You will wake up. It’s another week day. As usual stress, boredom and academic pressure invades your mind and sinks your heart. It seems that our lives are just one long routine where we must conform to rules and be so logical and act unadventurously. So, at times, we need to escape. Fortunately, we have the magic of imagination to amuse us and sustain our lucidness and revitalise our passions and dreams. Atonement’s key philosophical issue is the power of imagination versus reason. Imagination is Briony’s oxygen; and without it she feels herself “shrinking” (p76). Accordingly, her love for fiction writing is colossal, she believes that inking letters onto pages is “magical”; “a story [is] a form of telepathy”, it “send[s] thoughts and feelings …show more content…
He captivates readers by exercising his creative mind and writing mindset to masterfully insert imaginary characters into historical events. However, at the end he sucker punched us detaching the joyful, fictive world and divulging the harsh truth of reality, displaying that Briony, a fiction author formulated the novel. This demonstrates that imagination is preferable to reason, it can conceal despair. McEwan’s visually rich descriptions, engaging characters and inclusion of diverse events were significant to my reading of Atonement, they allowed me to relate to the power of imagination and how it can often elevate life through immersing it in entertainment and encouraging minds to pursue passions and dreams. He thus used his visionary ability to construct a ‘world view’ depicting, - imagination is a wonderful and most valuable tool when used wisely. He cautions that imagination must not be utilised to misperceive reality as the consequences can be tragic. When used sensibly, imagination is a portal to self-discovery, it stimulates people to delve into the future, granting them ideas and inspiration, which encourages them to then employ reasoning and hard-work to fulfil dreams, passions and enjoy a full
A Comparison of George Saunders Works Jayme Fields Central Ohio Technical College Abstract This paper is an analysis, interpretation, and comparison of two different readings “The Red Bow” and “Adams” written by the same author, George Saunders. It is my thoughts on the literary elements used by the author and my perception on what each paper conveyed. Each paragraph explains my discernment of each of the elements and how they made the story what it is. red bow, Adams in his underwear Main Body
He comes to terms at the end, saying that “sin was what you took and didn’t give back.” This literary work is told through the use of several rhetorical devices, including imagery, symbolism, and
The Canterbury Tales, by Geoffrey Chaucer, reveals that religion does not make moral individuals. Chaucer goes on about telling how several of the characters on the pilgrimage had questionable lifestyles yet the characters were taking part in a religious journey. Religion can only influence a moral character but does not make its followers untouchable to the imperfections found on earth. In The Canterbury Tales, Chaucer’s character, The Pardoner, is a church official who altered the peoples mind by cheating the people into believing any nonsense.
Student Sudhanshu Pandey, was a happy, normal teenage boy who didn’t look like he would succumb into depression. On march 4, Sudhanshu seemed unusually reluctant to go school. Later than day his parents found him in his room hanging from the ceiling fan. Sudhanshu left a note, explaining how all the pressure and stress in his life from test exams has taken over. Not only has Sudhanshu Pandey been depressed and stressed from testing, its all over the world.
Although Capote writes of how welcoming and peaceful the Kansas town of Holcomb is, his main purpose of describing the town is to emphasize the changes that take place in the wake of one family’s murder, therefore Capote is able to articulate the shifts in the community into an embodiment of a seventh death. Capote utilizes personification to add a sense of fear to the pallet of feelings that the citizens in Holcomb have been constrained to. He first describes how out of character the town has become simply by their purchase of locks, and goes on to discredit the locks by saying: “Imagination, of course, can open any door---turn the key and let terror walk right in” (Capote 88). The personification of imagination, making it able to open any door, gives the thought of imagination a complex connotation. It makes the reader contemplate of the possibilities that a non-physical concept can make possible in the physical world.
In The Book of Martha Octavia Butler places the reader in the middle of a conversation with God. There are only two characters in the story, and the theme is Martha’s annoyed tête-à-tête with God. Martha is given the option of saving the world. The rules of this arrangement are Martha can make one change and whatever the results, she must occupy the bottom stair. She must make a decision concerning the entire earth; nevertheless she must first overcome her fears and personal views of God.
Irony: The notion of child safety experts restricting the imaginations of children is ironic. Limiting a child’s imagination is just as unsafe and dangerous, if not more so. Preventing a kid from wandering their mind is detrimental to their wellbeing and could ruin their overall childhood experience. Imagination is a powerful tool that is vital for a child’s development and
Over the last fifteen years, I have grown mentally and socially. I credit my growth to my ability to analyze and understand the world for what it is. Social imagination is the use of information to understand the world and ourselves for who we are. Possessing the quality of mind that can develop reason and the capacity to shift perspectives are the basis of social imagination (Mills 2000). As I mentioned in reflection one, I came to realize that my way of thinking is what helped me overcome living a poor lifestyle.
Having this many figures before him made him feel pressured to later lie so that he could pretend to be “saved.” The “jet-black faces” and “work-gnarled hands” are almost in the reader’s face, adding to the effects that Hughes was feeling, especially as a young child (183). Not to mention that “all the young people had gone to the alter and were saved” and left Hughes behind, all alone in the mourners bench
He suggests that these experiences help people anticipate their future more accurately than their own imaginations. Also, he examines that popular beliefs will also
Everyone makes mistakes, commits sins or does some bad deeds. As time goes by, one is unable to live with all the guilt from these sins and mistakes. One regrets it, repents it and does all sorts of things to make it right. Ultimately one only looks for ways to forgive oneself and this requires the atonement of past sins. Atonement in real life refers to the actions of making amends for a wrong or an injury.
In “Sinners in The Hands of an Angry God”, Johnathan Edwards uses fear to create images that help his audience experience the consequences of sinful behavior. He uses imagery and figurative language to persuade his readers. He wants us to get a mental picture of Hell in your head and he wants us to fear the wrath of God. One such image was when Edward wrote, “When men are on god’s hands and they could fall to Hell, natural men are held in the hands of God, over the pit of Hell.” God could let us fall into the eternity of burning flames anytime He wants to.
Kincaid sets out to prove that English life was all just an exaggeration not worthy of the publicity and attention it received. Kincaid makes a fascinating argument that the idea of something and its reality are two completely different things. Using herself as a firsthand source, she uses many metaphors and personal narratives to help the reader understand her views and emotions
Atonement, by Ian McEwan, explores the theme of love through a variety of techniques such as symbolism, metaphors and repetition discuss the themes of newfound, unavailable and nurturing love. Uniquely, McEwan intertwines these techniques with foreshadowing and imagery to convey complex emotions guilt and jealousy. Additionally, repetition and characterisation develop Cecilia’s caring nature. McEwan’s use of symbolism develops strong themes of shattered and the unavailable love.
Atonement by Ian McEwan explores the theme of love through a variety of techniques such as symbolism, metaphors and repetition to explore various aspects of love, such as misspent, newfound and unavailable love. McEwan often intertwines the techniques with foreshadowing and imagery to convey complex emotions. Through the symbolism of Uncle Clem’s vase, McEwan explores and foreshadows the outcomes of Cecilia and Robbie’s love. Robbie and Cecilia break the vase the day they discover their love for each other, signifying their love would not be forever. Moreover, it is later revealed that” She [Betty] said the pieces had simply come away in her hand, but that was hardly to be believed” (pg. 279).