Physical Attractions In The Stranger by Albert Camus, the main character Mersault is a very unique human being. Mersault does not exhibit emotion as normal humans would. Mersault has more of a connection to and concern for the physical world rather than the emotional one. Throughout the novel, Mersault’s actions in society strongly affect the final outcome of the novel. Because he is a stranger to the rest of the society, Mersault is personally attacked because of his differences, eventually leading him to death by the guillotine.
At Wuthering Heights and Thrushcross grange, Heathcliff does not fit in. Since he was taken in as a young boy by Mr. Earnshaw, he has been alienated and treated unjustly by almost everyone. One of the characters that resented Heathcliff from the beginning was Hindley. Hindley treated Heathcliff with no respect and constantly degraded him, “He [Hindley] has been blaming our father for treating Heathcliff too liberally; and swears he will reduce him to his right place” (Brontë 30). After some time of being ridiculed by his so called “brother,” Heathcliff seeks justice for himself by taking revenge on Hindley and plotting to ruin his life, “I’m trying to settle how I shall pay Hindley back.
The novel The Invisible Man explores the theme of alienation that how Griffin 's experimentation has transformed him into an invisible man led to his complete isolation from other people in the society. His brilliance has set him apart from the other. The desperation of his loneliness can be seen through his savage and brutal attacks on people: he can neither eat nor sleep in peace. Eventually, Griffin died a death of the lonely hunted man with no friends. The climax happened once Griffin returned to Kemp 's house aiming to build an associate example of Kemp for having betrayed him.
He begins to resent the society they are in and gets in trouble. He learns that Mustapha Mond has read many forms of literature including Shakespeare. He tells john the savage by reading these thing she has the right to be unhappy and john claims this right. Banning literature is yet another way that they control the population. As you can see, almost every aspect of their lives is controlled by the government from the time they are “born” until they die.
Initially, he seeks attention, telling his war stories to the townspeople. Sadly, they show no interest towards Krebs as the war hysteria died down. His stories seem dull, as the town is over saturated with similar reports of the war life. Krebs resorts to desperate lies that exaggerate his experience, making up for his late arrival. This marks the weakening of Kreb’s ego as his desperate ways lead him into a deeper hole of despair, “A distaste for everything that had happened to him in the war set in because of the lies he had told.” Even his lies seem to lose their effectiveness, as
“Rumor went round the town, and noised abroad the terrible fate that had befallen the suitors; as soon, therefore, as the people heard of it, they gathered from every quarter, groaning and hooting before the house of Odysseus.” (336). Citizens have lived without their king for so long; they no longer rely on him. Instead, they find anger in the fact that he had mercilessly slaughtered their kin, rather than praise their king and his journey to return to them. In their eyes, he is not a hero; instead, he is a killer. These views are soon quelled as Odysseus openly shows remorse for his misdeeds, as instructed by the gods, and reconciles with his people.
He lived the rest of his life in nightmares and fears which denounced his actions. He realized how unscrupulous his actions were and his souls is long huanted by it. After the murder, he does not dare to put the dagger back. We could see, from this point, The warrior and Duncan’s “worthiest cousin” (1.4.15) is so terrified by his own action that a sound would scare him. While he is haunted by guilt, Macbeth has to secure his throne by murdering Banquo and Fleance.
He spent countless days, even years, doing everything he could to hide the affair from the town and his congregation, in order to maintain his power and elite status within the community. By burying his sins deeper and deeper within his heart, Dimmesdale only made the guilt and regret that oppressed his mind stronger. Throughout the book, Hawthorne used the metaphor of a prison to represent the mental effects of Dimmesdale’s sins isolating him from the world and ultimately driving him insane. He chose the prison as a symbol because many criminals go insane within their jail cell due to the constant isolation that forces them to become trapped within their own mind and heart, where they are left to face the constant guilt and regret from their sins. Hawthorne brilliantly expounded upon this metaphor and symbol in relation to Dimmesdale’s life when he wrote, “...the wooden jail was already marked with weather-stains and other indications of age, which gave a yet darker aspect to its beetle-browed and gloomy front”(Hawthorne 45).
Arthur Radley, colloquially known as Boo Radley, is a reclusive man who refrains from leaving his house. This is a significant social faux pas in Maycomb, and as a result, he is highly gossiped about by the townspeople and negative rumors constantly circulate regarding him and how he is mentally ill and should be feared. At the beginning of the novel, Scouts perception of Boo Radley is no different. As the novel progresses Scout slowly begins to empathise more with Boo; and she begins to fear him less after various events in the novel, such as the times Boo leaves Scout and Jem presents (59-60) and the time Boo places a blanket on Scout 's shoulders during the fire at Miss Maudie’s house (71-72). Scout’s empathy towards Boo Radley is really only fully developed by the end of the novel when Boo saves Jem and Scout from Bob Ewell.
Ellison’s narrator discovers late in the novel that he ranks very low on the stratification scale within his own racial culture. He is repeatedly pitted against other men of color within the novel: during a blindfolded battle royal, he is judged too “ginger-colored” (Ellison 21) or as “Sambo” (Ellison 26). He is never seen as acceptable. In truth, he is never seen…until he sees himself at the end of the novel, within his bunker below the city. Similarly, Celie from The Color Purple (Walker) submits to severe sexual, verbal, physical, and emotional abuse from both her father and Mr. ___, because she believes her status, as a dark black woman, deserves such abuse.