The Root Of All Evil In Othello

Similarly, but in a contrasting locality, during this time period, it is known that the Devil’s abilities are able to convert even the purest and sinless people away from God. As written by Arthur Miller, “the Devil [works] again (...) just as he [works] within the Slav who is shocked at (...) a woman’s disrobing herself in a burlesque show. Our opposites are always robed in sexual sin, and it is from this unconscious conviction that demonology”. The Devil “gains both its attractive sensuality and its capacity to infuriate and frighten,” which displays the control he holds over the society in that he can lure in a pure soul, but frighten one as well

Johann Kaspar Lavater once said, “The jealous are possessed by a mad devil and a dull spirit at the same time.” People who have become jealous are taken over by an evil greater than themselves, but are also taken by a insecurity they have inside of them, strong people taken over by jealousy so much- that they change so horribly no one wants anything to do with them. William Shakespeare’s Othello teaches us that in jealousy as either envy or fear, the only thing that could come out is the monster deepest inside of someone that even the best people wouldn’t want anyone to see. On one hand, envy and jealousy go hand and hand, together never without the other. For example, as Iago is talking to himself and the audience he states, “I hate the Moor,/And

Despite the fact that he does not appear as a human figure, he controls the thoughts and actions of the Puritan society, serving as the ultimate threat. The Devil influences the villagers of Salem, Massachusetts by using their ongoing fear of him to manipulate their thoughts and actions in a manner to set himself in the highest position by the end of the Act 1. As the Puritans lean toward blaming the Devil for their misgivings and suspicions, he gains control of their thoughts. Ruth and Betty pretend to fall ill after Reverend Parris catches them in the forest with Tituba and other girls, partaking in what is considered to be witchcraft: an act that defies the laws of femininity in the Puritan society. Mrs. Putnam does not buy her daughter Ruth’s act; rather, she sees it as “‘the Devil’s touch”’ which “‘is heavier than sick”’ (13).

This makes Dorian paranoid and he fears that the painting will be discovered and his appearance will be forever tarnished to the world. Dorian eventually sees that “his beauty to him had been but a mask, his youth but a mockery,” (Wilde, 223) and the full weight of his sins begin to become apparent. Dorian however caught up in his vanity, refuses to confess any of his sins. Even after committing the most heinous of acts in murder, Dorian resorts to opium addiction to cure his sole. He wishes to erase the act from his memory rather

To understand where Grendel's wrath is coming from. "Malignant by nature, he never showed remorse" (Beowulf, 137) Incidentally, as any other villain, Grendel was exceptionally destined from the beginning to be evil. They made him an outcast and he embraced his evil nature that increased with the constant celebrations being held in the Heorot making him feel unwanted, excluded and bitter to the core. This all led to his revenge on the people, killing them all for alienating him, action that he accepted as justice for

So Iago tells Roderigo that he would help him to win the heart of Desdemona. Iago tricks Roderigo, which is apart of his plan to get Roderigo on board to help him. And Roderigo foolishness is what allows Iago to get embarrassed of him. After hearing Roderigo's plead for help he say's that " I hate the Moor and it is thought abroad that ' twixt my sheets has done my office./ I know if't be true,/ But I, for mere suspicion in that kind will do as if surety he holds me well". (1.3.424.55) Meaning that Iago knows that he's able to use Roderigo unwillingly and get him to do his dirty work for him.

Thesis: Iago, from Shakespeare's Othello, is one of the most memorable villains in all of literature. Iago deceives, steals, and kills to get everything that he wants. The play is centered on Iago's dislike for Othello, however, it is not that Iago pushes aside his conscience to commit these acts, but that he lacks a conscience to begin with. Iago's amorality can be seen throughout the play and is demonstrated by his actions against not only Othello, but Desmona and Emilia. Iago is able to manipulate the other characters of the play because he is a villain who doesn't understand the morals of society.

Jack is bent on power from the beginning whereas, Macbeth is manipulated by three witches and his wife to take power. Power affects these two men in different ways, Jack starts to become his true self whereas Macbeth starts to hallucinate and go insane. This relates to the point of view of the authors: William Golding believes people are inherently evil whereas William Shakespeare believes people are inherently good. The question is, who is more evil Jack or Macbeth? Both Jack and Macbeth are ambitious and hungry for power.

Hamlet states, “ The spirit that I have seen, may be the devil, and the devil hath power, T’ assume a pleasing shape; yea, and perhaps, out of my weakness and my melancholy, as he is very potent with such spirits, abuses me to damn me” (II.ii.627-632). The ghost resembles his father and leaves Hamlet confused and concerned. From the quote in the play, Hamlet believes that the ghost could possibly be the devil trying to persuade him into evil to continue his suffering. He also believes the ghost is targeting him because of his suffering; making him more vulnerable to evil. After numerous interactions between Hamlet and the ghost, the ghost reveals that he is Hamlet’s father.

Huck lets the two lie and cheat because allow them will give him less trouble than if he were to confront them. Since he let them continue, they put on fake plays, such as Romeo and Juliet, and lie to strangers to earn money by saying they are a “changed man because of God” during a camp meeting. Twain shows how twisted the world is by using these characters to show how being morally wrong can take you farther than being a good person. As shown previously, Twain expressed his opinion on morality in various ways in Huckleberry Finn. He showed how the stereotypes during this time were not accurate at all, and how they can be broken.