In our culture, people get wrapped up in the major events in our life, the events that are planned, that are believed to hold our true happiness. Through Mary Oliver’s sobering words and structure in The Place I Want To Get Back To she suggests that true fulfilment is in small spontaneous moments that cannot be repeated, planned, or expected. She believes those are the moments that hold the most gratitude.
By the use of descriptive language to describe the setting, Mary Oliver begins by implying that the poem is taking place in a forest without directly saying so. Oliver uses specific words like “pinewoods” (2) and “darkness” (4) to create the image of a dark forest. She also refers to “deer”, an animal that lives in the forest and “hill” for the reader to imagine a the forest that the speaker is writing about.
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In stanza three Oliver says “they said to each other, okay, / this one is okay,” (9-10) and then in stanza six she also says “I go out to the dunes and look / and look and look” (21-22). Through the poet's choice to use repetition, the central idea of the poem is strengthened in these lines. By the repetition of the words “okay” and “look” the speaker accentuates how much she would love to repeat the moment that the deer came to her, but moments like that cannot be repeated and still hold the same meaning and value.
Another example of Mary Oliver’s strong use of structure is in stanza four saying “on the ground, like that, / so quiet, as if / asleep, or in a dream, / but, anyway harmless” (13-16). In that stanza alone, she was intentional in her usage of commas to illuminate the importance for the reader to slow down and savor the small
Poetry is a unique form of literature. Poetry uses the aesthetic and rhythmic qualities of language. To evoke meaning, poets use various forms word manipulation; phonaesthetic, sound symbolism, and metre are often used. The word “phonaesthetics” derives from two Greek words, phone which means, “voice-sound” and aesthetics. Sound symbolism is the partial representation of the sense of a word by its sounds.
In the Lake of the Woods Analysis In chapter one of the poem, Tim O’Brien begins by introducing two unnamed characters who, indeed after the aftermath of a primary election, the audience learn that they decide to rent a cottage in what the author refers to as Lake of the Woods. The area surrounding the cottage has no people or towns. However, the same cottage has a beautiful view in terms of a lake facing to the north of Canada. The two unnamed characters came to the place in sought of solitude and togetherness. From this perspective, O’Brien develops his fiction story from a point of uncertainty.
In the poem “Just as the Calendar Began to Say Summer”, Mary Oliver provides two distinct, juxtaposing tones. The first tone Oliver uses is one of childlike freedom. In the beginning stanza of her poem, she describes “[running] out of the schoolhouse fast.” This shows her eagerness to leave, and creates an idea of childlike behavior. She runs “through the gardens and to the woods,” showing her freedom to play in nature.
(2) The poem was written in 1979, and is told through the view of the persona, which is a young child, most likely Oliver herself who lost their father. This story is told through the setting of her own personal home in Ohio, and with the struggle of dealing with this “Black Walnut Tree” and the decision on whether to cut down and pay off their house mortgage or keep the tree because its symbolism towards their family history. The dramatic situation of this individual poem is found at the end of the poem where the persona is saying, “What my mother and I both know/is that we'd crawl with shame/in the emptiness we'd made/in our own and our fathers' backyard./So the black walnut tree/swings through another year/of sun and leaping winds/of leaves and bounding fruit/and, month after month, the whip-crack of the mortgage.” This is the persona’s way of describing the guilt and difficulties of deciding whether or not to cut this tree down because of the symbolism of the tree; the presence of their deceased father/husband.
The "First Thanksgiving," written by Sharon Olds, uses commas constantly throughout the poem. The poem is about a girl and the language written toward her is intimate. At first I thought the commas create dramatic pauses to create sensual vibes of the poem. However, going back to the title, "First Thanksgiving," I realized I was entirely wrong.
The author establishes a dark ominous feel. In the second line through the fourth line Oliver sets up the location of the poem, “wet thick / cosmos, the center / of everything -- the nugget” (2-4). This analogy paints the image of a black, damp abyss and creates the darker tone. Each line is indented one more space than the previous line giving it a specific
The theme that the author is portraying, is that sometimes in life it's hard to do things that seem impossible, but we as humans can do anything if we put our minds to it. The figurative language that was present within the book was incredible. As a result, my options were limited. The first figurative language that symbolizes the importance of a forest was described, “This forest eats itself and lives forever” (5). This particular quote gave non living things, humans characteristics.
The author does that, by mentioning the outcome of the humans using the forest, unlike with the animals. The outcomes are generally negative, which leads to a bad representation of humans. For example Steinbeck states that the ground is “beaten hard by boys coming down from the ranches”. The author uses “beaten hard”
He repeats the word, “woods,” many times in the first paragraph. He writes, “I am alarmed when it happened that I walked a mile into the woods bodily, without getting there in spirit,” and, “What business have I in the woods, if I am thinking of something outside of the woods?”, and also, “Even some sects of philosophers have felt the necessity of importing the woods to themselves, since they did not go to the woods.” The repetition of the word woods keeps appearing throughout the essay. The repetition of this words keeps the reader focused on the real importance of the world. This world is not about our human problems and businesses and parties, it is about nature and what helps us live in this world in peace and harmony.
Mary Oliver’s poem “Crossing the Swamp” shows three different stages in the speaker's life, and uses personification, imagery and metaphor to show how their relationship with the swamp changed overtime. The swamp is personified, and imagery is used to show how frightening the swamp appears before transitioning to the struggle through the swamp and ending with the speaker feeling a sense of renewal after making it so far into the swamp. Finally, metaphor is used to compare the speaker, who has experienced many difficulties to an old tree who has finally begun to grow. Mary Oliver uses the literary element of personification to illustrate the speaker and the swamp’s relationship. She portrays the swamp as alive in lines 4-8 “ the nugget of dense sap, branching/ vines, the dark burred/ faintly belching/ bogs.”
As if she was held there against her own will, she uses the word fast to signify that she was eager to leave. Gravitating towards a natural setting, she could appease her endless curiosity of what truly mattered to her. The garden is placed in between the schoolhouse and the forest to exemplify her transition between the controlled, man-made school and the unregimented forest. The forest provides a place of freedom of the mind, which often leads to curiosity. Broken up into short phrases, in stanza 2 Oliver creates a list of what she spent all summer trying to forget, “...how to be modest and useful, and how to succeed and so forth,
In the short story “The Flowers”, Alice Walker sufficiently prepares the reader for the texts surprise ending while also displaying the gradual loss of Myop’s innocence. The author uses literary devices like imagery, setting, and diction to convey her overall theme of coming of age because of the awareness of society's behavior. At the beguining of the story the author makes use of proper and necessary diction to create a euphoric and blissful aura. The character Myop “skipped lightly” while walker describes the harvests and how is causes “excited little tremors to run up her jaws.”. This is an introduction of the childlike innocence present in the main character.
By nature, shorter poems are more densely packed with cues and devices because authors cannot express their intended message over the sweeping length of a poem but rather they must be more concise and creative. A poet may write a shorter poem to juxtapose a simple surface message to a more meaningful deeper message. Thus, complexity and artistic value are unrelated to length, but rather, they are developed through masterful writing. “Good Times” by Lucille Clifton embodies the double-edged sword of complex storytelling within a short poem, as she identifies the speaker 's occasional good memories to develop an image of the speaker’s typical abject life. The short poem is crafted with patterns of repetition, for there are so few lines to fit meaningful insight into.
The agony the writer is feeling about his son 's death, as well as the hint of optimism through planting the tree is powerfully depicted through the devices of diction and imagery throughout the poem. In the first stanza the speaker describes the setting when planting the Sequoia; “Rain blacked the horizon, but cold winds kept it over the Pacific, / And the sky above us stayed the dull gray.” The speaker uses a lexicon of words such as “blackened”, “cold” and “dull gray” which all introduce a harsh and sorrowful tone to the poem. Pathetic fallacy is also used through the imagery of nature;
The forests symbolize the family heritage and ‘family trees’ but it is ironic that both the men die in the woods and thus the family falls apart. "The blood…earth", is symbolic that the forest forgives, it brings in blood imagery and the nature is omnipotent in form of the stark setting and fate is challenged in the forest. Leonardo has also made evident his guilt, “-Page 85,"Be quiet… breath easily". It is symbolic of the fact that Leonardo is sinful and he feels like he is cheating his family. In the age of modernism the writer has induced into the mind of the reader many such symbols of the time and subtly yet intricately listed out their role in the