The Summer Solstice Analysis
Nicole Angelika T. Pingol BS Speech Pathology
2015-08515 Humanities II
TITLE PAPER Estrella Alfon’s “Magnificence” and Nick Joaquin’s “The Summer Solstice” are stories heavily focused on women going against the social roles and norms which in turn challenge patriarchy; thus, it is appropriate and fitting to use a feminist approach to analyze the said stories. Moreover, using a feminist criticism is more fitting since the female protagonists of the stories defy the socially constructed view of femininity and masculinity. In both stories, oppression or objectification of women is greatly exhibited. In order to unravel and comprehend the two stories, three questions will be tackled: (a) How is the relationship between
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His distaste and embarrassment of young men becoming slaves or inferior to women can be seen in the following lines: “These young men today—what a disgrace they are! I felt embarrassed as a man to see him following you about with those eyes of a whipped dog” and “He frowned and made a gesture of distaste… To kiss a woman’s feet, to follow her like a dog, to adore her like a slave.’” He even stated that dishonorable men are the people who adore women, “The cads and lunatics—they ‘adore’ the women.” As mentioned earlier, he was also seen commanding and restraining Donya Lupeng’s actions, showing that he is far more superior than his wife, “I warn you, Lupe; do not provoke me!” and “Come, let us go now.” A glimpse of male superiority can also be noticed when Donya Lupeng felt “ashamed of the thoughts that had filled her mind. They seemed improper—almost obscene—and the discovery of such depths of ickedness in herself appalled her” after considering females as a more superior being than males. This dominance was also developed during Guido and Donya Lupeng’s interaction when the latter was skeptical about women reigning and being more supreme than men; she even called Guido “mad!” and told him “No more of your
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