"How you are fallen from heaven, O Lucifer, son of the morning…For you have said in your heart: 'I will ascend into heaven…I will ascend above the heights of the clouds, I will be like the Most High'” (Isaiah 14:12-14). Lucifer, once considered to be one of the greatest creations of God, fell to the earth destined to become an enemy of every other creation of God because of his blasphemous ambition to be greater than Him. This is a story repeated in the gothic romantic novel by Mary Shelley, Frankenstein. Victor Frankenstein, a onetime scientific prodigy, creates a monster and is regulated to the same fate as Lucifer. The sole fault of Frankenstein was blasphemy, and because of this one sin, Frankenstein completely fell to rock bottom and
There are many similarities and differences in the devils from “Sympathy from the Devil” by The Rolling Stones and Young Goodman Brown by Nathaniel Hawthorne. The similarities are both the song and story talk about an “all powerful” demon messing with other peoples’ lives. Both as well, say it’s mankind's fault for sinning because in the publications, the devil tries to take no responsibility for being the instigator. In the song and story the devil also calls some people who might be seen as role models, hypocrites. Some differences between the song and story include that the song was real life instances where the story might have all just been a dream.
What makes RJ's work both polarizing and unique is its acknowledgment of the literal existence of Satan and demonic spirits as sentient preterhuman entities. His work also advocates a more devotional approach to
The Bible says in James 2:19, “Thou believest there is one God; thou doest well: the devils also believe, and tremble.” Clive Staples Lewis, the author of The Screwtape Letters, “viewed human beings as being on the road of life progressing toward a state of heaven or hell” (Christensen 27). “Each moral choice [an individual makes] furthers [the individual] along the road and slowly changes [the individual] into a more heavenly of hellish creature” (qtd. in Christensen 27). The Screwtape Letters delves into a conversation between Screwtape, a high-ranking demon, and his nephew, Wormwood via letter. In those letters, Screwtape instructs Wormwood on how to keep his client, a young Englishman, from seeing the light of Salvation. The demons in hell
The desires of humanity often reflect the temptations residing in the heart’s depths. Evil’s lure is a strong pull felt by all, regardless of the appearance put on through the conscious mind. In literature, temptation is explored thoroughly, especially in the short story, “Young Goodman Brown”. “The tale becomes in great part, thus, a record of temptation” (Pualits 578-579). The author of “Young Goodman Brown”, Nathaniel Hawthorne, was born in Salem, Massachusetts, in 1804. His family has a long standing history in Salem, as his relative John Hathorne was a judge in the Witch Trials. Soon after the trials a ‘w’ was added to the family’s last name to distance themselves from the horrors of the time (Nathaniel Hawthorne Biography). Set during
In the very depths of Hell in the center of the earth the holy number is still present, in the bottomless pit of circle nine Satan locked up as a prisoner. Satan, as depicted by Dante, has three heads and in each mouth is forever tearing apart those that Dante presents as the worst to have lived. There is a sinner for each mouth, those that sinned against the things Dante holds most dear. Judas is the middle, for betraying Jesus, Brutus and Cassius on either side for plotting to kill Caesar; those that sinned against the pillars of Christianity and Rome.
Renick begins by asking the question “Why is there evil in the world?” The answer given by many Christians is that Satan is the reason evil exists since he corrupts God’s creation and history through Eden. Initially, I believed the same thing. My knowledge of the Bible is limited to what was reiterated to me in church. Growing up, I was taught that Satan was once a good angel who rebelled against and disobeyed God because he was jealous and wanted to be more powerful than God. I never questioned this because I thought seeking answers and clarification would be going against God. For some Christians, Satan is the
Satan is similar to the Monster in a way that he is also alone. Satan is also made in the appearance of God like Adam is. Though the Creature is not made in any image of his creator, he still states, “Many times I considered Satan as the fitter emblem of my condition, for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (Shelley 124). The Monster is able to relate to Lucifer’s relationship with his creator. They are both disturbed and angry for the way they end up becoming. This is the main cause that both seek retaliation on their
The classic novel Frankenstein, written by Mary Shelley in 1818, displays the use of literary devices, foreshadowing, allusions and figurative language, which aid the reader in understanding the authors opinion on scientific exploration. These techniques are used to arouse anticipation within the reader, therefore engaging them throughout the text. Along with providing a greater understanding of the novel, by referring to other books, and using the novel to portray the authors own perspective on scientific exploration. All these devices are effectively used within the novel to provide a deeper understandings of Mary Shelley’s work.
Despite their deeply religious values, the members of the Puritan Society in Arthur Miller’s The Crucible are equally as sinful as the rest of the world. The Puritans, known for coming to God when given any matter at hand, lay blame on the Devil, regardless of their contradictory values. By putting blame on him for their wrongdoings, the Devil earns power by the Puritans resorting to involving him in a situation whenever any one thing goes wrong. Power is defined by one’s reputation, status, wealth, gender, and age. Although the natural decider of one’s power in the Puritan society is land, the Devil, himself, holds ultimate power; despite the fact that he does not appear as a human figure, he controls the thoughts and actions of the Puritan
Although John Milton’s Paradise Lost remains to be a celebrated piece recounting the spiritual, moral, and cosmological origin of man’s existence, the imagery that Milton places within the novel remains heavily overlooked. The imagery, although initially difficult to recognize, embodies the plight and odyssey of Satan and the general essence of the novel, as the imagery unravels the consequences of temptation that the human soul faces in the descent from heaven into the secular realms. Though various forms of imagery exist within the piece, the contrast between light and dark imagery portrays this viewpoint accurately, but its interplay and intermingling with other imagery, specifically the contrasting imagery of height and depth as well as cold and warmth, remain to be strong points
He characterizes the devil in a sympathetic light to show how the world of sin will creep in unexpectedly and seize the formerly pious man. The devil uses pathos and logos to convince his audience of the world of sin. He emotionally relates to the audience to increase his credibility within the audience. He wants to show his relatability to his human followers. He wants them to see his regret and sorrow that this is the only way of life. He adds on to his argument by using the logical argument that humanity is evil by nature. In conclusion, Nathaniel Hawthorne portrays the devil as capable of emotion to show how convincing the arguments and influence can have the most pious people of the
Looks can be immensely deceiving, even the Bible has many verses about how not everything is really what it seems to be, such as, 1 John 4:1, Matthew 24:4, 2 Corinthians 11:14, and the ever so famous, Genesis 3:4. A warning that can be seen in both, “Young Goodman Brown,” by Nathaniel Hawthorne and “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, is that not everything that is charming is impeachable.
I have lived in Salem my whole life. I have seen it survive with very little, when the people went against each other during King William’s War. I have been around many years, just as you. I have lost friends and family ties with disputes over depending on agriculture or not. Oh! What stupidity, Governor. Now that the Witch trials have begun, they need to come to a stop. I have lost enough already and that’s enough.
To begin his mission, Milton devoted his first book of Paradise Lost to introduce Satan along with his falling angels in Hell attempting to plan a revenge on God. So, Satan is the central figure of book 1, a figure that Milton presents with plenty of epithets and with a magnificent energy and a personal pride. To what extent did Paradise Lost present Satan as a moral agent? Given the politics of the English revolution and restoration, how precisely should we interpret Satan’s language and policy in Hell? Did the spiritual poem reveal the 17th century religious beliefs or Milton’s ones? How is Milton’s God represented in book 1? Paradise Lost is a very dense epic poem. Some readers may not understand it and find it complex or sometimes contradictory in its representations and dimensions. In this essay I will try to find answers and some interpretations to its complexity through a focus on its literary aspects and both theological and political