Victor Frankenstein is inadequate to “mother” his creation. Victor is so horrified that he runs away from the creation in two different ways. When he finds his creation missing, instead of looking for him, he tries to forget about it all. Victor didn’t want to deal with the effects of his actions. Victor doesn’t show affection and care outside of his immediate family and friends, so “mothering” was not in his instincts. This could portray women of this era in a negative light, however, the message behind Shelley’s choice is not just for the women. The message is to parents who don’t understand just how much their actions and treatment towards the child can affect them. The reason behind Shelley’s characterization of Victor has different reasons behind it.
One reason Mary Shelley
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Now a woman may have a child expecting the child to be perfect in what they find perfection to look like in looks and skills. Yet they are unprepared for the child to turn out as anything than what they expected. The wealthy women will be able to have a nanny come in to take care of the child, so they don’t have to deal with the imperfect child. There are times when a child does not turn out how the parents wanted so they may emotionally, or even physically, abuse the child. This is the relationship she portrays with Victor and his creation. This type of parent-child relationship does not speak for all families in Shelley’s time period. Perhaps what Shelley was trying to point out is that the relationship between a parent and child has a significant effect on their child. The child reacts to how the parent treats them in either a negative or positive way depending on how they are being treated. Victor is the parent who did not want to help his “child”, the creation, which caused the creation to harm his family and friends. The creation claims that Victor made him this way because of how Victor treated
Shelley's genius is presenting the idea that human beings are capable of accomplishing extraordinary feats. However, there are natural limitations and in ignoring them, bad things tend to happen. Victor exceeded these parameters in creating life. Sure enough, when he realized the folly of his action, it was too late.
There is also the concept of the balance of masculinity and feminity throughout the novel. Victor, although he is a male character, displays a need to create something and care for it, even if it is to fill some sort of abstract ‘debt’ he feels towards his parents and Elizabeth, and he inevitably ends up abandoning his creation. Victor’s desire to create a living being, despite the way he treated after its birth, is a trait that one typically associates with
Initially, characters in Frankenstein not taking responsibility show the reader the potential dangers of pain and death in numerous situations in the novel. The reader of Frankenstein sees various examples of Shelley’s warnings of the dangers in not taking responsibility in the first couple chapters in the novel. Shelley first points out the dangers of not taking responsibility when Victor first creates the monster on a stormy November night when he was shocked with the “horror of that countenance [the monster]”(Shelley 44) before he vacated his home, abandoning his creation which fueled the monster with the hatred that he needed to punish his creator. Shelley’s Sliwowski 2 illumination of Victor and the monster as father and son, shows the importance of a parental
Jacob Opalka Mrs. Ramey 4 April 2016 English 12 CP Victor Frankenstein: a Deadbeat Father Figure (Rough Draft) One out of every three children living in America lives without a father figure in his/her lives. Children growing up without a father figure can develop emotional and/or behavioral problems. In some cases, these children even become aggressive and get into trouble with the law (“Statistics on the Father Absence” n.p.). Frankenstein, written by Mary Shelley, occurs in Geneva and Ingolstadt, and portrays Victor Frankenstein as a deadbeat father figure to his creation because he does not take responsibility for him, and he must ultimately deal with the consequences of his creature.
Mary Shelley shows this burden of responsibility throughout the book by continually showing the reader how much Victor’s unthoughtful actions affect his future, and how he copes with the results. When Victor first gets the idea
Kyle Lyon Professor Ed Steck AWR 201 F3 14 April 2015 Annotated Bibliography Shelley, Mary. Frankenstein. Ed. Hunter, Paul J. Norton Critical Edition.
Shelley transitions Victor’s life from one of happyness to one where everything is lost to the monster he created. “I thought I saw Elizabeth, in the bloom of health, walking the the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel.” (Shelley 44) The stark contrast between the satisfaction he feels and the loss directly after shows how Shelley is developing the theme of this book to be one of heartbreak and sadness.
Frankenstein : Psychology of Parenting When a child is created and brought into this world, it is the parent’s responsibility to nurture, guide, and teach he/she how to develop and strive socially, mentally, and emotionally in this world. Human beings have to be taught everything. Without someone teaching them right from wrong and how to survive, they could end up feral. It is the parent’s responsibility to teach their child socially and morally to help them survive.
Mary Shelley’s Frankenstein examines how the presence of a mother, negatively or positively, affects the development of a child. Victor’s mother, Caroline Frankenstein, dies while Victor is still a young man (he is about 17 years old), breaking their relationship between mother and son. Because Victor loses his bond with his mother, he is unable to act as a mother would when he creates his creature. Caroline Frankenstein’s absence in Victor’s life creates a disunion between the mother and child bond, which is evident in Victor’s creation and his fragmented relationship with the creature. Caroline Frankenstein, Victor’s mother, portrayed a traditional mother in the Frankenstein household, until her death.
Interestingly enough, the novel resembles Shelley’s own life and can be interpreted as a reflection of her perception of families. Shelley shares many of the same characteristics with most of her characters. As the main character in the novel, Frankenstein’s creature is depicted as “a motherless orphan” who had an “unnatural birth” (Griffith). This correlates with Shelley’s own childhood as she was raised without a mother and her birth was in some ways “unnatural” as mothers are not naturally made to die during childbirth.
Victor also conducts a figurative abortion with his previous lifestyle after he commits himself to create a being from galvanism: “I at once gave up my former occupations; set down natural history and all its progeny as a deformed and abortive creation; and entertained the greatest disdain for a would-be science, which could never even step within the threshold of real knowledge” (Shelley 27). Mary Shelley might be highlighting the issue of abortion along with miscarriages to express how much sorrow she felt from her first miscarriage (as The Creature brings sorrow to Victor, its mother/father). Another concept that Mary Shelley might have implemented into Frankenstein could be the idea of Nature vs. Nurture, or
Conversely, when the monster imagines his creator, Victor, he curses “‘his crimes & malice”’ thoughts of hatred and revenge consume him (Shelley 96). This dichotomy highlights the incompetence of Victor as a parent. This helps to reassert that the monster’s “wickedness originates not with his soul but his treatment,” (Ferguson). Victor’s negligence as a parent, a trait caused by his poor upbringing, caused the corruption of his
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
Simultaneously, Victor failing to take responsibility for his own creation leads the creature down a path of destruction that manufactures his status as a societal outcast. The creature's dissolution from society, his search for someone to share his life with, the familiarity with intense anguish, his thirst for retribution, each of these traits coincide with Victor as he is depicted throughout the novel. Victor unknowingly induces his own undoing through his rejection of the creature. Shelley foreshadows his downfall by stating that “the monster still protested his innate goodness, blaming Victor’s rejection and man’s unkindness as the source of his evil” (Shelley 62) The creature essentially places Victor at fault for the creature becoming an outcast of society, by expressing this Shelley constructs a very austere portrayal of man’s contact with outsiders.
The presentation of women in Frankenstein Mary Shelley’s “Frankenstein”, first published in 1818, was written in a time period where society’s general opinion was that a woman’s role was predominately to be a loving, caring mother and a faithful, docile companion to her husband. This attitude is reflected in Shelley’s portrays of women in her novel as passive, self- sacrificing, loyal, and completely dependent on men. They are a means by which emotions are invoked within male characters and serve only as companions and beautiful possessions. Caroline Beaufort, mother of the protagonist Victor Frankenstein, is an example of the embodiment of this ideal. She is the wife of Alphonse Frankenstein and within the novel plays the role of a perfect daughter, wife, and mother.