In two community's of trash pickers, two authors visit improvised city slums in two developing countries. The stories both entail the hardships of trash pickers surrounding metropolitan areas in devolving countries. While Camron Wright, author of The Rent Collector, equips first person to create a personal and poignant account, Katherine Boo, the author of Behind the Beautiful Forevers, employs third person to invoke an informative, somber report. These effective uses of person allow for the authors to sufficiently craft two similar accounts with completely different reader experiences. Camron Wright, author of The Rent Collector, utilizes first person to in order to convey the exact emotion of characters. In chapter twenty five of the
Believe it or not, people are not entirely unique. It is certain that no one is truly the same as another person, but it would not be ridiculous to think that everyone does in fact share many similarities. After all, the majority of the population grows and develops opinions or values based on what they see or hear. For Esperanza, the protagonist of Sandra Cisneros’s, The House on Mango Street, the perspective she has is built upon her childhood on Mango Street. This coming-of-age novel illustrates how Esperanza’s experiences on Mango Street play an important role during her period of growth.
Many girls desire a female role model from a young age. The way these women are treated, and deal with this treatment can heavily impact the way young girls view themselves, and their future as well. Sandra Cisneros’ The House on Mango Street brings attention to issues of sexism and gender roles. This is done through a series of vignettes about the main character Esperanza navigating life by the example of her many role models. Each role model impacts Esperanza in a special way, Sally who is married at 13, Marin who is waiting to be rescued by a man, and Alicia who is balancing school and home responsibilities.
Beauty is a very powerful and prominent thing. It’s what makes you get out of bed in the mornings and makes the world go round. Despite all that, there are some negatives of it as well. “The House on Mango Street” by Sandra Cisneros gives a window back in time to a point where a little girl named Esperanza grows up on the streets of Chicago. Through the numerous rapes, abusive relationships, and the absence of respect for women, Cisneros portrays a theme that beauty is a double edged sword through the characters Esperanza and Sally.
In the series of vignettes The House on Mango Street, the author Sandra Cisneros details the life of main character Esperanza, a young girl living in a barrio of Chicago. As Esperanza tells the reader about her experiences in her day to day life, the reader hears about her struggles and dreams, her hopes and expectations in life and how these affect her. Being a young girl, Esperanza holds naivety and hope for the world, not having experienced many mature situations or society yet, and since she is going through the time in her life when she begins experiencing these issues, we see her heartbreak and the world she knew shatter. For example, when Esperanza and her family move to Mango Street, as our story kicks off, her parents would often talk about the life that they would get when they win the lottery, like having “A real house that would be ours for always so we wouldn't have to move each year. And our house would have running water and pipes that worked.
The reading this week is by Mike Davis, and is titled Planet of Slums. Mike Davis creates an argument on how slums are a worldly issue that is spreading. Davis first begins his argument with statistics based on the monumental increase of population in all countries across the globe. He also uses examples of the increase of hypercities and megacities due to intensified urbanization in Mexico-city, Seoul-Injon, and New York. Which leads into the effects on the citizens, such as China and India, and the lack of proper housing and accommodations with such a rapidly growing population.
She vividly describes the living and working conditions of lower income people in a costly city. Ehrenreich compels her audience to listen with the use of ethos and pathos. Ehrenreich establishes ethos, simply due to the fact that her argument is structured around something she experienced. Being personal allows the audience to form a connection with her because they can relate. Despite how awful her living and working conditions are, Ehrenreich is able to make light out of her situation by incorporating humor, “Picture a fat person’s hell, and I don’t mean a place with no food” (267).
“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence.
Everyone is affected by life’s circumstances. The responses to those experiences can have a positive or negative outcome in one’s future. In Sandra Cisneros's The House on Mango Street, the protagonist, Esperanza, gives us her views on life, how she views herself, and she views her future. Not only does she give her perspective throughout the story, she tells us of the numerous experiences that she grows through. These experiences have an impact on her, creating new emotions and new adult like perspectives she has never faced before.
In literature, writers use a variety of points of view to convey their plot; these points of view can be first person, second person, or third person. In “The Tell-Tale Heart”, the unnamed narrator describes he or she killing an old man. “Harrison Bergeron” is a dystopian story about Americans in the future that have handicaps in order for them to be equal. “A Good Man is Hard to Find” tells the story of a grandmother and her family taking a trip to Florida that went wrong.
In the novel, Little Fires Everywhere by Celeste Ng, the lives of the Richardson and Warren families are tracked. The Richardons are a well-off family who have lived in Shaker Heights for generations, while the Warrens are new to the neighborhood and have never kept a residence for more than a few months. Through this expert from chapter ten, the author describes Mrs. Richardson’s analysis of Mia to communicate the theme that people of different social classes often misjudge those they cannot relate to. In this passage, Ng uses imagery, repetition, details, and diction to portray Mrs. Richardson as a person who values moral superiority through her threatened attitude toward Mia.
The use of first-person point of view, gave a better understanding of the thoughts coming from the janitor and how he analyzed 14-A’s mental condition throughout the story and used it against her. By using that point of view, the reader is able to dig into the janitor’s reasoning for wanting to mistreat 14-A as he had done. The janitor’s point of view has no limitations due to him being the main character and his being able to speak to the elderly lady in the story. Hinshaw uses the first-person point of view to reveal what is going on in the story, instead of not letting the readers know what is going inside of the main character’s mind. Not only is the point of view in the story important, but as a matter as fact so is the
In Andy Mulligan's novel 'Trash,' he presents a world that may seem unfamiliar to many readers. Set in a fictional and poverty-stricken community, the novel delves into the lives of three young dumpsite boys – Rafael, Gardo, and Rat. While the setting and circumstances depicted in the book may be foreign, the themes of life in poverty, hardship, and friendship and loyalty are ultimately universal, providing readers with relatable and thought-provoking insights into the human condition. Mulligan explores the harsh realities of life in poverty. Through Rafael, Gardo, and Rat's daily struggles for survival, readers are exposed to the socio economic challenges faced by individuals living in impoverished conditions.
Rio De Janeiro, Brazil is home to one of the largest wastelands in the world. In Lucy Walkers, Waste Land (2010), she gives insight into the lives that exist amongst that garbage and what little inspiration they have left for life. In order to provide the Catadores (pickers) of Jardim Gramacho (community/garbage tip) with a new found motivation for a better way of living, Walker, along with the infamous artist, Vik Muniz and his team, travel to Rio De Janeiro to put to practice the concept of turning someone’s trash into another persons treasure. Some of the main issues and ideas represented in Waste Land, run parallel with Dziga Vertov’s perception of the world, who says, ‘My path is towards the creation of a fresh perception of the world.
In the fictional short story “Happy Ending’s,” Margaret Atwood utilizes multiple narrative perspectives. Third person omniscient is a powerful view as it gives a look into each of the characters minds and has control over the diction. While the second person point of view draws the reader into interpreting the story differently. She supports her ideas through the role of the narrator. Atwood uses both third person omniscient and second person point of view to narrate her feelings of the story telling process as well as the point of life as a whole.
The Hobo: The Sociology of the Homeless Man, authored by Nels Anderson, offers an account of the behaviors, choices, relationships and living situations of the homeless in 1920’s Chicago. This study, conducted for the Chicago Council of Social Agencies, provides a platform to voice first hand accounts of the adventures and the hardships of the vagrant life. Born to a Swedish immigrant father and housemaid mother, Anderson spent much of his childhood moving around; from The West, to an Indian reservation, to Hobohemia, he moved 10 times over the course of 10 years. Anderson seeks answers to the many questions surrounding homelessness because he grew up in a milieu that only knew the vagrant life. Once he left high school, Anderson joined the