In the introduction of The Romantic Revolution, the author, Tim Blanning states that he intends ‘to identify the most striking characteristics of the romantic revolution and to illustrate them’ . To those who have studied or have a particular interest in the arts of the romantic period may have found this book easy and exciting to read, but to those unfamiliar with the origins and works of the romantic period this text was most likely viewed as boring and indecipherable. It is clear that Blanning has in fact identified the characteristics of the romantic revolution but it is somewhat unclear how he has illustrated them. This book is aimed at an academic audience as Blanning refers to significant works and events of the romantic period as if the reader should be familiar with them rather than explaining them. This book seems to be written not to educate the reader but to interest them.
The strengths and weaknesses of this may vary for some people. For somebody who is not familiar with Romanticism it is likely that they will be able to list more weaknesses than strengths as oppsed to those with a great knowledge of that period. One strength is that the book is very detailed and offers a litany of romantic figures and their works usually with quotes and sometimes an excerpt of the text. Another strength of this work is that Blanning has managed to give such an informative account of the Romantic revolution in three chapters and less than 180 words. Jonathan Bate says of
During the early and mid-19th Century, a literature type known as Romanticism evolved in Europe, creating many works of poetry and literature that are still in use presently. Through Romanticism, poets wanted to shed the light on the beauties or the darknesses of human nature and humans themselves with different characteristics that define Romanticism. ¨Dr. Heideggar´s Experiment¨ by Nathaniel Hawthorne and a short story, Nature, by Ralph Waldo Emerson both present the Romantic Characteristic of preferring youthful innocence over educated sophistication. Both pieces advocate a preference for youth, but ¨Dr.
Student’s Name Professor’s Name Course Name Date How did the Italian Renaissance ideas spread northward and how were they transformed in France or England? Introduction
The romantic movement swept across Europe during the nineteenth century. Poets, artists, and musicians at this time encompassed romanticism’s characteristics into their works. These documents will help to gain a better understanding of the characteristics through analysis and explanation. Romanticism is significant due to its characteristics of emotional exuberance, unrestrained imagination, and spontaneity in both artistic and personal life. To begin with, the literary and artistic scenes during this period were filled with emotive individuals.
In the age of Romanticism, using nature to express ones feelings was one thing that poets loved to do. Focusing on the “London” by William Blake and “Mutability” by P.B. Shelley, one will see the comparison of how both authors used nature and emotion to depict the situations and experiences that they saw during this time. But meanwhile, the emotion and comparison to nature is not always positive, neither is it always negative and in these two poems one can see the differences. Romanticism was a period of time in the 18th century where literary movements was such an ideal trend in Europe. For the most part romanticism was about individualism and human emotions and not so much about power of the hierarchy over the population.
During the period from 1760’s to the 1910’s, the European intellectual viewpoints have evolved over time starting with the Enlightenment, which sparked in the French Revolution. Equality and education became very important to the Europeans along with theories on human behavior and reason. Winding time forward, Romanticism was a movement in the arts and literature that emphasized passion, emotion of the individual, and admiration of nature. This praising of the individual transitioned to imperialism era, which was the colonization by the European powers, USA, and Empire of Japan. Every nation was in a competition to take over the natives’ land first.
Opening paragraph The French Revolution was a major failure and a minor success. After all of the blood shed, the laws, civil rights, and codes did not get instituted effectively and did not represent the values that the citizens had fought for. Examples of this were the Napoleonic Code and Declaration of Rights of Man. Another reason it was a failure was because during the revolts and reforms more than 40,000 men and women died.
In the introduction Blanning argues that, besides the French Revolution and the Industrial Revolution, the Romantic Revolution was as, if not more, important, and just as radical and extensive. He then sets out to prove his point in a very rational setting. In his introduction, Blanning writes that the only way one can hope to understand Romanticism is ‘to enter the world of the romantics by the routes they chose themselves.’ His argument is that in order to fully appreciate Romanticism, one must know, or at least experience, its many appearances in literature, art and music. The book is filled with references to the iconic paintings, operas and novels that were born during the Romantic era.
In The Family Romance of the French Revolution, Lynn Hunt examines the significance of the family and politics in relation to the French Revolution. Looking at ideas of romance that transferred over into family life, Hunt is able to investigate a shift in ideology that played a part in precipitating the French Revolution. Lynn Hunt attempts to make an intervention in the historical literature of the cultural history of the French Revolution. Lynn Hunt is a historian of the French Revolution and Professor of History at University of California at Los Angeles. More broadly, Hunt is interested in the changing of ideas and political spheres in 18th century Europe.
It is the first goal of our essay to understand how marriage and courtship in Shakespeare´s plays are an important exciting theme because it was something real during XVI century. The objective of the essay is to examine how courtship and marriage affects the issues and formation of the play named A Midsummer Night´s Dream (The Malone Society, 1996) focusing on the social and emotional relationships between men and women. Consequently, the aims are: first, to show the importance of the female character in the play according to virginity, chastity and sexuality; second, to explain how love is treated in the play; and lastly, to illustrate how courtship and marriage are depicted through the characters. It is crucial to understand that all of
The Enlightenment was a pattern of thought that started during the 1600s and 1700s “that critically examined traditional ideas and institutions, privileged reason, and championed progress” according to The Bedford Glossary of Critical Terms (Murfin and Ray, “Enlightenment”). Romanticism was the era that immediately followed in the 1800s, and it was characterized by an emphasis on emotion, nature, and fantastical writing (Murfin and Ray, “Romanticism”). Many of the ideals of the Romantic era were almost opposite to the ideals of the Enlightenment. Because of this, Romanticism is the Hegelian antithesis to the ideals of the Enlightenment because it emphasized emotion over reason, nature’s beauty over its danger, and personal stories over general
Dark Romanticism evolves from works of the Romantic Period (1798-1870) with characteristics of horror fiction and death. It is taken as a reaction of the Transcendental Movement, which originated abreast the Romantic Period from 1830 to 1860. Known writers like Edgar Allan Poe, Herman Melville, and Nathaniel Hawthorne found that the ideas displayed in the Transcendental works were idealistic and rose-colored, as a result, they opt to alter these works adding their own element hence this was the birth of the subgenre. To explore more about this subgenre we have three Americans mentioned above that are considered as major Dark Romantics authors. Edgar Allan Poe was born in Boston, Massachusetts on January 19, 1809.
It was dominated by social antagonism between the bourgeoisie and the aristocracy. The paper aims at providing an insight into the factors that caused the French revolution and the themes that emerged during the revolution. It further explores the significance of the revolution and its significance to date towards our system of thinking and interaction. This literature also examines the French revolution and how human nature was viewed. It elaborates on how human beings can be self-interested, savage and yet socially conscious or kind.
Some scholars of romanticism such as William Wordsworth believe that the romanticists treated nature in an almost religious way. “Reasons for the development of this strong connection between nature and romanticism include the Industrial Revolution, which led many people to leave rural areas and live in cities, separated from the natural world”. The best way to reflect this topic is by knowing
M.H. Abrams’s The Mirror and the Lamp: romantic theories and the critical traditions is one of the most influential books in the field of western criticism. It was published in the year of 1953. The title of the book refers to the two contradictory metaphors used to portray the artist – one comparing the artist to a mirror which reflects nature as it is or perfected whereas the other compares the artist to a lamp that illuminates the object under consideration. Professor Abrams in his book illustrates the transition of the perspective of the theorists on the artist from one to the other and the ramifications of the latter in aesthetics, poetics and practical criticism. The essay “Orientation of critical theories” is the first chapter of this book.
The Romantic period believed that emotion was a form of intelligence, and art was a path to transcendence. As a result of the change in beliefs, Romantic poetry is often characterized by nature, imagination, memory, and wisdom. Imagination acts as a source of creativity, and allows us to see what is not immediately apparent. The Romantics believed that we could discover the imagination in nature, which often resulted in a harmony of the two. However, there are times when nature and imagination are in conflict with each other; for example, when imagination acts as an illusion, and distracts us from confronting the issue.