The Role Of The Husband In Raymond Carver's Cathedral

The author use of the title “Cathedral” was misleading at first. “Cathedral” is about a husband who had an interesting experience with his wife’s blind friend. The narrator, also known as the husband, had difficulty understanding other people thoughts and personal feelings. The narrator knew how important the blind man is to his wife, yet he still makes careless jokes about him. “Maybe I could take him bowling” was a comment made by the narrator after finding out that the blind man was staying over his house. From that moment, the narrator show his true side to me. It shows that he doesn’t not care about his wife feeling toward the blind man. After carefully reading “cathedral”, the narrator is jealous of the blind man relationship with his

In both short stories, “Cathedral” written by Raymond Carver and “A Good Man is Hard to Find” written by Flannery O’Connor, we encounter characters that have a limited perspective on life. We find that the unnamed narrator in “Cathedral” has a bias mindset towards the blind man, Robert before he even meets and gets to know him. While in “A Good Man is Hard to Find,” the grandmother is ignorant of her surroundings while being oblivious to her own flaws. Both stories demonstrate the overcoming of blindness through prejudice and vanity to end up seeing something greater than themselves through the use of characterization, symbolism, and epiphanies.

The essay “Cathedral”, by Robert Carver, is about a man who is unsure of a blind gentleman named Robert that is coming to stay in his home for the weekend. His wife met Robert when she was reading to the blind. The narrator of the story who remains unnamed through the essay is not happy about Robert coming to stay in his home. He thought all blind people were the same and Robert taught him what it was like to be blind.

Raymond Carver’s “Cathedral” is narrated by a man who is unhappy that his wife is friends with a blind man. He has not ever known any blind people in his life and he has many ill conceived conceptions about them and how they perceive the world. The narrator unfolds the story slowly to show his own lack of perception with regard to his wife and the world around him. He comes to realize that perhaps the man that cannot see with his eyes can “see” reality better than he can.

In the Raymond Carver stories “Cathedral” and “What We Talk About When We Talk About Love” communication plays a major role in developing the story. In this essay I will analyze how the theme of communication plays both similar and different roles in developing the meaning of these two stories to further understand how communication effects the characters. Communication is an important part of the story to understand because it gives the reader a better understanding of the moral of the story as well as important life influences of the author. “Cathedral” and “What We Talk About When We Talk About Love” are excellent to stories to compare their theme of communication because communication gives each story a unique meaning, but both stories use communication in different ways to do so. By exploring the different types of communication in these two stories it will be easier to understand the moral meaning of the stories but also how different types of communication can be more effective than verbal communication.

Robert Emerson said, "People only see what they are prepared to see." This quote explains how people only see stereotypes. They judge others from the stereotype of society. That is exactly what "Cathedral" by Raymond Carver portrays: The idea that different aspects in life are not what they seem to be. The information in the media limited the narrator from truly “seeing” Robert.

In Raymond Carver’s “Cathedral,” written in 1983, the author points out that empathy and perspective are the only way to truly experience profound emotion.The narrator is struggling is sucked into his own comfort zone, he drowns his dissatisfaction on life, marriage, and job in alcohol. A man of limited awareness breaks through his limitations by socializing with a blind man. Despite Roberts physical limitations, he is the one who saved narrator from himself and helped him to find the ones vies of the world.

“His being blind bothered me” (Carver 1). In Raymond Carver’s short story Cathedral, Carver establishes an ignorant narrator, who is dependent on alcohol and fixated upon physical appearance; he juxtaposes the narrator to a blind man who sees with his heart rather than his eyes. Through indirect characterization, Carver contrasts the narcissistic narrator to the intuitive blind man while utilizing sight as a symbol of emotional understanding. He establishes the difference between looking and seeing to prove that sight is more than physical.

Carver highlights the narrator’s prejudice in the opening section of the story in order to reveal how the narrator’s bias against blind people in general leads to a preconceived negative opinion on Robert. From the outset, the narrator acknowledges his prejudice by mentioning that his “idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 1). The narrator’s negative prejudice is not caused by knowing a blind man; rather, it is derived from an external factor, demonstrating how the narrator has formulated an opinion on people he has never met. Consequently, the narrator assumes that Robert will conform to the negative stereotype present in his mind, and is unpleased about Robert’s visit. Carver

Raymond Carver is said to be one the most influential American writers and poets in the 20th century, especially in his works of short stories. One of his most famous pieces is “Cathedral.” This well-known short story is the final piece in Carver’s collection Cathedral published in 1983. Carver includes much symbolism through the story’s plot, structure, point of view, tone, and character build. The depictions of each character’s experiences, the irony in the story, and hearing the narrator’s point of view in “Cathedral” work in harmony to support its themes that prejudice and ignorance as well as the nature of reality are present and change throughout the course of the story, and all lead to a strong character development by the close.

In “Cathedral” by Raymond Carver, the narrator struggles with an internal conflict that involves him never being able to be in a vulnerable or sensitive state, especially when he is with his wife. The narrator creates suspense by having the reader wait until the end to realize what the blind man was referring to when he states, “From all you’ve said about him, I can only conclude—” (Carver 35). The reader can observe that the blind man was explaining that the husband was missing out on all aspects of life and the little things the world has to offer. The husband was so closed-minded, that he was missing out on having a deeper connection with his wife. Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis. However, the focal point within the story occurs when the narrator gets to have a vulnerable moment with the blind man that he has never encountered before, and it makes him feel liberated.

“Cathedral” is a short and warm story written by Raymond Carver. The author portrays the story in the first person narrative. Carver presents the interaction between an unnamed couple and a blind man by the name of Robert, who is visiting them. The story is told by the husband, the narrator, who is a prejudiced, jealous, and insecure man with very limited awareness of blindness. This theme is exposed through Carver’s description of the actions of the narrator whose lack of knowledge by stereotyping a blind man. However, the story takes an unpredicted and meaningful turn at the end when the narrator see things from a blind man’s standpoint.

Conflict is the essence of any literary fiction. The main goal of an author is to tell a story that keeps the reader interested. At the story’s core, conflict is the momentum of happening and change and is crucial on all levels for delivering information and building characterization as well as building the story itself.  Conflict is the source of change that engages a reader and keeps them interested. In a story, conflict and action does what description and telling of feelings and situations do not. Narrated in the first person, Raymond Carver’s “Cathedral” is bound to unfold due to the thoughts and feelings of one of the main characters, the husband. Expectedly, the conflict revolves around him and the way he responds to the conflict leads

The short story “Cathedral” by Raymond Carver, takes place in the days where black and white televisions are starting to become obsolete. And when cassette tapes were the latest technology. The basic setting of this short story is a middle-class home somewhere in New York, in the middle day. The meaning behind the title “Cathedral” after lots of drinks, a huge meal, and some marijuana, the living room itself transformed into what could be considered a sacred place, kind of like a cathedral.

In the world of literature, stories are often released for the purpose of social commentary or even to reflect on the authors past in a that its similar to an autobiography. Raymond Carver is a unique author often creating short stories that are of his own personal life through fictional characters that embody the turmoil he has gone through and social commentary on social issues. This is seen especially in his 1981 short story, Cathedral with a revised version being released in 1983, but we are gonna focus on the 1981 original.