In addition to her newfound sexual freedom, the independence Edna shows from her husband and children, to be an individual, was seen as unusual. Unlike the way women are supposed to live only for their family, Edna wishes to live for herself. In the beginning of the book where all the Creoles had just started their vacation, Mr. Pontellier thinks,
Often times, literary works can easily distinguish between a good character or an evil character. Other times, a character can be very complex, which makes it difficult to characterize the character as good or evil. This complex character complex is known as Moral Ambiguity. In other words, readers are discouraged from identifying a character as purely good or evil. One particular character that can be views as morally ambiguous is a woman named Edna Pontellier. Edna from Kate Chopin’s “The Awakening” can be perceived as morally ambiguous because of her affiliations with other men, and role-defying actions; however, both contribute to “The Awakening” as a whole.
In nineteenth century Louisiana, Creole’s lived by strict rules to explain how Creole household’s run: “The man ruled his household and his wife was considered part of his property. He was permitted to take a[nother] mistress if he liked, though his wife was expected to remain faithful” (Kosewick 3). The wives of the household are also “expected to be of good character” and “loyal, passive, innocent lovers”, despite the fact that their husband can take another woman of his liking out and the wife sat back and watched her husband have a plentiful time with the other woman (Kosewick 3). If the wife of the household does anything outside of the norms within their Creole society, she was frowned upon and disgraced. Rarely, women rebelled against
In the late 1800s society assigned to women a specific role to play. The role included bearing children, caring for them, and honoring their husbands. People saw women who took jobs outside of the home or who never married as deranged. Kate Chopin highlights the female duties of the time in her novel, The Awakening, through the use of foils Edna and Adele. Adele represents the model of how an ideal women of the 19th century should behave and feel. A wonderful mother, Adele also tends to her husband’s every need. Furthermore, she seems to enjoy this role, apparently thriving in it. Her friend Edna starts off like Adele but then realizes the role is drowning her. Edna and Adele are different people who, though dealt the same cards in life,
It is common for people in everyday society to conform to society’s expectations while also questioning their true desires. In the novel, The Awakening, by Kate Chopin, the main protagonist Edna Pontellier is said to possess, "That outward existence which conforms, the inward life that questions." In other words, Edna outwardly conforms while questioning inwardly. Kate Chopin, uses this tension between outward conformity and inward questioning to build the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.
For many years, Kate Chopin’s The Awakening was considered perhaps one of the most scandalous novels written by a woman about a woman’s sexual and spiritual liberation and independence. Much of Chopin’s fiction has been praised as a celebration of female sexuality, conspicuously highlighting the tension between erotic desire and the demands that come from marriage, family life, and society (Martin 1). Unlike other literary contemporaries, Chopin does not attempt to moralize her heroines’ moral frailty, and more importantly she unapologetically allows her heroines’ unconventional sexuality to thrive (Martin 6). Only recently has The Awakening been acknowledged as a well-crafted narrative of Edna Pontellier’s struggle between individuality and
Daisy becomes increasingly emotionally torn as her affair with Gatsby continues. She becomes stressed with Gatsby and his expectations for her. Gatsby desires the old Daisy that he first fell madly in love with. She feels pressure as Gatsby’s affections turn into almost worship of her. Soon she begins to realize that what they had in the past was precious, but she realizes she still loves Tom. For example, in the Great Gatsby Daisy states, "They're such beautiful shirts," she sobbed, her voice muffled in the think folds. "It makes me sad because I've never seen such – such beautiful shirts before" (Fitzgerald 118-119). Daisy knows that Gatsby was a bootlegger and he lived by criminal activity. Gatsby’s true nature was uncovered. It was his
While being a woman in modern times is difficult enough with all of our adversities, one can truly appreciate the strength of a woman in 1899. The Awakening by Kate Chopin is a short intimate novel about a woman named Edna who slowly registered her individuality. In the beginning of the novel Edna was glimpsed as a woman of her time, maintaining the societal appearance with her husband and children. However, later on in the novel she surpassed her time by defying the norm and taking the “unknown road” toward independence as a result of her awakenings. The course of Edna’s awakenings was very emotional, unexpected and unfamiliar.
This novel, The Awakening, is about a woman named Edna Pontellier learns to think of herself as an independent human being. Also, Edna Pontellier refuses to obey against the social norms by leaving her husband Leónce Pontellier and having an affair with Robert Lebrun. Kate Chopin describes societal expectations and the battle of fitting the mold of motherhood in the Awakening by how Edna Pontellier and Adele Ratignolle contribute to their family in different ways. Edna Pontellier’s attitude toward motherhood is that she is not a perfect mother-women. Adele Ratignolle’s attitude toward motherhood is that she is a perfect mother-women.
In Kate Chopin’s novella, The Awakening, Léonce Pontellier, Edna Pontellier, and their children spend the summer in La Grand Isle. Grand Isle is a town in Louisiana, populated with Creole families. Not able to meet the Creole social standards and be true to herself, Edna, with the help of her husband, becomes aware that she is meant to be an independant woman. Lèonce’s high focus on his image and business makes it hard for him to see his wife's process of self-discovery, he becomes apathetic and can even be ill- tempered towards Edna.
As the mother of a family Edna is expected to live out her role as a caretaker of others. However, interactions with a different culture, her confidant (Mademoiselle Reisz), and the freedom of the sea cause Edna to see her expectations differently. This new form of thought induced by her surroundings provokes Edna to take action to transform her reality. Courageously, Edna refuses her responsibilities, in search of her own self-interest. A life confined to others is not the life of an artist. Edna is an artist, a trailblazer, who sees the truth of her own desires, and makes the steps to make her desires one with her nature.
Edna Pontillier in Kate Chopin’s novella The Awakening seeks independence and freedom via an unconventional lifestyle that creates her internal conflict. The conflict is sparked by the Apollonian and Dionysian ways of life that surround Edna. The two contrasting forces influence her decisions and the way she interacts with others. Edna’s Dionysian and Apollonian influences effect the way that she treats her children, interacts with her husband, and relates to other women in her town. The freedom from responsibility and rules is attractive to Edna; however, it is a challenge to escape the rigid order of the Apollonian lifestyle. Edna’s struggle exemplifies the challenge facing all women of the nineteen-hundreds who strived to go against
The Creole society has very specific standards when it comes to woman, “they were woman who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grown wings as ministering angels” (Chopin 8). Edna Pontellier can be described as a woman who never had a place in the Creole society. Chopin makes this clear in the introduction of the book with quotes like “Mrs. Pontellier was not a mother-woman”(Chopin 8). The mother’s role in a Creole society can be argued to be the most critical and fixed position, as the previous line suggests Edna doesn't fit this role. However this does not seem true during Chopin’s description of Edna’s visit to Iberville, Edna seems happy to see her children, and when she leaves Chopin says “It was with a wrench and a pang that Edna left her children. She carried away with her the sound of their voices and the touch of their cheeks. All along the journey homeward their presence lingered with her like the memory of a delicious song. But by the time she regained the city the song no longer echoed in her soul. She was again alone”(Chopin 95). When Enda leaves her children behind she feels that she is not
There are few stories of Chopins which do not foreground language. Language makes the main body of a text. When used correctly it can be manipulated to present certain themes. Throughout the novel, ‘The Awakening’ by Kate Chopin, the language used in the text conveys the struggles of the main character to find her own identity. The way Chopin uses dialogue, a secret language and the narrator’s descriptions relate to the theme of identity, and often places it subtly at the centre of the reader’s consciousness. It would be difficult to read ‘The Awakening’ without an awareness of Chopin’s clever use of certain phrases or words to present the concepts of different identities within the text. This essay will explore in depth the relationship between Chopin’s use of language and the concept of identity.
A woman with an independent nature can be described as rebellious, passionate, and courageous. In Kate Chopin’s novel, The Awakening, the reader is introduced to Edna Pontellier, a female who epitomizes the qualities of a woman with such an independent nature. Living in a “patriarchal society” that expects women to be nothing more than devoted wives and nurturing mothers, Edna attempts to seek out her true identity as it becomes apparent how unsettled she feels about her life. Throughout The Awakening, Edna Pontellier, dissatisfied with her duties as a mother and wife, decides to pursue her own interests and express her true identity, resulting in an awakening and her finding the courage to make the changes she deems as necessary.