The sky, framed only by a full moon partially obscured by hazy gray clouds, is the quintessential picture of darkness on a chilly spring evening. The trees, barely beginning to sprout new leaves, portray an image of utter barrenness, desolation, and death. Birds chip eerily in the distance at uneven intervals as Elisah sneaks silently through the trees, motioning to the men hidden anxiously in the shadows to move forward. They advance a row of trees, then another. Elisah raises her hand, palm outwards, in a gesture for the men to halt. The faint glow of Alandir, carelessly strewn upon a heap of treasure, sits in plain sight inside of the dragon’s cave. Motions Elisah, “Rancher! Come hither! I need your keen eyesight to measure how far ahead the cave is.” “Hardly ten seconds, as the crow flies, my lady. We should be upon it in no time and–” Behind them, one of the men slipped on an icy patch, tripped, and fell into a pile of twigs, cracking many of them atrociously audibly. As he scrambled up, he snapped even more of the twigs, righting himself with his face flushed red and an apology to his comrades, “Sorry, m’lady. Sorry, all.” All was frozen as the party …show more content…
All chaos broke loose as the group discarded any remnants of secrecy in a mad dash for the cave door. Quickly assessing the situation, Elisah ran ahead of the pack, her gifted fleetness allowing her to reach the mouth of the cave before many of her men had even crossed halfway. Spotting Alandir sitting unguarded at the peak of the treasure mound, she leaped, scrambling hands and feet before closing her grasp on the hilt of the wonderous weapon. Enraged, the fearsome dragon blew fire at the heels of the escaping men, and many were not so lucky. Injured at the knee and falling quickly behind, her brother suddenly stopped in his tracks to the same beat as Elisah’s
The night was so intensely dark that I could see nothing. I raised the window very softly and jumped out. Large drops of rain were falling, and the darkness bewildered me. I dropped to my knees and breathed a short prayer to God for guidance and protection. I groped my way to the road and rushed towards the town with almost lightning speed” (Jacobs 554).
“Lets finish getting our revenge.” They walked out of the door and into the dark snowy night. The beam of light from their flashlights sliced through the shadowy forest. They followed the trail of blood, continuing on through the wintry night. Suddenly they heard the crunch of walking in snow, coming from ahead.
February Non-Fiction Book Report Fried, Richard M. Nightmare In Red. New York: Oxford University Press, 1990. Print. The book, Nightmare In Red, is about the McCarthyism era and the upcoming of the House Un-American Activities Committee.
The Crucible is an allegory to the Red Scare for many reasons, but one is that they are both run by lies spread by people to put themselves out of harm's way. The Crucible was written and used to express what was going on during this period with the Red Scare. “They were hounded by law enforcement… and fired them from their jobs” because of what they believed in their rule of terrorism, in The Crucible where people were hung because of their beliefs. Another example of The Crucible being an allegory to the Red Scare is how in The Crucible, Abigail Williams was over exaggerating her statement that she could see and talk to the devil. Just like how “McCarthy and Hoover… exaggerating that possibility” in the Red Scare.
The speaker of the poem walks through a reaping setting, alone. Lee uses the image of a bird who flies quickly away before the speaker can catch glimpse of it: “I turn, a cardinal vanishes”. This matches the memory that the speaker rekindles from earlier that morning, when his deceased father’s image seems to appear within the trees, and disappear again just as his child draws near. Lee beautifully uses concrete language to portray the picture, specifically the throbbing emptiness when the vision is substituted by a “shovel…in the flickering, deep green shade” (18-19). The sad, uncanny sensation showed by the event creates the lonely, sorrowful mood of the
[Although hope was broken and torn by the years of darkness, remarkably, some still remained./] And though there was little left, hope still remained. --- The twilight was noiseless, but for the dampened sound of my? feet moving swiftly through the grass.
We also learn that although there is sunshine nearby, no light penetrates the valley. Sunshine is often associated with happiness, and the implication is that while people near her are happy, Elisa is not. It is December, and the prevailing atmosphere in the valley is chilly and watchful but not yet devoid of hope. In the Turtle, by John Steinbeck Isolation is also apparent. The obstacles encountered by the turtle are unrelenting.
It is a warm summer night and shades of orange, red, and gold appear in the sky over the pine-covered hills. The sun soon disappears beneath the dark hills and darkness settles over the land. The buffalo, antelope, and elk find places to rest for the night and all is quiet except for the creeks and birds. In several hours, the sky will again be lit with a multitude of colors and the animals will begin to rise. A new day will begin in the Black Hills, just like it did hundreds of years ago.
It was a tranquil ,and foggy night in Sleepy Hollow. The town so quiet you can hear the crow chirp for miles. The moon beaming down on the town which reveals it’s frightening features. The people here are different , they keep to themselves and are very gloomy. Even the very few animals here are different.
Once outside the camp, “it seemed as though an even darker night was waiting for us on the other side” (84). The motif of night can be identified effortlessly because of the key words and attention grabbing context of the literary
6 The night was cold the midnight mist was heavy. Charles yawning could feel a stale flavor as he inhaled the mist, he could feel the condensation in his mouth. He looked at his watch, his escort was late, and he could never make it through the forest at this hour. At least not safely, a warm air passes his ear, and Charles heart skips a beat as the source speaks. “Young man are you lost,” he says lightly, Charles turns to see a man in his mid fifties with a five o’clock shadow and a lantern.
The forest was where all the prisoners would stay as a punishment. Only gods and goddesses could enter and exit the forest. It was only possible with the a god’s permission. The wind blew past the dying trees and the crispy leaves danced on the floor. The dirt was damp and you could smell the decomposing wood linger from the ground.
I looked out from the passenger side window as we pulled into our parking spot. The trees were beginning to go bare in the frigid October weather, and the ground was covered in their dry, crispy leaves. The four of us were going on a haunted hayride tonight, a popular past-time for season. We clambered out of the car and left our bags behind. It had rained the day before, and it made the ground beneath us soft with mud and trampled leaves.
There was no chattering or chirping of birds; no growling of bears and no chuckling of contented otters; instead, the clearing lay desolate and still, as though it never wished to be turned into day. The only occupants were rodents and spiders who had set their home in the dank, forgotten shack. From its base, dead, brown grass reached out, all the way to the edge of the tree-line, unable to survive in the perished, infertile soil that made up the foundations of the house. Bird houses and feeders swung still from the once growing apple trees, in the back garden, consigned to a life of
The cool, upland air, flooding through the everlasting branches of the lively tree, as it casts a vague shadow onto the grasses ' fine green. Fresh sunlight penetrates through the branches of the tree, illuminating perfect spheres of water upon its green wands. My numb and almost transparent feet are blanketed by the sweetness of the scene, as the sunlight paints my lips red, my hair ebony, and my eyes honey-like. The noon sunlight acts as a HD camera, telling no lies, in the world in which shadows of truth are the harshest, revealing every flaw in the sight, like a toddler carrying his very first camera, taking pictures of whatever he sees. My head looks down at the sight of my cold and lifeless feet, before making its way up to the reaching arms of an infatuating tree, glowing brightly virescent at the edges of the trunk, inviting a soothing, tingling sensation to my soul.