The Future Of Photography Essay

hotography is an image full of signifiers. We all see and perceive photographs in the same way. Our visual system is the eye, which takes in the physical stimuli of light rays which converts them into electrical and chemical signals that can be interpreted by the brain to construct physical images. Therefore we still understand that the photograph is a representation of reality. Photography has changed since it first was introduced around the year 1800, Thomas Wedgwood created the process on how to capture an image in a camera obscura by means of a light-sensitive substance. It is not just the optical representation we call snapshots, on our smart phones or cameras. It has constantly and continuously advanced throughout it’s existence. The access to smartphones and social media has made photography increasingly popular and essential then ever before. Kevin Robins argues that “old technologies (chemical and optical) have come to seem restrictive and impoverished, whilst the new electronic technologies promise to inaugurate an era of almost unbound freedom and flexibility in the creation of images.” Perceiving an image is also a

Photography has the range to shape and mould reality for it’s own decorative need and that being photographed gives us a sense of being real and of existing. Photography isn’t just the finished image we see on posters, advertisements or television, it is not only a way to document and record. It is a process and a way of visually perceiving. Sontag’s theory on photographic seeing is a new model of vision and claims that photography was about finding out all the beauty in the world, so much so that photography became the standard of what beauty was. In other words, looking at pink and red sun rise across an extraordinary isolated beach landscape became monotonous owing to the fact it looked too much like a