During the 1800’s most women were supposed to follow social standards, and one of them is getting married and having kids not just that but to also take care of them. Women during this time had to take care of their children and do the tasks they had to do throughout the day. Other women who wouldn’t follow these social standards would be looked different and viewed differently. In Kate Chopin’s book The Awakening, one of the topics that she discusses is motherhood. She compares Edna, Adele, and Mademoiselle Reisz with motherhood. Chopin in her book discusses about motherhood. She compares three women and how they are when it comes to motherhood. The main character of the story is Edna Pontellier who is married to Mr.Pontellier and has two children. Edna is described as a woman who is, “rather handsome than beautiful¨. When it comes to being a mother Edna is not the best mother. As stated, “In short, Mrs.Pontellier was not a mother women”(11). This is said because Edna isn’t one to be with her children all day even if she does love them dearly and she wasn’t one to always be taking care of her husband. She is like this because she didn’t want to follow the social standards and started to rebel. Another character that’s in the book is Adele. Adele is described as the …show more content…
She is a woman who doesn’t follow the normal etiquette. Madame Reisz is unmarried and has no children and she lives on her own. Madame Reisz is an artist that plays the piano, she also inspires and helps Edna to follow her dreams of becoming an artist. Madame Reisz is described as a, “disagreeable little woman, no longer young, who had quarreled with almost every one, owing to a temper which was self assertive and a disposition to trample upon other the rights of others,”(37). Madame Reisz is considered the odd one out because of the life style she chooses to live. She is an independent women that will hold down her position no matter
Pontellier in discovering herself is Adele Ratignolle. Throughout the story, Chopin contrasts these two women fiercely. Adele is a very matronly woman who is intent on, and happy with, caring for her three children and conceding to her husband, and Edna clearly is not. Even their bodies are compared to highlight the differences between the types of women that they are. For instance, Mrs. Ratignolle is described as having dainty, “exquisite” hands while Mrs. Pontellier’s are pictured as being “strong” and “shapely” (page 5, 20).
“They were women who idolized their children, worshipped their husbands, and esteemed it a holy privilege to efface themselves as individuals to grow wings as ministering angels” (Chopin 8). Mr. Pontellier did not want her to recognize herself as a person, he wanted her to live only for him and his children as a devoted mother-woman should. Returning back home to New Orleans was met with constant fighting because of Edna’s new determination to become her own person. “Mr. Pontellier had been a rather courteous husband so long as he met a certain tact submissiveness in his life. But her
Edna hates being tied down to society’s standards; therefore, Chopin wants to represents how Edna transforms through the comparison of Edna’s
In the reading, Kate Chopin’s The Awakening and Modernism, the main character Edna is being described without providing spoilers to the novel. One of the attributes explained is, “She is described as the antithesis of the “mother-woman”
2. Women 's Role in Society A."He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother 's place to look after children, whose on earth was it?"(Paragraph 6,Section 3)At this time women didn 't have a large role in society, mainly: cleaning the house, looking after the kids, cooking, and entertaining/co-entertaining guests. This quote shows Edna not following this and being angry when Mr.
Her frequent vacations to the island, like her frequent dips into the ocean, begin to spark a personal change within the woman. A Creole man, Robert, shows Edna a new dimension of feelings she never knew she lived without, and she begins to look through life through a new lens. Having been awakened for the first time, she sees injustice and mistreatment where she saw none before. Chopin uses Edna’s new observations and reactions to the culture around her to illustrate the myriad ways women were marginalized. In an ironic twist, the white woman from Kentucky proves to be more liberated than her more traditional husband, who grew up
Streater argues that Edna cannot completely bond with Adele because the loss of her mother at a young age has left her with a “psychological void” (411). However, Edna’s confidence in Adele suggests otherwise. Edna opens up to Adele. She tells her about things that bother her, past crushes, and the reasons for her marriage. Likewise, Adele inspires Edna’s transgressions and encourages her to live unapologetically.
Edna Pontellier’s attitude toward motherhood is that she is not a perfect mother-women for many ways. Edna Pontellier is not a perfect mother because “Mrs. Pontellier was not a mother-women”(Chopin, 10). This quote means that Edna Pontellier is not a good mother/wife because she is not that of a women who would worship their children ,and their husband. Edna Pontellier is not a good mother because “I would give up the
Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.
Monumental strides have been made when looking at the treatment of women in today's society, compared to the treatment of women in the early 20th century. In today's society, a woman can survive on her own, with no companion to assist in her sustainability. However, in New Orleans creole culture circa 1899, women were not given any opportunity to express any form of individualism. The objectification of women in the early 20th century is exemplified by the women in Kate Chopin’s feminist novel The Awakening.
Lèonce Pontellier shows a lack of interest and enthusiasm for Edna and her hobbies. When Lèonce say’s ‘“What folly! To bathe at such an hour in such heat. ”’(Chopin 2) you are able to see Lèonce has a degree of frustration built up for his wife, Edna.
Some of Edna’s most obvious decisions immediately question her weakness to handle pressure. Edna’s inability to show compassion and care for her children challenge this normalcy for a mother of the time period; Edna considered her children “like antagonists who had overcome her; who had overpowered and sought to drag her into the soul's slavery for the rest of her days” (Chopin 115). The children almost seemed like a burden, or a detriment to her. Edna’s doctor visit nearly foreshadows this mindset, where the doctor notes that
“The children appeared before her like antagonists who had overcome her; who had overpowered and sought to drag her into the soul’s slavery for the rest of her days” (Chopin 127). Edna will not allow her self to be chained to its natural and societal titles, and she commits suicide to free it from these definitions. In a final statement as to the universality of motherhood, Edna’s acceptance of death is also a rebirth. Nine months have passed since Edna’s enlightening summer in Grand Isle, and her fetus-self is ready to be delivered.
Moreover, when her children tumbled, she will not pick them up just let them get up on their own. In contrast to Adele, Edna is not contributing herself to her family as well as Adele. Edna tries to fit in as the role to be a good mother, but, she cannot definitely, to be a mother-woman cannot fulfill her eagerness to be a special, independent and egocentric person. In Chapter XVI, Edna said to Adele, she would give her money and her life to children, but never herself. And that is what she is trying to understand and recognize.
This socially constructed identity is the first of the many that Edna grapples with in the text. It is the identity of women within the time period of the text. In the words of Dix, Edna’s identity is meant to be that of a typical American wife who will control the home, children and entertain socially yet remain obedient to her working husband (146). ‘Looking at his wife as one looks at a valuable piece of personal property’ (Chopin 4). The