Even if that means he has to ask a stranger or a friend to finish the job for him. In the quote he claims not to be selfish, even though all he cares about is killing his creation to make himself feel better. Since these are Frankenstein 's last wishes, it foreshadows his death and makes it so he won 't be the one to kill the creature. This quote also tells us that even in his delirious state Victor is still enraged with the creature, which means that he will not die in peace, but disturbed and unfulfilled. The creature becomes defensive.
Odysseus told Polyphemus his name only to gloat and make fun of the cyclops for being so stupid. Odysseus also listened to the siren song just so he could tell people that he had done so and survived. Later in his journey as he matured he relied on his wits and repressed his irrational emotion. On the island of Phaeacia he displayed his cunning ability and proved he has learned from his experiences. “By god, I’d rather slave on earth for another man…”- Book 11, Line 556 6.
In ancient Greek culture, it seems the gods control the fate of men. Homer clearly states in the Odyssey that Poseidon, god of the sea, was angry at Odysseus but “won’t quite kill Odysseus--/ drives him far off course from native land” (1.89-90). This shows us that the gods’ opinions and feelings can affect a man’s fate. Even though Poseidon’s actions seem unfair,
They make Ender do what he hates most, hurting others, by isolating him into not trusting anybody, moulding him to the perfect commander, then tricking him into believing he was only battling simulations. In this case, even though Graff detests manipulating and lying to Ender, he feels it is ultimately okay because the outcome of exploiting Ender is saving humankind. One person is manipulated for the greater common good of humanity as a whole. While Graff and other adults manipulate Ender, Peter and Valentine
A writer named Nikita Gill once said “When you see a monster next, always remember this. Do not fear the thing before you. Fear the thing that created it instead.” This quote can be related to the novel Frankenstein where instead of the actual creature being perceived as the monster, the person who created it deserves to be called one. Using the archetypal lens, Victor can be seen as the real monster in Mary Shelley’s Frankenstein from his cruel characteristics, continuous patterns of monstrosity, as well as symbols and themes involving nature. Throughout Frankenstein, most readers will notice how egocentric Victor appears from messing around with his own monstrous creation as well as the people he cares about.
Contrasting Grendel and Frankenstein Grendel and the monster Frankenstein are contradictory in their individual philosophies and actions, although they are both isolated and lonesome, they come from different origins, think differently, and take significantly different actions, and their very fates were catastrophically no unique. Grendel is mortified with his purpose in life and driven by emotions which makes him plead for his purpose. “I had determined at the time that the memory of these evils should die with me; but you have won me to alter my determination” (14). He has to face the purpose he was told to behold since he was born and lived in Dane Kingdom. Ever since that he roamed around killing, “But deer, like rabbits and bears and even men, can make, concerning my race, no delicate distinctions.
In this case, the misgivings following the escape of the cyclops-inhabited island were the wrath of Poseidon. And while enduring the punishment of one god, Odysseus admits to a lack of free will, “hardly landlocked of…free will,” then reasons, “I…have angered one of the… gods,” and interrogates a nearby immortal, “which one of you blocks my way” (Homer 2006: 148). However, critics might point out that Odysseus was not a definitively pious hero considering his infidelity, excessive cruelty, and tensions with Poseidon, and Odysseus only sought divine intervention in dangerous situations. Where he lacks in piety, Odysseus makes up for in favorable traits–heroic characteristics that appeal to others in his society as well as a number of Gods including Athena, “[Odysseus is] far the best at tactics…and I am famous…for wisdom” (Homer 2006: 389). And with what diminished piety and favorability among the Gods Odysseus has at the end of his journey, he still admits to losing free will when the Gods
he author of Pygmalion, George Bernard Shaw, and the author of Frankenstein, Mary Shelley, both integrate the theme of creation into their novels. Henry Higgins the creator in, Pygmalion, and Dr. Frankenstein the creator in, Frankenstein, utilize new and innovative techniques to transform their victims into a new creations. They attempt to play the role of divine creator by making breakthroughs that are immoral and unprecedented. In the process they neglect the needs of their victims and focus on self-interest. The Monster in the novel, Frankenstein, and Eliza Doolittle in the novel, Pygmalion, are similar in the way that they both regret their creation and feel rejected by their creators; however, Eliza is able to be integrated into society
Initially, the most prevalent theme within Mary Shelley’s Frankenstein is way the environment modifies one’s identity. In the story, society refers to Victor’s invention as a monster both physically and psychologically. Even though the creature’s physical characteristics are that of a monster, it is not until he is repeatedly rejected that he adopts the personality of one.
While Oedipus slanders the gods at every chance given, Creon is more respectful, he listens to what the gods say and follow their instructions, so the chance of yet another plague due to the anger of the gods is unlikely. The destruction that hailed onto Thebes was due to Oedipus’ murder of Laius, but one has to think that perhaps the reason the gods even brought up now was because of his constant smearing of the gods skills and knowledge. Perhaps, if he was more respectful, the price of his murder may have been let off and forgotten, seeing as he is a hero. Yet he brought this anger down on himself, on all of Thebes, and Creon was the one who knew how to fix it not Oedipus. Creon was the one who called for Tiresias, who knew that the gods needed something in return for the cease of the
There is a power struggle between the two adversaries, which leads to both Frankenstein, and his creature ending up alone. Shelly’s novel christens the era of romanticism and successfully merges these ideas with those of the gothic style. The infatuation with discovery and creation is evident in the main character, Victor Frankenstein, and his pursuit of knowledge
This is reinforced by the rhetorical question that serves to convince Walton that the Monster hated having to turn to violence. In both situations, a friendly and accepting hand could have led both monsters to happiness and kindness, but the lack thereof sparked the violence. Grendel and the Monster from their respective works, Gardner’s Grendel and Shelley’s Frankenstein, find themselves with no companionship, nobody to share in their joys or sorrows, which leads to violence being taken out on those who rejected them; if those victims had initially accepted and loved Grendel and the Monster, this would not have
He is also seeking revenge on Frankenstein by threatening him to choose between complying with his demands or letting your family die. Furthermore, the theme of light/dark is present in both as in Othello, Iago says that he will turn Desdemona’s king act into something evil and dark. The contrast between light and dark is shown as Desdemona’s good deed is the light and way Iago will portray it to Othello is the dark. Similarly in Frankenstein, the light dark imagery is present, although not as evident, in that the way the creature communicates to Frankenstein is somewhat light, as he is talking in a calm and reasonable manner. The darkness is shown when he threatens Frankenstein with the ultimatum, comply with my demands or he will kill all of Frankenstein’s friends and