A controversial issue from the text I would like to take a stand against is the portrayal of the women in the book of “Dracula” by Bram Stoker. I believe that Bram Stoker had wrongfully portrayed women in his classic novel called “Dracula”. He either made them seem weak and innocent or impure and horrible. Stoker had written Dracula in 1897, during the Victorian Era (1837-1901). The Victorian Era was a time of limitations, especially towards women, and a simple mistake would cause you to suffer social ostracism from others. Stoker had grown up and lived through the Victorian Era, his successful novel was written during the era as well. In the view of a feminist, the text had wrongfully shown the accusation of women being weaker individuals.
First, the women
…show more content…
Mina was an assistant schoolmistress, who wanted to be useful for her fiancé. Bram Stoker was right to show that she was very willing to further her education, but he had questioned the feminists reading his book, as to why Mina it wasn’t mentioned often. Mina, being one of the only female characters in the book to show bravery and the will to further her knowledge, was not given enough recognition. On page 250, Renfield talks about Mina and says, “She has man’s brain - a brain that a man should have were he much gifted – and a woman’s heart.” This single quote suggested that Mina could be considered equal to men, but Renfield degraded her as he continues and quotes, “But it is no part for a woman.” Also, Mina’s motif to become more knowledgeable was to be useful for Jonathan, making the reader infer that Stoker did not believe a woman would do it for herself. Yet there were many real-life examples Stoker should have considered before contributing in a stereotype, such as Mary Shelley herself. Ultimately, Mina was not recognized enough in the
The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).
At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the
The horror genre of Bram Stoker’s Dracula, combined with mild eroticism is able to draw in readers due to the fact that Stoker is able to intricately weave suspenseful sexual scenes/scenes of desire throughout the novel—making it clear that
Feminist Reading: Dracula between Beauvoir’s and Roth’s Ideas In her article, “Suddenly Sexual Women in Bram Stoker’s Dracula” Phyllis Roth argues that Dracula is a misogynistic novel which is obvious in the system of power in which men are dominant and active figures whereas women are just followers and obedient to their system. She draws on Simon de Beauvoir’s idea that “ambivalence as an intrinsic quality of Eternal Feminine”, in order to show that women are victims to men powers. In her chapter, “Myth and Reality”, Beauvoir discusses the way that anybody in the society, specially men, doesn’t do their job in taking a step towards the oppressed women, but to act just like what the system of myth impose them to act.
In this very situation, she puts Jonathan’s safety and life before her own. Therefore, Mina is rewarded by having her life spared in the novel due to her truthful behavior and how she helps the men track down
The ideal woman can easily be turned to the dark side and become a threat to society which Stoker showed with the character Lucy Westenra, as she went from being idolized to a sexualized, evil,
Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.
Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.
According to the Victorian Web, a new and budding author named Bram Stoker entered the world in the year 1847, on the eighth of November. From a young age, Stoker loved to read about folklore, and later on in life he aspired to be an author. Although Stoker published several stories, only in the year 1897 did he publish his most well-known novel, Dracula. After this success, Stoker went on to write several other novels, and eventually died in the year 1912. (Scarborough)
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
In Bram Stoker’s gothic novel, Dracula, the overall and fundamental theme of the book is given away the further you read, expressing Stoker’s view of religion. The novel is an account of the paths taken by many different characters such as Count Dracula, Van Helsing, Jonathan Harker, Mina Murray and Lucy Westenra. Since this poem was written with ideas focused primarily on the concepts of evil, as it was viewed during an appearingly-conservative nineteenth and twentieth century society, the book can be seen as a parallel to Eliot’s and others’ own religious quests. While Bram Stoker attempts to acquaint the reader with a frightening tale on the accounts of a dreadful vampire named Count Dracula, he also expresses the goal of strengthening
She is a strong, independent, intelligent woman who breaks gender and societal barriers. Stoker’s writing begs the question, how does Mina break societal barriers, but at the same time possess many traditional abilities and behaviors? Based in the late 1800’s in Victorian England, women were not likely to be educated and independent, but rather submissive to their husbands. Stoker creates Mina’s “New Woman” persona to develop the novel into more than the audience of the time would expect. Mina occupies inspirational qualities such as loyalty and strength, as well as finding a balance between her independence and not overstepping societal boundaries.
It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.
Men in this particular era had the ability to participate in anything they wished, while women were limited to their actions and rights. If a woman and a man performed the same action that influenced the society in which they lived, the man would be appraised much more than the woman. Also, during the Victorian era, it was "no surprise to see just how limited professional opportunities once were for women" (Jihang 51). Professionals of the highest rank were set in their ways of giving men the upper hand on every opportunity for prosperous and beneficial jobs. Bram Stoker lived in a time where good things were taking place, such as the amelioration of catholic rituals, but also where negative issues were prevalent, such as the seclusion of women.
In the novel Dracula, author Bram Stoker creates a peculiar situation that pushes the main characters to decipher the supernatural from reality. Originally thought of as a myth, Dracula quickly becomes something more than the supernatural. By slowly building the conflict of Dracula himself, Stoker depicts all stages of the change from believing that Dracula is a fictitious character to being face to face with Dracula himself. As he terrorizes the lives of the characters in the novel, they soon come to the realization that Dracula is more than what they formerly believed, and in actuality he is their harsh reality.