes Dimmesdale weaker, which is his ultimate revenge. Since the truth about the sin is concealed, Chillingworth is successful in torturing Dimmesdale. Another symptom of Dimmesdale’s hurt is guilt. He knows the truth, and since society does not punish him, because they do not know the truth, he feels that he needs to punish himself by whipping himself with a "bloody scourge" and fasts "until his knees trembled beneath him" (150). This unknown, physical and self-induced punishment is harsh, but since he is too self-concealed to revel his sin, Dimmesdale accepts
"Berenice" by Edgar Allan Poe is a story about a diseased man who longs for the teeth of his cousin, Berenice. The narrator of the story, also the protagonist, has a case of monomania - an obsessive interest in a single thing. This monomania leads the protagonist to evil and dark thoughts. Poe uses symbolism to portray the way evil is an outcome of good.
The reader gets the impression that the portrait is a representation of Dorian 's inner self, and how it becomes uglier and more disgraceful as time gradually passes and with every horrific crime that he commits, as can be seen in the following quote: “The picture had to be concealed. There was no help for it.” (Wilde 113). The portrait serves as an image of Dorian 's true nature and the relationship between how his soul progressively becomes more nefarious, and how the evil of his soul becomes visible on the painted surface of the canvas. The way Wilde uses the portrait as a motif throughout the story helps the reader to see and understand how Dorian himself is not yet entirely unfettered by the influence of the portrait.
This quote shows that Rainsford himself thinks that General Zaroff is one of the most merciless demented creatures to exist. As Rainsford envisions the general as the devil, it helps the reader connect previous events, such as the borscht (which is a cold red soup) to death, but the reader must guess, who’s
The theme of “The Tall-Tale Heart” by Edgar Allen Poe and the theme of “The Gryphon” by Charles Baxter are very similar. The theme of “The Tell-Tale Heart” by Edgar Allen Poe is that cruel actions come with guilt. “The Tell-Tale Heart,” tells the story of a man who has gone crazy. He murders of an old man, because he feels threatened by the color of his eye. The murder goes smoothly, but his guilt overwhelms him and he confesses.
Both pieces of literature portray the power of guilt by showing how the characters deteriorate from the actions that have committed. For example how Macbeth starts to see the ghost of Banquo, his loyal friend whom he orders to be killed. ‘The Tell-Tale Heart’ and Macbeth show how evil
“Evil is always devising more corrosive misery through man's restless need to exact revenge out of his hate.” This quote by Ralph Steadman, exemplifies the heart of the character, Montresor, in Edgar Allen Poe's short story “The Cask of Amontillado.” Poe, a compelling writer, weaves together a story in such a way that it captivates and entices the reader to want more, even if it leads to mounting horror. He is an author that develops characters and reveals their complex personalities through descriptive language and imagery. The reader is able to imagine, in their mind's eye, the plot being played out.
In the beginning of the tragedy Othello tells Brabantio to “Keep up your bright swords signior, for the dew will rust them” (1.2.72-73). This statement gives the reader insight to Othello’s level-head and smart decisions, before he allowed jealousy to cloud his vision. Othello becomes convinced that Desdemona has cheated on him with Cassio; therefore, he is angered and beings to seek revenge for a crime that was never committed. Iago tells Othello “O, beware, my lord, of jealousy! It is the green-eyed monster, which doth mock the meat it feeds on” (3.3.187-189).
As a result many gothic subtitles appear, and it is true to regard Rebecca as ‘detective mystery’ since it includes a murder case. 25 4.3.2 The Setting and Weather The most eminent gothic elements revolve around the setting, Manderley. The setting in this story has a major contribution to the tone and mood of gothic. Rebecca is a classical- modern gothic literature.
When most people think of monsters, they think of ugly creatures whose purpose is to scare anything that it comes across. In Mary Shelley’s Frankenstein, that is the case. Dr. Victor Frankenstein’s creation is a hideous monster that terrorizes his creator and townspeople. On the other hand, Oscar Wilde’s The Picture of Dorian Gray depicts a monster as a beautiful young man whose painted portrait starts to look more like a monster than his actual self. Frankenstein and The Picture of Dorian Gray both tell stories of monsters who do evil things.