What makes a story great? All great stories and pieces of literature have one aspect in common, they all have a significant theme. A theme brings the story together to make it whole, and it shows the reason why the author wrote that story. The story “Frankenstein” has multiple themes, but the one that I chose stands as friendship is key to loving and living life. I feel this theme represents “Frankenstein” for various reasons. One reason this theme best signifies “Frankenstein” as stated by Mary Shelley in the story, “But I have one want which I have never yet been able to satisfy, and the absence of the object of which I now feel as a most severe evil, I have no friend, Margaret:when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling” (Shelley Letter 2). This quote clearly supports my theme, for example, it says “and the absence of the object of which I now feel as a most severe evil, I have no friend” (Shelley Letter 2). This piece of a quote implies that not having a friend makes the monster feel mad. The monster feels this way as a result …show more content…
19). The monster does not want anyone to see him, because of the hatred towards him. He only wants to have a friend to express himself. He wants someone to listen to him to help him coupe all of his problems. The monster believes that everyone needs a companion, and everyone needs someone to go to when they feel sad and depressed. Everyone deserves a friend or a companion to express themselves to. Having a friend would complete the
Isolation and a lack of companionship is the tragic reality for the monster, who was abandoned by his creator and is repulsive to everyone that he comes across. Victor removes himself from society for many months; severing nearly all human contact then renouncing his creation based on the monster's appearance. As the monster matures he begins to understands the relationship the cottagers share with one another, while the monster, “yearned to be known and loved by these amiable creatures: to see their sweet looks directed towards me with affection was the utmost limit of my ambition. ”(Shelley). Armed with nothing but the longing for a real connection, the monster approaches his unknowing hosts only to be “brutally attacked—by those he trusted...because of their human ignorance.
Regardless of who we strive to be, or who we dare not to be, those who we respect and look up to will be the ones who leave an impression on our lives. To the Monster’s credit, it continued to pursue a life of good deeds until the people it idolized turn on it. Because of the influence made on it by its parental figures the Monster behaves like an outsider, and as an outsider it gains new role models and is governed by new emotions such as anger and hate. The monster should not be blamed for its malicious nature, rather, the people who taught it hate and the Doctor who created it without a true intent of being its
Frankenstein as a book was filled with the feelings of lost motives and finding how abandonment and loneliness can come back harder and make the life that connected them could corrupt everyone who is connected to them. Frankenstein's monster is a great example of how his motives had changed and made the characters in the book make there life change and contort to become something from the fear of responsibility to facing the consequences of abandoning. The monster had shown that the all he wanted was to feel as if he wasn't lonely and that had stayed and changed his character from learning to hatred and his wished had stayed the same. The monster had made his creator his imagine of success with love and looks and was shown with the feeling
He longs for a companion of any kind, but his malign actions drive him further from intimacy of any kind. His attempts in finding a friend are dispirited and ephemeral, like an exhausted toddler throwing a tantrum before falling asleep. Unlike Grendel, however, the monster demands from his creator, “ ‘It is true we shall be monsters, but off from all the world; but on that account we shall be more attached to one another,’ ” (130). Feeling abandoned, the monster initially acts out, but recognizes his anger can be cured with company.
All the monster wanted was company, but because he feels alone. He tries to make friends with the people, but every time someone saw him, they would scream and run away from him. When he talks to Frankenstein, he tells him “I am alone and miserable: man will not associate with me.” The monster first kills Victor 's little brother because he is mad at Victor for creating him the way he is.
The monster depicts his otherness when he wonders: “Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned” (Shelley 85). The monster evidently remains in isolation and is dehumanized. The monster attempts to get integrated into his society but his appearance and lack of social skills hinder his success. The monster strives to be accepted but is incapable of acceptance. The monster reiterates this feeling of isolation as he says: “I felt as if I were placed under a ban- as if I had no right to claim their sympathies – as if never more might I enjoy companionship with them” (Shelley 108).
All of the main characters fight for friendship even if they do so in different ways and for different reasons. All of them feel in need of someone to talk to if it is about science, about what horrible things one has done or about being different and alone. Another feature is the loss of friendship in all cases. Victor loses his friends to death, and so does Walton while the creature never really “fulfilled his dream of being anyone’s true friend” (Jeray 69). This way the novel not only shows the importance of friendship and having companions but also the possible consequences of either being rejected by everyone or of losing beloved people partly even due to own
An unsatisfied need for a sense of belonging transforms Frankenstein’s creature into the monster it ultimately becomes. Therefore, I argue that the predominant theme in Mary Shelley’s Frankenstein is the need for social belonging
Interestingly enough, the novel resembles Shelley’s own life and can be interpreted as a reflection of her perception of families. Shelley shares many of the same characteristics with most of her characters. As the main character in the novel, Frankenstein’s creature is depicted as “a motherless orphan” who had an “unnatural birth” (Griffith). This correlates with Shelley’s own childhood as she was raised without a mother and her birth was in some ways “unnatural” as mothers are not naturally made to die during childbirth.
The unjust treatment that the creature received from humankind was harsh and unreasonable as he wasn’t allowed the opportunity to prove his intentions were far from malicious. His loneliness, isolation and injustice from those he tried to befriend turned him into an actual monster, evidently his perspective and personality changed after being excluded. The monster had been treated unfairly by humanity “I desired love and fellowship and I was spurned. Was there no injustice in this? … Am I to be thought the only criminal when all human kind sinned against me?”
The monster on the other hand had known only loneliness from the second he opened his eyes. The monster learns through painful rejection that he will never find companionship because humans are unable to see past his ghastly appearance and in anger tears away one of Frankenstein’s many companions. This begins the spiral of anger and loneliness that leads to the monster killing nearly everyone Frankenstein is close to. This, inadvertently, forces Frankenstein to have the same feelings of anguish and loneliness that he first instigated in the monster. Frankenstein never realises that all the monster wants is a companion, he cannot see his own emotions reflected in his creation.
This experience allows the monster to realize, that despite being perfect beings, even beauty can experience sorrow, just as ugliness can experience serenity. The monster also learns that the family is in similar position as his own, in which they are isolated from their society due to their crimes. From this judgement, the monster is able to approach the father of the household, by disguising himself as a lowly traveller in need of shelter, the
Mary Shelley 's timeless story seeks to help readers beware of alleviating loneliness through valuing others, and she warns readers that living a life of secrecy drains the joy out of life. The human condition of loneliness triggered many of the events in this book. This creature that Victor Frankenstein forged from cadavers was immediately abandoned. Right after Victor created this innocent monster, he fled from him out of fear.
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost
****( he can only travel by dark because of rejection)* ** A companion soon becomes the creature’s only desire so that maybe, his misery may end and he would feel less like a monster who scares all who behold his hideousness. His lack of