Similarly, Nicholas represents another contrast between the masculine and the feminine. At first glance, he is overtly heterosexual. However, the Miller gives several clues that suggest that Nicholas is perhaps not as vehemently masculine as he appears. For example, Nicholas is “sleigh and ful privee, and lyk a mayden meke for to see” (Chaucer 3201-3202). The Wadsworth Chaucer glosses “privee” as “discreet, secretive” (68). However, the Oxford English Dictionary adds another layer of meaning when it defines “privee” as “sexually intimate” (“privy”). Combined with the OED definition of “meke,”: “gentle, courteous, kind” (“meke”), “lyk a mayden” (Chaucer 3202), Nicholas’ gender identity becomes more fluid and feminine. Additionally, he …show more content…
This aggressive heterosexual display is at odds with his reaction to her eventual acquiescence. Rather than taking advantage of the opportunity presented by her husband’s absence, and having sex with her immediately, Nicholas agrees to defer their encounter until such time as he can devise a plot to trick her husband. John becomes his object, and Alisoun is merely the means to achieve that object. His true desire is to have sexual domination over John, which he believes he can achieve through having sex with John’s wife. This sublimation of homosexual desire into heterosexual sex throws doubt on Nicholas’ gender identity. Miller comments that “what makes each of the male characters perverse from this perspective is the particular way each fails to respond properly to Alisoun, and so fails to participate adequately in the surrounding ideology of gender and desire” (16). When Nicholas finally does have sex with Alisoun, the Miller gives the act the most perfunctory of descriptions: “Withouten words mo they goon to bedde,/ Ther as the carpenter is wont to lye./ Ther was the revel and the melodye;/ And thus lith Alison and Nicholas” (Chaucer 3650-3653). There is none of the lustiness found in the sexual descriptions in The Reeve’s Tale, for example. This indicates that the act itself is not the culmination of Nicholas’ desire. Hansen concurs with this point when she says that Nicholas competes, “with John for sexual access to Alisoun, and, true to type, the male rivals actually demonstrate less interest in the female object of their alleged desire than in their own gender and class identity” (228). Since Nicholas can only achieve sexual satisfaction by besting John, and since he cannot do that in a homosexual way, he does the next best thing, and has sex with John’s wife
“The Wife of Bath’s Tale” begins with an unequivocal incident of sexual assault, yet how that assault and the question of consent are interpreted are complicated in light of Suzanne Edwards’ essay, “The Rhetoric of Rape.” Edwards’ essay provides a new historicist lens to provide a context in which the reader can perhaps reconcile the problematic nature of sexual assault that Chaucer inserts into the “loathly lady” narrative. The rhetoric employed by the law in regards to rape complicates Chaucer’s knight’s crime by creating an atmosphere of ambiguity that raises more questions than answers. The disconnect that occurs between the rapist and his victim seems quite abominable on the part of Chaucer and his narrator in that it is quickly forgiven
Since he has a connection with her, he feels as though the Place of Mating would take her away from him. He believes he should have the right to share this sexual act with her, and not a stranger. Later in the book they run away together, taking her away from this act. “Still, without reason, as we stood there by the hedge, we felt our lips drawn tight with hatred, a sudden hatred for all our brother men” (45). Even here, Equality 7-21-25 and his lover shows his hatred for the men of his society due to this immoral act.
Most importantly this new identity gives Dunny the opportunity to experience intimate relationships again. Another positive influence that Diana gives Dunny, is his first sexual experience. “... it was the night of November 12, in a house in Eaton square… that I first slept with Diana”(Davies 76). This moment in dunny’s life is a prime example of how Diana has started to change him. Diana is giving him the most intimate relationship anyone can give.
A Woman as A Misogynist The Wife of Bath in Chaucer’s Canterbury Tales is an interesting character, much more forward about her sexuality than most others you may read about. In the setting of the story, in that time period, women were generally viewed as prim and proper, even prudish. Alexandra Losonti, in her article “Discourse and Dominion in Chaucer’s Wife of Bath Prologue,” argues “In the Middle Ages women were identified by their roles in life and society as wives, widows, mothers or maidens and were portrayed in relation to a man or group of men” (5). The Wife of Bath is defined as just that, a wife of a man. However, she defies every other standard quality of a woman with her exploited sexuality and in-charge attitude.
As Abigail and john are having their own conversation with no one around, Abigail says to john “I look for john proctor that took me from my sleep and put knowledge in my heart” (miller 25). As Abagail is telling john this and making a point that she still wants to be with him, it shows lust coming from her. Another example of
Wright is also not able to see this example of male domination, because he is in fact, a man. So, he is not able to see what Janie, and women in general are willing to sacrifice in order for men to be happy and feel as if they are in
The baron’s identity was tied up in how he perceived himself as masculine, both those things were then given a physical symbol in the clothing – strip those from the baron and he is emasculated. By rejecting the baron and turning to another, the wife took away his pride as a man and emasculated him by her dissatisfaction with his performance, her revulsion of his dual nature, and with how readily she felt capable of breaking his trust. The king emasculated the baron because he made him docile and submissive, but at the same time he empowered Bisclavret and healed him of the wounds made by the wife. The standard for how a man was supposed to act and what was considered masculine was inescapably tied up in the idyllic codes of chivalry; by manipulating the chivalric code of honor and honesty, the wife emasculated the baron by trapping him as Bisclavret and taking everything that made him
Geoffrey Chaucer, an English poet during the middle ages, wrote The Canterbury Tale’s Wife of Bath; he was born from a humble middle-class family and climbed his way up through the aristocracy. The Wife of Bath main protagonist is molded by a sexist culture of her times. My goal with this paper is to shed light on The Wife of Bath’s main character. A story of a smart, strong-willed woman who manipulates her way to financial and personal independence, is she a feminist or a smart and scheming woman?
After John’s own experience of “Orgy-Porgy”, he commits
A lord is someone who is very high ranking in comparison to you. By calling Nicholas (who isn’t even her husband) my lord, she shows that she is lesser than him. In this society, women are treated as inferior to men. As a result, they become prizes that men can possess.
Alison did not feel more for her partner but instead wanted to get away from his overbearing attitude. John however truly loves his wife, “Alas, my wife! And shall she drown? Alas, my Alison” (The Miller’s Tale 414-145). When Nicholas tells of the flood, John is only concerned for his love, but Alison is involved in the larger than life plan so that she can finally feel free.
Claudia Eves Miss Lake Year 9 English Text Analysis: Much Ado About Nothing How does Shakespeare use language and characters in Much Ado About Nothing to explore issues of societal gender expectations? Discuss this with reference to the play. A play by definition is ‘a dramatic composition or piece; drama’ (according to Dictionary.com), Much Ado About Nothing - an immensely popular comedic play of Shakespeare’s, does not fall short of that description. However, behind the comedy and amusement of Much Ado About Nothing lays the ugly truth about inequality between genders and gender roles throughout the Elizabethan era and society.
The Reeve that is described in the general prologue of the Canterbury Tales, written by Geoffrey Chaucer, seems to accurately represent the person that is narrating the Reeve’s Tale. In story, the Reeve creates a journey which began as a trip that was meant to benefit people, but ended up having selfish gain. Due to this, there is a bit of back-and-forth between what the narrator said about the Reeve in the general prologue versus his personality that was prevalent while he narrated his tale. According to the prologue of the Tales, the Reeve is “wholly trusted to his government,” (pg. 35) which is quite similar to both of the boys, John and Alan, that claim they only want to help out the dean of their college.
Mary Shelley was known as an English novelist, biographer and travel writer. She married the romantic poet and philosopher Percy Bysshe Shelley, which died at the age of 29. She is known mainly for her efforts to publish her husband’s work and for the novel Frankenstein, published in 1818. Her mum also tragically died of puerperal shortly after Marry was born, leaving Godwin (her father) to bring up Marry in London. Her mum was an English philosopher advocated to women rights, whilst her dad was also a philosopher and a journalist.
Both texts have been chosen as they deal with marriage and its tribulations and both offer an insight as to what marriage represented. The representation of marriage will be analysed in terms of the power relationship between the spouses and by the notion of ‘trouthe’. ‘trouthe’ according to the Middle English Dictionary (MED) has about 16 meanings, however this essay will focus on the notions of fidelity, commitment, devotion and honour. The Franklin’s Tale will be the first text to be analysed, then the Wife of Bath’s Prologue.