The choice to retaliate or forgive when wronged is a crucial decision everyone must make. Vengeance and virtue are deeply ingrained in the human condition, transcending all cultural and societal barriers. In literature, vengeance, and virtue are universal themes, as seen in Alexandre Dumas’ novel, The Count of Monte Cristo, and William Shakespeare’s play, The Tempest. However, when it comes to the fundamental aspects of the human condition, the value of virtue far outweighs the value of vengeance. Confucius' quote, “If it is vengeance you seek, start by digging two graves,” demonstrates the dangers of revenge. Thus, it is clear that the choice of virtue over vengeance is necessary for anyone seeking to live a fulfilling and meaningful life. …show more content…
On the other hand, it is easy to argue that vengeance is more valuable because someone may gain something from it. In The Count of Monte Cristo, the protagonist, the Count seeks retribution from those who betrayed and conspired against him. The Count harms his perpetrators by killing their family members, causing financial hardship, and disclosing their secrets, while getting nothing in return (Dumas 145, 350, 419, 437). The Count was ultimately unsatisfied and felt pity for the people he harmed. People who seek vengeance discover that they receive nothing in return and that their actions ultimately harm them. Many people believe vengeance is more valuable than virtue because the people who seek it are recovering from what they lost. The Tempest by Shakespeare exemplifies the dangers of revenge-seeking. The protagonist, Prospero, initially pursued revenge on those who wronged him by imprisoning them and subjecting them to torment. However, he soon realized that his pursuit of vengeance only exacerbated his problems (Shakespeare 5, 1, 15-20). In a moment of clarity, Prospero apologized to those he had captured, seeking absolution. Ultimately, Prospero's demonstration of virtue and remorse enabled him to regain his dukedom and reconcile with his adversaries. The moral of the story is clear: the pursuit of vengeance is a self-destructive path, while the practice of virtue is the key to personal and societal
In addition, the threat insures others don't hurt another in the future. But revenge is unnecessary. It only makes one feel worse about themselves, proven by multiple scientific experiments. The idea that revenge restores justice is truly about trait being rests blushed with one another. To conclude, revenge is not beneficial
“On Revenge” by Francis Bacon wrote in 1625 argues that revenge should be output by the law. Revenge enters the story when Tybalt wanted to battle Romeo for crashing the Capulet party. If this did not happen in the story Romeo would have never gotten banned from Verona. He could have stayed with Juliet and sooner or later they could have told each of their families they wanted to get married or escape together. Revenge can twist a story to a harder situation between the main characters.
“The man who seeks revenge digs two graves.” - Ken Kesey This quote is saying that if a person seeks revenge then they are not only hurting the person they are going after but themselves too. After all, evil never wins. We see this all the time in Disney princess movies, the “villain” goes after the protagonist
However, in human nature this desire for justice can be used for a way of revenge. For example in the play, The Crucible, the reader can see a desire for justice for certain characters in the book. The reader can also see how some characters ‘desire for justice’ is really a way for revenge. As seen in The Crucible by Arthur Miller, and the Black Lives Matter movement, it is human nature for man to desire justice and revenge.
“We should forgive our enemies, but not before they are hanged” (Heinrich Heine). Revenge is considered the ultimate drive to one's own vices. It could be someone's victory and another's downfall. Furthermore, revenge always comes with a antecedent cause.
Vengeance demonstrates the qualities that monsters in literature share with society. This is shown by monsters seeking revenge for their previous downfalls; monsters do this by tearing down anyone that affected them. For example, an excerpt from Beowulf stated, “Then it became clear, / obvious to everyone once the fight was over, / that an avenger lurked and was still alive, / grimly biding time. Grendel mother, / monstrous hell-bride, brooded on her wrongs...
This week we discussed ‘“The Tempest” in the Wilderness: A Tale of Two Frontiers’ by Ronald Takaki. In this article, the author discusses the differences between savagery and civilization. The main argument in this argument is shown in the form of examples of how the Indians and Irish were simply harmless at first when discovering the New World, but quickly made into monsters by the English men. I’m sure we’ve all learned in history of John Smith’s description of how the Powhatans cared for the sick and dying English men.
“If an injury has to be done to a man it should be so severe that his vengeance need not be feared.” Niccolo Machiavelli. Is that really true or can people forgive and forget instead of getting revenge every time they are hurt. In The Count of Monte Cristo by Alexandre Dumas the author uses figurative language and imagery to portray the theme of vengeance.
The ability to choose which avenue we will take, and weigh the pros and cons of each one, enables us to make a better choice. Ultimately, when it comes to the end, nothing ever matters except all the things you’ve done up to that point. Did you take the risks you wanted to, did you live your life, did you get what you wanted, did you take revenge? Live life to the fullest, go out and do things, but as Poe might say, make sure it isn’t the wrong things you’re
"The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge. "(Montressor; Cask of Amontillado) As the saying goes, hatred and grudges can lead to fatal circumstances. Edgar Allen Poe illustrates the concept of revenge through Montressors' demented thoughts and creates a sense that Montressor feels revenge should be considered okay because of the reasoning behind it.
Once again revenge leads to the downfall of that person who was seeking revenge. It brings the fact again that revenge is no the
Prospero played a key role in his own downfall. He, for example, failed to manage his authority. He admits enabling his brother 's treason happened because he gave him a lot of powers and neglected his own duties as the head of state as he concentrates on
In addition to Caliban, Prospero's yearning for vengeance also creates internal issues for himself. After Ferdinand and Miranda announce their marriage, Prospero claims his "rejoicing / At nothing can be more," because he must "perform / Much business appertaining," (Shakespeare, 95-99). Usually, a father focuses more on his daughter getting married, however Prospero can only focus on his plans for vengeance. Some believe that the characters internal struggles were caused by the wrongdoers, and not a lack of forgiveness; however, at the end of the play, after Prospero becomes a more virtuous character, his conflicts with his brother and Caliban are resolved, clearly showing that their focus on vengeance is what caused the internal struggles.
Revenge can be a horrible emotion; it can sometimes lead people to do horrible things. By definition, Revenge means to get retribution for a wrongdoing done to you. In my opinion, revenge is mostly caused by fear and the overwhelming feeling of payback Throughout history, revenge, or vengeance, has been altered by several cultures and religions, and even the American culture. Though it often leads one to perform criminal acts, Howard argues that it is a necessary component in the functioning of society. He points out that revenge is a threat that acts as a disincentive to undeserved violence.
Shakespeare’s The Tempest is often considered fiction and finds content in expressing characteristics of both the main character, Prospero and differences in the power dynamics affecting his characters. Shakespeare often uses groups of characters to emphasize the complexity of their surroundings and effects on their behavior. The overall repetition of complications faced or caused in relation to Prospero and play an enormous role in the plot, helping to develop both the his feelings and the emotional ties of others regarding him. Shakespeare also varies the diction to place emphasis on the power dynamic and relationships observed between thespians.