The Similarities Between Antigone And Creon

Antigone's actions consistently display her dedication to the will of the gods, and Creon's behaviour steadily exhibits his fierce devotion to state laws. Thus, this Greek tragedy compellingly establishes and thoroughly explores the intricate and perplexing relationship between the two themes by utilizing the literary device of

Of the one hundred and twenty plays and tales Sophocles had written during his time, only seven have survived to today and Antigone a tale of the constant turmoil of the royal family of Thebes is one of those few ancient tales. Creon, the new king of the city of Thebes, strives for justice and absolute loyalty to the crown, however, after he discovered that an unidentified citizen had defied one of his recently announced laws, he inflicted his fury on himself and those around him. Creon is the tragic figure that functions as an instrument of the suffering of others and contributes to the tragic vision of the story, Antigone by Sophocles, as a whole by threatening his subjects and family with death, ignoring the thoughts of his elders and peers, and bringing the feeling of death to himself and also death itself to those around him.

In the short story titled “Antigone,” the author portrays Creon as a tragic hero by displaying flaws in Creon's character shown throughout the story. Creon’s character contains many flaws which lead to many problems. His decisions end up deciding the fates of his son, his wife, and Antigone. Creon finally realizes that what he has done is sinful to the gods. He has put his own pride over the appreciation of the gods.

The play, Antigone, is a tragedy written by the Greek poet Sophocles. A common theme among tragedies is that they have a tragic hero, and Antigone is no different. The tragic hero of this poem is Creon, the King of Thebes. Creon is faced with the difficult task of punishing his niece, Antigone. She has broken one of his laws stating that no one is to give proper burial rites to Polyneices, Antigone’s brother, because he tried to overthrow Creon. Against the warning of others, Creon goes on with his plan to essentially sentence Antigone to her death. Creon continually ignores what others counsel him to do because he believes that just because he is king, everything he does is right. It is this thinking that ultimately leads to the death of not only Antigone, but also Creon’s son and wife as well. All tragic heroes suffer from a tragic flaw that leads to their downfall. Creon suffers from two tragic flaws, pride and stubbornness. Both of these flaws lead Creon down a path of destruction that he is unable to return from.

In the play Antigone, Sophocles demonstrates the conflict between family and God through the characters of Antigone, Ismene and Creon. Antigone being ambitious and strong willed throughout the play, fights for his brothers honor and proper burial while Ismene on the other hand, is more timid fears the consequences that may occur if the laws are broken. For Creon he is the King and holds most power, until the Gods feel he is incapable. Antigone, Ismene and Creon all use logical and emotional appeals to achieve a compromise to either bury Polynices or not.

Another characteristic that defines a tragic hero is that they experience misfortune that is not entirely deserved, and in this case, Creon did; he experienced the loss of both his wife and son. In Antigone, it states, Messenger:“we saw Antigone hanging by the neck/… Haemon had his arms around her waist-/ he was embracing her and crying out in sorrow for the loss of his own bride/...Angry at himself, the ill-fated lad/ right then and there leaned onto his own sword,” (Lines 1359-1377). After Antigone decided to take her own life, Haemon, Creon’s son and Antigone’s husband, saw Antigone’s body and decided to end his own life as well. Not only did Creon cause the death of Antigone, he also inadvertently caused the death of his son, Haemon. In addition to the death of his son, Creon also caused the death of his wife, Eurydice. In Antigone, it states, Messenger:“She killed herself,/ with her own hands she stabbed her belly,/ once she heard her son’s unhappy fate,”(Lines 1460-1462). Once Creon’s wife, Eurydice, received the news of her son’s suicide, she decided to take her own life as well. So, in addition to Antigone’s and Haemon’s death, Creon also caused his wife’s death because he refused to let Antigone go sooner than he did. This whole ordeal stems from Creon’s stubbornness which embodies the play’s tragic vision because it shows how one’s

Glory; it was the only the thing that mattered in Ancient Greece. To receive honor from the gods is the only thing for many greeks. In the play, Antigone, written by Sophocles, the protagonist, Antigone, encounters many conflicts. One major conflict is with King Creon over the honoring of her brother. Creon is as loyal to his word as Antigone is stubborn. Antigone and King Creon have very different views on life and loyalty, however they have one thing in common, power and glory; one in the mortal world and the other in the afterlife, thus shaping their beliefs and loyalty.

In the classic play by Sophocles, Antigone is a tragic story of the bold Antigone who defied her uncle, King Creonʻs, edict by burying her brother, Polyneices, who died attacking the city of Thebes, trying to take the power away from their brother, Eteocles, who refused to share the throne with Polyneices. Even though Antigone knew that going against Creon and burying her brother would not end well for her, she still choose to risk her life to do what is right. After being caught breaking the law, Antigone is appointed to be locked away, isolated in a cave until she dies, but she hangs herself at the end. At the same time, things for Creon are not looking good, as everyone around him seems to be against him in his decision for punishing Antigone. Everyone Creon cares about kills themselves from a curse that is put on Creon for not following the Godsʻ laws. Creonʻs punishment for Antigone did not only affect her, but also everyone who was involved in the situation, including Creon. Creonʻs punishment for Antigone was not justified for three reasons: Antigoneʻs love for her family being put first, Creon is trying to prove himself, and Antigoneʻs beliefs.

Creon, with his hubris, does not listen to the words of his son, Haemon. When he reluctantly calls for the release of Antigone from her imprisonment, he is too late. She has died and Haemon kills himself after failing to kill his father. “Nothing you say can touch me any more. My own blind heart has brought me. From darkness to final darkness. Here you see. The father murdering, the murdered son––And all my civic wisdom! Haimon my son, so young, so young to die, I was the fool, not you; and you died for me.” Creon implores that he has been blinded by his pride and that he didn’t see that Haemon’s ultimatum and love for Antigone would be the reason why Haemon would kill himself. Creon’s decisions have lead him to lose his son and his wife, which is where his downfall begins. Creon becomes the tragic hero because he has endured pain from the deaths of his family. By not listening to Teiresias or anyone, but only to himself because he believes what he is doing is right, the death of his loved ones were

“Power tends to corrupt, and absolute power corrupts absolutely” said historian Lord Acton. In Sophocles’ Antigone, Oedipus the King of Thebes newly departs after disgracing his people, and his successors to the throne, Polynices and Eteocles die in battle, thus leaving his brother Creon to inherit his throne. From the beginning, Creon uses his newfound power to impose excessive punishments against not only the people of Thebes, but also his family. As a result, the Thebans recognize his abuse of power, and express their fears through not only the chorus, but also his son. To finalize his play, Sophocles exposes how Creon uses his power to manipulate the hierarchy in Greek society; consequently offending the gods. Therefore, through King Creon’s

At the beginning of the play, he is presented as a character fully committed to the ideas that his father presents and the respect towards the country and the law of the state. In spite of this, Haemon is in love with Antigone and is therefore opposed to the idea that she has to be punished for her actions. “Not here, she will not die here, King. And you will never see my face again. Go on raving as long as you’ve a friend to endure you”. Creon’s son ends up committing suicide, and this is reflected both as an act of love towards her fiancée, when he discovers her dead body, as well as a sign of his divergent ideals contrasting the city ones.

Creon is the protagonist in Antigone, because his motivation throughout Antigone is the stability and wellbeing of Thebes. Moreover, Antigone is the antagonist in Antigone, because her motivation is selfish and deceiving. In Antigone the setting is Thebes post the death of both airs to the throne. Eteocles dies defending his country from his brother Polynieces which died attempting to reclaim his right to the throne. The conflict throughout Antigone is Antigone’s responsibility to bury her brother Polynices and the law created by Creon, the new king of Thebes, which states that “No one shall bury him, no one mourn for him.” (Antigone 59) Antigone proceeds to disobey the law and dies in her own hands to ensure her own martyr status. Antigone is not the protagonist because of her selfish motivation and need to

The Chorus acts as the narrator of the play, as well as the voice of the people of Thebes. In the beginning of the play, the Chorus declare their support for Creon's law regarding the dispoal of Antigone's brother, Polyneices' body. Initially, the Chorus seems weak, putting up with King Creon's ruthless and tyrannous commands. They also do not in any way contradict or question Creon's behavior, or show support to Antigone after she is punished by Creon. They even go as far as to accuse her of being inclined to trouble like her father after they discover she buried her brother, Polyneices. However, as Antigone is led to her living tomb by the guards, the Chorus expresses sympathy towards her. After Creon receives advice from Teiresias, the Chorus insists that he take it, reminding Creon that Teiresias is never wrong. Creon finally agrees, but is too late. Because of the Chorus's initially submissive behavior, Antigone is left alone to defend her beliefs, leading her to her tragic death. Her death, as a result, leads to King Creon's

Antigone’s tragic flaw is her love for her family. In the play Antigone, Creon creates a law stating that one of Antigone’s brothers, Polyneices, must not be buried for he was a traitor while the other, Eteocles, is buried with honors. “Antigone- Hasn’t Creon graced one with all the rights, disgraced the other? Eteocles, they say, has been given full military honors, rightly so-Creon’s laid him in the Earth and he goes with glory down among the dead. But the body of Polynices, who died miserably- why, a city wide-proclamation, rumor has it, forbids anyone to bury him, even mourn him.” (1.1 26-33) Also when her sister, Ismene, offers to share Antigone’s punishment with her, Antigone tells her to live her own life and not die by her side. “Antigone- Never share my dying, don’t lay claim to what you never touched. My death will be enough.” (1.1. 619-621) Creon’s tragic flaw is that he is stubborn beyond his years. Antigone’s tragic flaw can cause good to her and to others if used correctly, but it can also causing misery while Creon’s tragic flaw only causes pain and suffering to

The fact that Antigone was stubborn and wanted to bury her brother no matter the cost teaches us this lesson. It can also be seen in Creon’s unwillingness to give in to Antigone no because he didn’t want to be looked at in a certain way. Instead, he lost everything that he had and was left at the end of the play in great pain and alone. The story Antigone was a classic Greek tragedy, a continuation of the immense tragedy that has already befallen the house of Oedipus. “Tragedy has a satisfying, redemptive ending because the events in tragedy are arranged so well that we would not have the play end any other way, we accept the conclusion” Antigone does indeed satisfy that requirement as a tragic play. In the play “Antigone”, Sophocles uses many features that would classify the play as a Greek tragedy. The reason why this tragedy stands above many others is due to the use of various techniques that enable the reader to feel the emotions of fear and