Towards the end of the play, Lady Macbeth expresses her humanity unlike when she wished for a more “manly” husband. Due to Macbeth increasing acts of violence, he becomes less guilty, and more power absorbed. Lady Macbeth is less involved in Macbeth’s plans, and becomes more worried and innocent to Macbeth. Macbeth continues to kill, but starts to kill innocent people who did not pose as a threat to him and his power. A messenger visits the Macduffs and warns them saying, “I doubt some danger does approach you nearly” (4.2.73).
Not only is this murder different in terms of reasoning, but the consequence itself proved to be a complete backfire as Macduff, fueled with rage, returns to England to end Macbeth’s life. Following the metaphorical trail of blood, each murder presents a new and more developed stage of dementia. “The castle of Macduff I will surprise, / Seize upon Fife; give to the edge o’ the sword / His wife, his babes, and all unfortunate souls / That trace him in his line. No boasting like a fool; / This deed I’ll do before this purpose cool (IV, i, 150-154). The first murder of King Duncan only sealed Macbeth’s paranoia and served as a foundation for the murders of Banquo and Macduff’s family.
Macbeth states to Lady Macbeth, “we will proceed no further in this business” (I, VII) since he almost finally decides to refuse to kill Duncan. However, Lady Macbeth uses different manipulative methodologies towards Macbeth and persuades him to consult the killing of Duncan. “So green and pale” (I, VII), Lady Macbeth even called him a coward. From the same scene, she mentions, “From this time, such I account thy love”, implying that if Macbeth cant stay steady concerning the murder of the king, then she will consider his love for her to be as similarly conflicting. Later in scene, Lady Macbeth states that if she had made such a promise as Macbeth did to her, she would “dash the brains out” of her own child as “it was smiling in her fail”.
“I have done the deed. Didst thou not hear a noise?” (2.2.14,). This shows that he killed the King with no fear. But it does prove one missing steriotype from the otherwise manly Macbeth. It shows he was in shock and scared of his “deed”.
As stated in the previous paragraph, the beginning of the story Macbeth is a different character than by the end of the story. Again, at the beginning he seemed to be loyal and good, but with every step he took to secure power he gradually, and sometimes not so gradually, became more corrupted. The entire story itself serves as a very good example of this moral, but some points that really stick out are where he has Banquo murdered after killing Duncan, and when he has Macduff’s family killed after feeling threatened. Macbeth realized after killing Duncan that Banquo knew about the prophecy and could possibly link Macbeth to the murder. So, Macbeth does the unthinkable and kills his friend, all to keep his secret and to maintain his power.
Throughout the story of Macbeth, Macbeth’s ambition for power, provoked by his significant other, Lady Macbeth, and the witches’ prophecies consumed his life. At first he committed murder against King Duncan so he could become king himself, but the one murder had a domino affect. Although ambition can be a positive attribute for someone to acquire, Macbeth’s ambition began in Act One and proved dangerous as his death approached in Act Five. In Act One of Macbeth, Macbeth and Banquo meet three witches that tell them three prophecies. One at a time, each witch mentioned a prophecy, “All hail Macbeth, Thane of Glamis!
Both, Macbeth and Lady Macbeth want power, however, Macbeth does not to be free of his human traits. Lady Macbeth wants the spirits to come and take her all femininity away. Lady Macbeth believes becoming a man, stripped of personality traits she will be able to commit the evil deed and kill the King for power. Moreover, she will not feel pity or empathy while
He kills Duncan, and completes a foul act. However, it is all according to the prophecy, so it holds as fair. What would be a fair act to bring in the heir to the throne transitions from a positive connotation to one that is foul, and therefore a paradox blooms with these events. Malcolm, son of King Duncan, later reveals that he wants to kill Macbeth because of the many that he has killed in his path to claim the throne.
When Roderigo was injured in the fight, Iago murders him. Both Macbeth and Iago played active roles in removing people who stood in their way. In conclusion, towards the beginning of Macbeth, Macbeth is very similar to Othello and very different from Iago. Like Othello, Macbeth feels guilty for murdering King Duncan. Macbeth is also not very sly like Iago is.
He changes from trustworthy, courageous and brave to feeling guilty, afraid and unreliable. We find out that Macbeth is transitioning from bad to evil wen he kills Banquo, his loyal partner, when Macbeth killed Banquo, he, became guilty, and started hallucinating of Banquo sitting in his chair. After the death of Banquo, he finds out that Macduff is helping Malcolm build an army, so he sends his murderers to kill Macduff’s Family. At the end of the play, he says ‘Out, out, brief candle, life’s but a waling shadow. Here Macbeth is considering whether life is meaningful.