John Proctor, the protagonist of The Crucible, qualifies as a tragic hero because he has a tragic flaw, is ethically superior to the other characters in the play, and struggles to find peace with himself in midst of the lies and chaos during this play. John Proctor possesses a tragic flaw that forces him to hide his prideful mistake, which eventually brings about his downfall. I guess the old saying is true, “Pride comes before the fall”. John Proctor’s tragic flaw is his excessive pride, and he expresses it abundantly throughout the play. In Act I, it states, “ Proctor: Abby, I may think of you softly from time to time.
“He have his goodness now. God forbid I take it from him!” (1273) Metaphorically speaking, Proctor was put into a crucible, melted down, and came out in the purest form possible. John Proctor perfectly fits the role of a tragic hero because he has all the qualities of a tragic hero.
Antigone is one of the greatest tragedies ever written by Sophocles. There is a controversial question about this play: Who is the tragic hero? Could it be Antigone or Creon? Even though the play’s name is Antigone, but as I read the story. A sensible and responsible king, Creon, is a tragic hero because of his power madness, self-righteousness, and ruthlessness.
Webster’s dictionary defines a hero as “a person who is admired for great or brave acts or fine qualities; a person who is greatly admired; the chief male character in a story, play, movie, etc.” Looking at the list, Winston only fits one of these criteria. Winston is not a hero, even though he is the protagonist in this story. His actions and behavior throughout the book is unbecoming of a hero, and in the upcoming paragraphs, I will discuss what discredits him as a hero.
In contrast, in the Oresteia, the myth demonstrates an overwhelming theme of justice. Agamemnons’ death here shows the curse hunting his household from generation to generation, starting from Agamemnon’s father
According to Princeton University’s WordNet.web, a hero is someone of exceptional courage and strength. In the words of the great playwright Aristotle, “A man doesn’t become a hero until he can see the root of his own downfall.” In most cases, tragic heroes have a high class in their society, but their character flaw causes their downfall in society. In the play Antigone, Creon exemplifies the traits of a tragic hero because his excessive pride led to his downfall; the chain of events that happened to Creon also caused the audience to feel deep pity for Creon.
Therefore, conformity molds Ivan to become even more “ordinary” (47) as he loses his personal identity to “resemble all people of a certain kind” (57). Juxtaposed by Ivan’s frustration that losing his life over the curtain is “terrible and stupid”(72), Tolstoy presents materialism as a false sense of fulfilment. This is because recollections of Ivan’s childhood are his only fulfilling, pleasant memories. The writer uses free indirect discourse to describe the “special taste” of Ivan’s “raw, shriveled French prunes”, decreasing the use of a third-person omniscient voice as Ivan reflects deeper about a life lack of authenticity. Zooming into Ivan’s point of view blurs the line between
Even though, he gained his power through his heroism. He failed to see the example of King Oedipus, and used his stubbornness to make arbitrary decisions. As a result, he was punished by the gods, and lost his families. Although he had braveness to
Deception, defiance and double meanings are what make Shakespeare’s plays the great wonder that they are today. Shakespearian is known as the most poetic, romantic and comic form of play writing, however each play has strong morals and meanings in them. One of Shakespeare’s plays, the Merchant of Venice, focuses of the acts of deception. Some say that none of the characters in the play are seen as ‘kind’ by the end of it, stating that: “Grace, nobility and generosity of spirit are submerged by greed, distrust and ugly prejudice.”
Through the outcomes of both plays, the audience is able to receive some hard truths and be confronted with reality. In their respective ways, the two plays reveal truths about the human experience in the way that the plays are symbolic of very real human or societal problems. Sophocles’ Greek tragedy, Oedipus Rex, has a fateful plot with a tragic ending. His play follows the conventions of tragedy, implementing plot, character development,